67 로열티 프리 오디오 트랙들 "Semitones"에 대한

Four-semitone tritone scale on C

Flute dizi c all notes + pitched semitones.

Symmetrical four-semitone tritone scale on C

*Semitone Maximus on C = D♭. 27:25 = 133.24 cents. Limit: 5-limit.

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.

*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.

This is part of a experiment on pitch difference. The audio consist on the 12 semitones of an octave, made up with sine waves.

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 28,70

*Major semitone/Minor diatonic semitone (17th harmoic) on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. MIDI pitch bend: 75,65

Some minor second (semitone) dissonant melodies.

*Tridecimal semitone on C. Just: 14:13 = 128.30 cents. Limit: 13-limit. Created in Sibelius with midi pitch bend on 73 for 128.125 cents rather than 128.30. New version a m2 on 7,73 for 128.2958984375 cents rather than 128.30.

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.

*Lesser 23-limit semitone on C = D♭-. Just: 24:23 = 73.68 cents. Limit: 23-limit. MIDI pitch bend: 74,87 on PU

*Minor semitone on C = D♭ (Ben Johnston's notation). 18/17 = 98.95 cents. MIDI pitch bend: 85,63

Transformed using sine model.

Most dissonant triad in Bohlen-Pierce tuning: 0,1,2 (semitones).

*Greater 23-limit semitone on C = C↓♯+. Just: 23:22 = 76.96 cents. Limit: 23-limit. MIDI pitch bend: 80,88 on PU

*Bohlen-Pierce scale: interval between C and D, semitone maximus on C = D. Just: 25/21 = 301.85 cents. MIDI pitch bend: 76,64

*Pythagorean minor semitone/Pythagorean limma on C = D♭-- (Ben Johnston's notation). 256/243 = 90.22 cents. Limit: 3-limit. MIDI pitch bend: 112,60

Tritone scale on C.

*Just diatonic semitone on C = D♭- (Ben Johnston's notation). Just: 16:15 = 111.73 cents. Limit: 5-limit. MIDI pitch bend: 79,67 Created in Sibelius.

*Just chromatic semitone on C = C♯ (Ben Johnston's notation). 25:24 = 70.67 cents. Limit: 5-limit. MIDI pitch bend: 79,86 on PU

*Septimal chromatic semitone on C = D♭ (Ben Johnston's notation). 21:20 = 84.47 cents. Limit: 7-limit. MIDI pitch bend: 4,91 on PU

Performed by iit delhi at rendezvous 2018.

*"Semitone" in the Bohlen-Pierce scale on C = Db to D or Bb to B. Just: 625/567 = 168.61 cents. Limit: 7-limit. MIDI pitch bend: 122,53 Title refers to number of semitones (unison=0).

*Octave and septimal chromatic semitone on C = D♭ (Ben Johnston's notation). Just: 21:10 = 1284.47 cents. Limit: 7-limit. Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on 4,91 for 1284.472656 cents rather than 1200.

Quartal chords descending by semitone. Created by Hyacinth (talk) 21:48, 2 February 2012 (UTC) using Sibelius 5.

*Major limma (135th harmonic) on C = C♯+ (Ben Johnston's notation). Just: 135:128 = 92.18 cents. Limit: 5-limit. MIDI pitch bend: 64,61

12 day old baby boy crying, slowed down by 16 semitones, without time correction.

Quantized clicking sounds i made by pitching up multiple hi-hat lines by 48 semitones.

Triad in Bohlen-Pierce tuning (0 11 13). Title refers to number of semitones (unison=0).

Triad in Bohlen-Pierce tuning (0 7 10). Title refers to number of semitones (unison=0).

Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.

Pipe organ c3 note (fondamental frequency = 261,46 hz, i. E. C3 minus 1. 1 cent of semitone). Organ stop named "montre 8". Recorded in france.

A werewolf silently stalks a human while concealed before unleashing a roar. Please comment. This is all my voice, pitched down 4 semitones to make the roar deeper.

Triad in Equal Tempered Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

Applied hourglass to glass-bowing sounds with transposition spread set to more than 1…2 semitones, resulting in tense dissonant sound.

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

Demon saying requiescat in pace human (latin for rest in peace)in reverse to get that otherworldly effect. I did this with my voice, reversed it and pitched it down 2 semitones.

*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70

Triad in Just Bohlen-Pierce tuning (0 6 10 semitones). Title refers to harmonics (fundamental=1,3,9,etc.).

Triad in Equal Tempered Bohlen-Pierce tuning (0 4 7 semitones). Title refers to harmonics (fundamental=1:3:9:etc.).

This is my voice recorded on my akg c-214 condenser microphone. In adobe audition i used effects>time and pitch>stretch and pitch (process), changing stretch to 83. 21% and semitones to 3. 58 to achieve a close approximation to the minions.

Layered a nice snare, some noise, clap, and even a really pitched up kick( like 24 semitones up) to get this sound. Added in some tape saturation and compression(rough rider) and voila, i made a dirty snare. :).

Please comment if you download, i am interested to see what it's being used for. I am not looking to be credited at all it's just pure interest. I do this for fun. I did this with my mouth and pitched it down 3 semitones. No other effects were used.

This is a sample of a metal kitchen mixing bowl. The first note (c#, not perfect c#) is unpitched and recorded as is. The following notes are the original note pitched up 1 semitone each time to achieve a 13 note scale c# to c#.

3 guitar layers double-tracked and panned, reversed, pitched up 2 semitones, filtered via cab simulation, looped, faded. Mbv inspired, short ambient guitar oriented loop. Ableton live. April 8 4pm 2023 pa southeast.

Two small blades sliding over each other. The sound is made by using two small kitchen knifes however, try pitching it down to -12 semitones and further for a sword-like sound. The noise of the recording is gated so it still comes through a little on the decay.