2 871 pistes audio libres de droits pour "Note"

Self recordedbass type: hohner professional pj-s. The last recorded single note (my bass was stolen on sept. The 23 in 2012).

Sound effect originally used in a rhythm game for when a player hits the correct note at the correct time.

This is me playing the ancient (very rare) notes which bach created being really drunk. I'm a classics master, so i worked really hard to play it perfectly just as the note sheet says. Feel free to use anywhere, it's classic!(created with care using ableton, grand piano and 2-octave keyboard).

Recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in second inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is second-first-second-root/second-first-second-root-second)

Heavy effects, phase and flange, just some simple notes.

Self recordedbass type: hohner professional pj-s. The last recorded single note (my bass was stolen on sept. The 23 in 2012).

Self recordedbass type: hohner professional pj-s. The last recorded single note (my bass was stolen on sept. The 23 in 2012).

Drum dump 2012 begins. See pack descriptions for notes.

Male speech with some specific pitch saying : 'audio signal processing for music applications'.

Bell sound playing an arp with a sub-octave root note.

Some notes from my roland td7 symphonic patch. If you use them please comment on what you will use it for. Thanks. :^).

A couple of whole notes played with a countryside sound recorded with music studio. Awesome sound to create country atmosphere.

Breakbeat i did at 150 bpm. Pretty much a normal break just with a mono 16th note delay. . . . %__/÷.

A rather flatulent one-shot. Root note c4.

Sudden loud and disturbing sounds, used a lot of effects including distortion and ended up with some interesting audio. Notes are played at random.

Sound effects made the old way - by playing notes on acoustic instruments. This one's a vibraphone in a major.

This contains 2 different uses of the same notes. One higher, and the other lower. I think it has an air of mystery to it.

Bowed-and-fingered tremolo notation. Midi file doesn't convey real quality of tremolos and their differences on open strings versus stopped notes.

A lush and airy pad. Started as a recording of a note on alto saxophone. It contains several resampled/paulstretched layers.

Tonal impact hitting the note g.

Self recordedbass type: hohner professional pj-s. The last recorded single note (my bass was stolen on sept. The 23 in 2012).

Self recordedbass type: hohner professional pj-s. The last recorded single note (my bass was stolen on sept. The 23 in 2012).

A short marimba note - the number donates the octave (i've loaded two octaves worth if you look carefully).

Yawn soundusing voice recorder on samsung galaxy note 9 record my own voice. Then cut it using audacity.

Opening notes of third movement of Beethoven, Symphony No. 5, cello/bass part. This music was published in 1809 and is in the public domain.

Nice tone testing my new mic.

Comma pythagoricien. Deux notes séparées d'un comma pythagoricien, jouées alternativement. Format ogg. Fait avec CSound.

Tone row with Schoenberg's initials preceded by remaining four notes.

Acid bass: 110 bpm c2 note, not your typical saw/square basslines. High sweeping filters in parallel sampled in ableton using massive, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down. Check out my songs on soundcloud :d.

Oy Chanukah performed by the Airmen of Note of the United States Air Force Band. Track 11 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

Albuquerque, new mexico residential morning ambience, high desert neighborhood, birds, wind gusts, walkers pass-by, bformat-fuma. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track) *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Albuquerque, new mexico residential daytime ambience. Wind in trees. Bug-bys. Birds. Ambisonic four channel b-format recording recorded with the zoom h2n in albuquerque, new mexico. *note: recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma b-format files converted from ambix format.

Female singing a d sharp with reverb. No attack, loopable. Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

Acid bass: 110 bpm c2 note, not your typical saw/square basslines. High sweeping filters in parallel with lfo routed to certin parts sampled in ableton using massive, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down. Check out my songs on soundcloud :d.

Away in a Manger (jazz rendition) performed by the Airmen of Note of the United States Air Force Band. Track 10 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*

Ambisonic b-format recording. Recorded with a coresound tetramic. Open field, slightly residential area, early evening. Birds. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Ambisonic b-format recording recorded with the coresound tetramic. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Robotic voice effect using a en:vocoder. This effect is often found in film and television productions. For the technically minded, the voice is modulating a 110Hz en:sawtooth wave, which is the note A two octaves below en:A440. There is also some en:reverberation and phasing added. Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

A very cinematic sounding tremor. Could be looped with a bit of work for a prolonged deep note.

A sound i made with a synthesizer, some delay and a wah effect. The note is a, and the wah and delay fit 130 bpm. (i used it reversed).

Scratch synthesized in tone2 vst saurus. One of saurus presets. Edited a bit - added end note and removed loop. 150bpm.

You can use this music in your videos. This sound was created with layering and frequency processing120 bpm (note a).

Jammed notes played at once with different pitches. Recorded and processed with audacity.

This sound was created with vst vox runs module and frequency processing. 120 bpm note c.

A bunch of random notes played on some chimes. I really don't know why i made this, i must have been really bored. . .

Made using tweaked samples and uvi falcon. All notes are hit in c, different octaves.

I have played some joyful impro on my juno di. Feel free to use. Note me with result. If u want.

A section of the file "439504__drotzruhn__humming-c-d-a-for-alexggqs. Wav" where only the a note is found.

Sound crested in ableton 11. 120 bpm. F note.