Bringing in the noise. If this sound had a title or name it would be that. Bringing in the noise. The sound is made with an all analog modular synth. No fx at all. Not even a spring reverb. I just felt like doing something.
A bass made with one oscillator and drums from yamaha qy-10. Mixed in a noisy mixer. The qy-10 is also acting as sequencer. The bass sound is made on my modular. 101% analog. Including reverb and delay. Yep, now i have got a midi to cv module.
Zlob diode chaos. X output - pan left "alto voice"y output - pan right "soprano voice"z output - pan center "bass voice" (no cv input to vco)trigger out - controls noise. This is a recording that makes a chaos explorer happy.
I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Trying to replicate the sounds from andrews demo videos are to learn. 2 tri lfos to in1/2 and in2/3. Out- to wave folder and out+ to cv in on vco. The bass drum like sound is another story. But modulated by a nlc sloth. . .
Result from a vcv-rack session. A good (or bad) way to get some ideas to implement on the real modular synth. You have to admit this is - experimental.
Made this sound in vcv-rackhttps://freesound. Org/people/gis_sweden/sounds/430997/now i have realized that sound/patch on my modular synth. Less reverb. I use ring modulation instead of amplitude modification. All analog modular synth composing composing. . .
Bartonmusicalcircuits decaying analog noise (bmc23) recorded raw. Manual wiggling. Pure analog high-hat drum module. At the end you hear the pure noise. Germanium diode based noise!.
Privatedareno2 - 3patches - 3min. A challenge kindly started by alienxxx \(^_^)/. Patch 1: the patch that was… a patch i did yesterday. Got that one for free, so to speak. Patch 2: inspired by distant airplanes. Had this in mind. Now i patched up my idea. The wind (or what you decide to call it) is controlled by alm pip slope. New module – for me. Used an external effect, the zoom ms-70cdr. Patch 3: read about feedback. I decided to do a feedback patch. First i made one using oscillators, but i did not manage to do something nice. So i used filters. The first filters feedback is generating triggers. Oh, yes, and i used my sampler (soundmachines ul1uloop). So three patches. I merged/mixed them together in audacity. All sound unedited. Just normalized and i have applied fade in/out – and mixed them together - as written.
Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.
Actually a quite simple patch with not many modules involved. A rewarding patch! have to take some notes. Fm-modulation off-course. Self oscillating filters. Lfos. Sample and hold. Modular fun! well. . . I think its fun.
This sound/track is made with a modular synth and a zoom ms-70cdrwith spacehole reverb and stereocho chorus effect. The music is a patch controled by some random andlfos. I'm not interfering at all.
Modular made space (?) sound. Made a patch that generated some typicalmodular space sounds. Recorded. And now are you listening. Tip: take a part of the sound that seems to be quiet. Open it in yoursound editor. Amplify. . . Space is everywhere. Now slow down the speedof your sample. . . Space is deeeep and have multiple dimensions :-).
. . . But i recorded this. I recorded the sound to celebrate my first stereo patch. Yep, now i have squeezed in three mixers and will be able to make stereo effects on my modular.
the krell patch was conceived by fab wiggler vgermuse, who can be found in the buchla forum!(dcramer, muffwiggler. Org). This is some sort of krell-ish patch. But i don't have an envelope generator with eoc function. . .
Patch with dynamics and variation - or should i call it variations? anyway,working on how to create variations and dynamics in a generative modular patch. I like the silence. . . It sounds like the electronic music of the 60th. I use the same kind of tools. An analog modular synth.
Expect some sick sounds from me!i have built the eurorack module jupiter storm. It's described as a "cosmic noise oscillator". Now i will learn how to tame it. . . So easy to generate totally sick sounds.
Creating slight variations in a simple beat with control voltage. All analog gear in my modular synth. Slightly "mastered" in audacity (normalization, compression, limiter).
Drums, machine glitches, analog rhythms, bells, randomized metallic percussions & sfx. Aalto demo track of the soundset called detailed machinery. More info here:http://www. Zensound. Es/soundsets/aalto-detailed-machinery/.
A synth riff i'm making for a goa song i'm working on. This is at 135 bpm and the notes are f, c#, c, b, g#, used the poizone in fl studio, pulse wave with pw modulating, and with a nic portamento. Enjoy and spread ohm through goa.
Do not compromise with your hart. Let the modular play. Not for someone, but for you. A waveform exploration led to this graphic piece sound/music/thought.
In my bag i have had this little not with a patch on. Today it was time to patch it. I dont know why i once draw it down. If its supposed to be a part of a bigger patch. . . This is the result. Noise.
Diy gate connector techno. My home made gate connector is fun to use for more then modular gate signals. Here we have a beat-ish in stereo. I use the gate connector as a poor mans stereo mixer. The sound is straight out from the modular.
2hp osc is fm modulating bermuda (using fm in). Pitch cv to osc is controlled by sloth and attenuverter. The bermuda tri output singnal is shaped by doepfer vactrol vcf. The vcf is modulated by sloth (cv in 1) and jerkoff (cv in 2). The noise it from dan, going to polivioks vcf. Polivoks is modulated by sloth. Output from vcf is going to vca controlled by another sloth.
Was playing with my spring reverb. This happened. Analog synths are capable of some sick sounds too. . . Sound straight from the synth. No editing or post fx anything.
