569 로열티 프리 오디오 트랙들 "Resonance"에 대한

A taunted dark drone atmosphere, spooky string resonations with a disjointed piano in the background. A tense sound, perhaps for a scene of reflection or a disturbing discovery. Flickering black and white images. Created in ableton live.

Here's the sound when danny phantom is going ghost! i'm told it also resembles the sound effect in the yu yu hakasho opening. The sound is just two white noise whooshes on top of each other, one descending in pitch and one with a little more resonance ascending in pitch. Made in hybrid3.

A marimba note being struck while thrown in to the air. Can't remember the mic that was used but it was a condensor mic. This was recorded in my room so unfortunately the signal to ambient noise ratio isn't great. The sound can be used for free (though it would be great to hear about what you do with it). It may not be re-distributed as it is, or as part of a compiled sound library.

Took a violin bow to a chinese guzheng and the results were pretty great. Good for ambience, drones and creepy stuff. Recorded with blue spark and blue bluebird condenser mics through a scarlett 6i6 interface. Uncut with a small glue compressor to minimize spikes.

One of a series of recordings i made from a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. These sounds might serve you well for game and ui sound design! recorded into a universal audio arrow.

I recorded the acoustic guitar with audacity, then added the fx with reaper. It is named 5pm because that was the time when i recorded it. In reaper i made 3 tracks of the same recording and added different fx to each one:track 1 contained reverb and flange with adjusted tempo. Track 2 contained a pitch delay doubler. Track 3 contained a resonant lowpass filter - low quality.

Me hitting 7x13 tama s. L. P. G-maple snare drum. Different dynamic hits including ghost notes. 13" evans st dry coated on batter and 13" evans snare side on resonant. Recorded with a slate digital vms ml-1 large-diaphragm modeling microphone.

I used bdx for the kick, sent through disto-fx and various eq plugins. Cymbalistic was used for the hihats, with further eq and gating placed on it. The snare was from a free sample pack (i can't remember the name of) sent through a resonator, eq plugins and some soft-clippers to give it a bigger sound. Clipmax was used on the master channel.

Two-pole circuit breaker recorded held in my hand, also pressed against a wooden board for more resonance. And some rattling mechanical handling noises at the end. Useful as electrical switch click. 96 khz, 32-bit float. Tlm-103 mic straight into pro tools. The only processing is a mild gate. At least it has a good noise floor.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Sound created from using the rings of saturn as a spectral source to a series of filters. When a 1 pixel high image of the rings is extracted it looks like a spectrogram (original: https://en. Wikipedia. Org/wiki/file:saturn%27s_rings_dark_side_mosaic. Jpg). The ring spectrogram was divided into three color planes, and the color intensity values were transformed into resonant filter cutoff frequencies. In essence one filter unit (per color plane) has 256 sounds playing simultaneously. The individual filters are placed along the x-axis so, that the stereo image consists of 256 steps from left to right. In this sound of the series the spectrum was compressed to a range of 20 - 1000 hz. A small variation in certain divider factor per color plane is introduced for a slight chorus like effect.

This is taken from (and an answer to) mxsmanic's "trip on métro line 9 in paris, france", at 2:20 exactly: metro on rails through the tunnel, which resonance creates this sound (very familiar to me as i live here). Interesting to notice that the sound's frequency stays around 483hz, which was (in the ancient solfeggio frequency science attributed to pythagoras) the frequency of "opening consciousness".

Hitting a half-full insulated klean kanteen water bottle with various objects. First short set with my fingertip, second set with the side of my varnished tin starbucks coffee mug and the third set with the side of a standard 3/8" plastic sharpie marker. According to my synth, this is extremely close to, if not spot-on with a d-natural (294 hz).

Creategenerate sine wave tone, frequency = 340. 00 hz, amplitude = 0. 80, 30 secondsduplicatedapplied effect wahwah…frequency = 4. 0 hz, start phase = 280 deg, depht = 92%resonance = 6. 9 frequency offset = 30%applied effect : tremolodeleted 30 seconds at t = 0. 0generate sine wave tone, frequency = 330. 00 hz, amplitude = 1. 00,30 secondsapplied effect wahwah… frequency = 1. 5 hz, start phase = 359 deg, depht = 33%, resonance = 6. 9, frequency offset = 30%duplicatedtime shifted tracks/clips right 0. 61 secondsmixed and rendered 2 tracks into one new mono trackapplied effect : tremoloapllied effect : apple : audistortionapplied effect : valve saturationapplied effect sliding time scale/pitch shiftduplicatedgenerate sine wave tone, frequency = 120. 00 hz, amplitude = 1. 00, 22. 000000 secondsdeleted 44. 91 seconds at t = 0. 00mixed and rendered 2 tracks into one new mono trackapplied effect: compressornormalize to 0 db.

This is a recording made just outside my window. A helicopter flew over just a minute later, twice! i used a cheap large diaphragm condensor mic, with a plastic bendable tube around it, pointing just outside of my window. This created a cool midrangy-resonant-combfilter kind of sound. Gear used: cheap ldc -> m-audio dmp3 -> terratec ewx2496. This is for the earthfirewindwater contest. It is a 2:08 minute long, stereo 24/44 wave file.

Some generative wildfire sfx made with sunvox. The crackling sounds were made by taking some highpassed white noise, ring modulating it with some more white noise, and then using a noise gate to usilate the loudest 'crackles'. The rumbling was created using lowpassed white noise, and the wind was made by bandpassing white noise with a high resonance and randomly sliding the filter frequency. Everything was sent into a reverb and a stereo expander.

Tabla is percussion instrument with two drums 'daya' and 'baya'. Only the 'daya' drum is usually tuned. For checking the tuning the 'na' bol is played. Recorded using samson-go portable condenser mike at home. Placing the mike too close to tabla was clipping the sound and if placed away, it was not picking the extended resonance. Hence the mike was moved closer after attack, hence the apparent increase in amplitude and some doppler effect is seen.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Skewer slam is a combination of my knife sharpening sounds and metallic impacts/wobblers (some not yet uploaded here!) to create a sesnsation of something big, intense and lethal coming towards whoever it either find offensive or is ambulatory. As a personal note; the distortion you hear is not because of clipping in the initial recording but because of the higher acoutistic resonance and limiters applied which will not sound like this when downloaded.

White noise through s&h sampled at audio rate using neóni. Quantised sequenced in mimeophon and dpo using 0-ctrl. 1/2 signal through erbe-verb the other through mimeophon. 10 markers set. Rendered at 48khz 32bit for morphagene in reaper. Enjoy!.

Glass beer bottle blow sounding like the background "whoo" effect in the movies alien and blade runner. Mono. Old school spot effect. Helmholtz resonance using a partially-filled (for pitch tuning) glass beer bottle. The resulting tone was sampled, bandpass filtered, pitch bent and laid over a copy of the original sample. Reverb added post-effect to push the sound back and smooth out some nasty quantizing artefacts caused by the pitch bender.

Loopable lead sound from my technosaurus microcon, obtained by multi tracking 3 slightly detuned and lightly off phase saw waves. 12 pole filter, fully opened, no resonance. Played in gate-trigger mode (no adsr whatsoever). Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Sound synthesis made from chuck programming language. The model is a connection from an impulse generator to 40 digital filters to 40 delay linesand set feedback between each delay lines. Each delay lines's delay time and cutoff frequency is random. But there was an error in the calculation and the output value overflows. And this create a chaotic behavior in this sample. - - -. This one is a smooth rising soundwith alternating digital aliasing resonances at the end.

I play three notes on tenor trombone: Bb3, Bb2 and Bb1. They are all in first position. The first two notes are in the standard range of the trombone, while the last note is a pedal tone. This occurs when the instrument resonates at the fundamental, rather than the 2nd harmonic. Pedal Bb is relatively easy on trombone, but much harder on trumpet (I'm unable to do it, despite being proficient at trumpet and at a beginner's level on the trombone).

This is a series of sounds created for spitfire audio's make music day 2020 #spitfiremmd2020 it is a plastic drum, a springy pot rack and a big metal chip bin. There are both harmonic and enharmonic sounds here. The bin as a wonderful resonance and a lot of low end. This is a mono recording through a sennheiser 416 and an rme pre-amp. Enjoy!.

It's a recording of a modern portable cash register printing a daily report. Then the paper tape is ripped of. There are funny frequency effects caused by the paper tape getting longer and resonating different frequencies. The sound have not beet piped through any processing. Recorded with a hand-held zoom h2's rear mics. Originally 96khz/24-bit wav. Edited and converted to flac using audacity.

Doepfer a-118 white noise through an a-108 vcf8 using the band-pass out. Audio level: 4. 5emphasis/resonance: 9frequency: around 12khz. Recorded using a rme babyface and cubase 6. 5. I tried to cut seemless loops. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Muffled muddy balim sound created with interplay of 2 o-ctrl (thanks walker!) through strega and o-coast. Echophon, mimeophon and morphagene heavily involved along with the haible tau phaser. X-pan plays the stereo. Rendered in reaper @48khz 32 bit fp with 14 markers for all you morphagene fans out there. Enjoy the mud!.

Some kind of tardis-esque machinery humming away, ready to project the adventurer into outer space. Would be useful as a sound effect for a video involving strange futuristic machinery. No effects have been put on it to aid this. This was created with my eurorack, the main component is a waldorf wavetable oscillator nw-1 module, put through an a-127 triple voltage controlled resonance filter and a a-188-2 tapped bdd delay. The filter and oscillator are modulated in sync by an a-145 lfo.

Placing an object somewhere in an epic, resonant way. In fact placing a water filter on top of a gas cooker. Recorded with zoom h2. Edited with audacity. This sound is cc0 but i highly recommend that you include a link to this page when using it, to avoid misunderstandings. Http://farm9. Staticflickr. Com/8070/8213683889_517a10ef52_o. Pngon flac and ogg vorbis audio file formats. Contact me if you have interest in specific sounds for open source or commercial purpose.

Creation date: 13 - 06 - 2017. Details of this sound:. Subject of recording:- object : small waterfall- material : water. Place of capture:- type : in forest- resonance : very low- distance from source : 2 m / 2 yard. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : rycote dr-40mwj. Recording parameters:- capture type : stereo- resolution : 16bit 44khz- input level: 60. Software used:none.

Kind of a continuation on the "world in chains" theme. Here the ghouls are getting ready to seep out through the cracks in the pavement and pay the world up above a ghoulish visit. Oh and don't forget fungus the bogeyman, my favourite raymond briggs character. Try guessing what modules i used. (hint: all but 3 are from makenoise).

This is a recording of two gretsch catalina maple floor toms, one 14 inches in diameter, one 16 inches. I replaced the original tom feet with pearl air suspension feet, which gave a huge improvement in tone, resonance and sustain. Recorded with a sony ecm-ds70p stereo recording microphone into an iriver h340 mp3 player. Normalized in sony sound forge.

Contact mic recording of a large folding clothes hanger/dryer. Tapped on the stems for hanging clothes to create some weird drone/percussion hits. Recorded with a lom geofon contact microphone into a sony pcm-a10 handheld recorder.

This is a repost of beerbottlewhoo. Ogg. It's the same sound except that this one is in wav format. Glass beer bottle blow sounding like the background "whoo" effect in the movies alien and blade runner. Mono. Old school spot effect. Helmholtz resonance using a partially-filled (for pitch tuning) glass beer bottle. The resulting tone was sampled, bandpass filtered, pitch bent and laid over a copy of the original sample. Reverb added post-effect to push the sound back and smooth out some nasty quantizing artefacts caused by the pitch bender.

Breathing industrial game: different breathing with some distortion. Sampled into ableton using distortions like trash2, compression using psp compressor2. Recorded using a sm58 mic into ua-25ex. Crazy sounds is what i do. Check out my songs on soundcloud. Com/spankmyfilth :d. .

This is a remix of oceas 8th loop at 130bpm, the samples in this pack were made mostly by running the original loop through a custom plugin i made with synthedit. The general idea of the plugin is to seperate the incoming audio into 8 seperate channels using high-resonance bandpass filters, then run each of the 8 channels through its own special effect including reverb, delay, harmonic generation, ring modulation, modulation of the original signal by the harmonic generation signal out, and another reverb.

Creation date: 16 - 06 - 2017. Details of this sound:. Subject of recording:- object : bedside lamp switch- material : plastic- peculiarity : button + sizzles of bulb. Place of capture:- type : inside- resonance : none- distance from source : 20 cm / 1 lien. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit and 44,1khz. Software used:- fl studio 11. Fx added:- edison : to amplify the signal and to suppress parasites. _______.

Creation date: 14 - 60 - 2017. Details of this sound:. Subject of recording:- object : upright piano- material : wood and strings- peculiarity : quite high. Place of capture:- type : inside- resonance : none- distance from source : above. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : none. Recording parameters:- capture type : mono- resolution : 16bit 44,1khz. Software used:- fl studio 11. Fx added:- edison : remove noise, reverse spectrum and suppress reverb.

The putipu'ù is a percussion instrument used in neapolitan folk music and, generally speaking in the folk music of much of southern italy. (an alternative name is "caccavella". ) the name putipù is onomatopoeia for the "burping" sound the instrument makes when played. The instrument consists of a membrane stretched across a resonating chamber, like a drum. Instead of the membrane being stuck, however, a handle is used to compress air rhythmically within the chamber. The air then spurts audibly out of the not-quite-hermetic seal that fastens the membrane to the clay or metal body of the instrument.

Blip random: c2 note, random short blip sounds from synplant. Sampled into ableton as atonal as possible with a bit of effects, compression using psp compressor2 and psp warmer. Random seeds in synplant, and very little other effects used. Crazy sounds is what i do. Check out my songs on soundcloud :d.

Alien alarm: 110 bpm c2 note, strange sounding alarm. Absynth 5 sampled into ableton, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. Crazy sounds. Check out my songs on soundcloud :d.

An impulse response, made with vital softsynth, simulating the responce of a bunch of strings tuned to notes of bohlen—pierce scale. Specifically, a middle ground between 13 equal divisions of a tritave (interval 3/1) and the just-intonation bohlen—pierce scale. (for no particular reason. ). Convolving with this might add some xen flavor to your sounds, even if you play in standard tuning 12edo. I tried it with surge xt’s hammered dulcimer patch (i love hammered dulcimer!) and heard some additional shimmering.

Some sort of synthesized wind noise. Sound created with the korg electribe 2 using several instances of filtered white noise. The filters are resonant and modulated. Post-processing was done in cubase. More stuff:https://www. Pond5. Com/video-sound-effects-music-after-effects-photos-illustrations-images-3d-models/1/clipbin%3a1113500. Html.

An almost similar snare sound to that of idioteque in radiohead's 2000 album kid a. Though it is meant for experimental style, i think it would work with any form of electronic music. It was created by resonating noise from audacity, filtering it, fading it out, stretching it and compressing it. It has a characteristic sustain to it. Imagine it as a mix of a gunshot, cymbal, shaker and snare. Feel free to use it in any way you like. If you ever use it publicly or commercially, notify me so that i can hear how you used it.

Used in a mix where someone gets hit in the head with a wooden stick. A very versatile sound. There's a bit of low-end resonance in the end of the hits. This sound is licensed under creative commons 0, meaning you can use it in any work, for free, forever! however, i request that if you do use it in your project, you leave a comment below sharing what you used it for. You can use the sound regardless, but i would love to see what people use it for. Thanks, and happy mixing!.

Blip trails: c2 note, random blip sounds with fast attacks and short trails using massive. Sampled into ableton with just a touch of reverb to help the trail smooth out, compression using psp compressor2 and psp warmer. Random parameters in massive, and very little other effects used. Crazy sounds is what i do. Check out my songs on soundcloud/spankmyfilth :d.

For this sound, i generated a square wave at a frequency of 440 hz and an amplitude of 0. 80 and a duration of 1 second. I choosed the following effects:1- wahwah with frequency f=1. 5hz , amplitude= 70 %, resonance = 2. 5 and offset frequency = 30%2. Repeat3- compressor (x2)4- fade in (half of the sound)5- fade out ( the other half of the sound)6 - phaser with 10 phases7 - paulstretch with the stretching factor=5 and resolution = 0. 258- echo with 1 second delay , decay factor=0. 59 - cut (to arrange the sound). After all this effects, the sound is like a sound recorded in space with echos.

In a room full of whirring machinery, a small robot and a very large robot use beeps to sing a duet: “hine, e hine”, written by the princess te rangipae (fannie rose howie/pane poata - te whanau-a-apanui, ngati porou) in 1905. Made with the freesound samples:. “3beeps” by pera - https://freesound. Org/people/pera/sounds/56229/ (cc0)“thailand room tone hotel open hall common area with air conditioning, fan, and distant traffic bassy echoey resonant through wall. Flac” by - https://freesound. Org/people/kyles/sounds/177721/ (cc0).

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. ‘slayer’ refers to s-layer, the sample-mangling plugin made by twisted tools. By layering, blending, and mulching the original monos recordings, i was able to get a range of sounds the are dynamic, punchy, and unabashedly stereo. These might be useful for edgy-sounding ui elements.