360 file audio bebas royalti untuk "Saring"

This is a recording of a guitar loop heavily processed. Equipment used = yamaha pacifica guitar, roland duo capture audio interface, sony acid pro 7. 0, sony sound forge pro 10, fl studio 10, waves plugins (comp-gate and morphoder), antares filter, cycling 74 pluggo (sizzle delays), korg ms 20 emulator. Thanks for czechin out my sounds. . . Enjoy!.

Its just an effect i made with some grainy sample and filtering alongside some reverb / delay. Its 88khz 24bit wav.

A loop. A dirty loop colored by dirt. This time edited i audacity. . . Compressor and limiter.

Playing with diy polivoks filter. Selfresonance, driven by lfo, no audio at input, just 50hz hum.

Processed through chain effects.

Heavily processed vst synth sounds using various filters, delays, flangers and reverb.

Using a frequency filter by setting its oscillations in variable arrays i was able to make most of these sounds. Also vocoding and feedbacks and feed throughs were happening. Then they were altered in audacity.

Like the first version but slower enflaming of the bigger fire and with filter. From these cc0 masterpieces:https://freesound. Org/people/juandresound/sounds/490914/https://freesound. Org/people/craigsmith/sounds/483311/https://freesound. Org/people/ryding/sounds/109313/https://freesound. Org/people/kyles/sounds/454016/.

Pouring water into a glass with an eco-filtro.

Filter sweep with modded dirt filter.

High pitch synth stab with resonant filter. [root: g][format: wav][license: cc 0].

I have created this bass out of my voice, it is pretty rough for ears if you have got a good headphones or repro. I had to widen it and make it sound more dynamically. Enjoy!.

A simple, soft whitenoise crash made with reason's thor synthesizer. Very easy to make.

A very hard hitting sub kick drum. A filtered heavily compressed 808 that's been dropped half and octave.

Nice trick working with doepfer a-101-1 vactrol vcf. Noise to lp in. Gate to cvf in 1 out straight to mixer. Low frequency. High emph. Lp 0, bp about 5 and hp 0. Added a bass and my sampled voice. . .

A recording of my mini-fridge that i split into two components - the hum (this) and the evaporator thing that makes all the drippy sounds. I separated them so people can change the volume of each element, since i noticed with my fridge that you can only really hear the hum if you're really close, but hear the drippy sounds from quite a distance away, even if they're really quiet. Recorded with a zoom h4n pro, used rx7 to separate the elements. As always, i've got the un-modified loop in my "raw recordings" pack.

This sound was created using "the legend" synthesizerbpm: 134key: a minorcheck it out: https://presetshare. Com/preset/view?id=1710.

A snippet of a jam session.

A digital imaginary bubble.

A re-edit of this::. Https://freesound. Org/s/145592/. Filtered it a few times and added a few reverbs. All done in cool edit. . . I mean adobe audition.

This sound is part of a series and was originally a recorded finger snap. Recording gear:- 2 x behringer c2 small diaphragm condenser microphones with cardioid polar pattern- focusrite scarlett 2i4 audio interfacesoftware:- sound forge pro.

Sound created from using the rings of saturn as a spectral source to a series of filters. When a 1 pixel high image of the rings is extracted it looks like a spectrogram (original: https://en. Wikipedia. Org/wiki/file:saturn%27s_rings_dark_side_mosaic. Jpg). The ring spectrogram was divided into three color planes, and the color intensity values were transformed into resonant filter cutoff frequencies. In essence one filter unit (per color plane) has 256 sounds playing simultaneously. The individual filters are placed along the x-axis so, that the stereo image consists of 256 steps from left to right. In this sound of the series the spectrum was compressed to a range of 20 - 1000 hz. A small variation in certain divider factor per color plane is introduced for a slight chorus like effect.

Doepfer a-118 white noise through an a-108 vcf8 using the band-pass out. Audio level: 4. 5emphasis/resonance: 9frequency: around 12khz. Recorded using a rme babyface and cubase 6. 5. I tried to cut seemless loops. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Created using lmms and the zynaddsubfx plugin with loads of automation on the filters.

(recorder: zoomh4npro 2018)(microphones: roland binaural earbuds / microphones). A recording of pool equipment operating to filter water and supply a hot tub. This seems to be a great sound for any engine-room. This audio may be applicable in many situations. Enjoy!. - christopher.

White noise from a synth with shifting filters. Sounds like harsh winter wind. Used this for wind sound effect in a play sound design for a scene in the mountains of nepal.

Heavily processed vst synth sounds using various filters, distortion, phasers and reverbs.

Electric guitar with a gliding time stretch.

Cliche space-like sound, made by accident :).

A beat with filter and fx.

A cryptic message from outerspace.

From my personal library, a packet of kick samples processed with tube input and triton extreme filters. All samples are normalized to 0 db and ready to use.

A sample i made years ago. Pitched way down to create a seamless loop of ambience with two automated notch filters and an automated bandpass filter on flstudio's pmeq2. If required, i can process this sound again with different filters for those who request it. This is not the fully opened sound. Hope you enjoy ^_^~byngsies.

I filtered the flowing of the river and made it sound like a distant rumble like the storm is coming.

This is a recording of a vitamin c tablet dissolving in a cup of water. Recorded with an edirol r-o9 and a nice hydrophone. By lifting the hydrophone in and out of the water some very nice filtering effects where created. This sound has many applications for sound design!.

I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 17 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor. For this record, i've deleted the major part of the notes. Some new settings of the echo filter, are applied.

This was a pretty hard work. I only use a triple osc and i took an advantage of the several asio bugs of my soundcard. I don't mix the sound. I've re-recorded that shape 15 times, after that, i applied massive echo and reverb filters. 3 osc, echo, reverb, compressor.

Original sound captured using a zoom h5 recorder and a rode nt5 microphone. Cut and reversed in ocenaudio. Timestretching and filtering (pro-filter, talk wah) applied using reaper. It started here:http://freesound. Org/people/cabled_mess/sounds/352069/http://freesound. Org/people/cabled_mess/sounds/360734/. It's always nice to hear what projects you use these sounds for. Let me know. One more thing. Maybe check out my links, perhaps you'll find something you like. :o).

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

This is a processed waveform of an engine. I made it with fruity loops granulizer. Enjoy :).

Sfx conversion edited: adobe + fxs + mastered.

A massive feedback sound by putting tons of delay, reverb, distortion and more weirdness on some sample. Made in ableton live 7, with freeware vst plug-ins: crazyivan and ambience.

That's the security instructions you get when you enter the greyhound bus from new york to montrealrecorded 16bit 44,100 with h4n.

I tested ho effective the idea in http://www. Freesound. Org/forum/viewtopic. Php?p=24663#24663 is and used a splatter guard to keep the wshwshwshwhshwww away from my zoom h2public domain/cc0 like most of my sounds.

More creepy sounds! now in uncompressed. Wav form.

Gently dipping below water. Filter added at the end. Foley.

Gently dipping below water, a bit fuller than the first one. Filter added at the end. Foley.

Synthetically made sound with reverbs and filtered. Enjoy!.

Dramatic plucks from a modular synth with short intense reverb swells.

Crickets recorded at night, in my garden, in summer. Recorded with a tascam dr-05. The sound was post-processed with audacity to remove the background noise (it was a stormy weather). If you want the raw sound without post-process, find "crickets at night - raw sound". I recorded this sound intended to use it in the video game i'm currently developing : the elven decline.