2 352 аудиофайла без роялти для "Vocal"

This is a trnsformation of the original sound: http://www. Freesound. Org/people/xserra/sounds/254374/ , with the parameters:. For synthesis:window type: hammingwindow size: 801fft size: 2048minimum f0: 160maximum f0: 260number of harmonics: 80threshold: -100minimum length of harmonics:. 1stochastic decimation factor : 0. 2minimum sine duration : 0. 1. For transformation :frequency scaling factors : [0, 0. 4, 1, 0. 4] <- (make frequency lower)frequency stretching factors : [0, 1, 1, 1] <- (no change)timbrepreservation : 1 <- (no change)time scaling factors : [0, 0, 1, 0. 7] <- (faster).

Recording is a 24 bit stereo wav file. Literally using a "motivational speaker" tape found in a box (full of several more of these god awful things!) while digging through the neighborhood trash to test out and setup a pitch-shifted vocal patch for my noisecore project. Effects used: danelectro fish & chips eq, korg ax3g multi-effect, and alesis nanoverb direct to sound card. Processed in goldwave(compression to reduce peaks and fading on the beginning/end. ).

Oddly enough this man does not consider himself a baritone, and his speaking voice is not so deep. This was not modified except with noise reduction, because the air conditioning was audible. It just happens to be the deepest sound i've ever heard him make, and he wasn't awake. So it wasn't a moan, or a groan, or a gasp. Please tell me what you think it is. I called it an exhale, and yeah, i don't think grizzlies typically go this low.

The title was what i told him. It wasn't that recent and nobody really got hurt, so why agonize? it was supposed to be just beer and chips i was serving. Shouldn't have ever repeated. Suddenly i was being handed my robe and hustled off to put it on. I guess he saw me trying to disappear into the hallway. Had to tell him something, and i wasn't really up for a war.

1st release date: 1936 1st recording date: 4 October 1935 Place of recording: London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor(s): Thomas Beecham (1879-1961) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 99 in E-flat major Content: 1st Movement - Vivace assai (Conclusion) Genre(s):Symphony

A description of every word that normally comes out of my mouth. Part of a few test recordings trying to figure out my microphone. The clip has been compressed and de-essed. Not fully happy with the eqing, tho. Still learning. For those interested in the technical stuff, i'm using a rode nt1 (the newer, black one), recorded with a zoom h6 at 96k/24bit, processed and edited in vegas pro at same samplerate.

I had no part in producing this sound. A girl entered a vehicle and masturbated herself to climax. The story i heard was a lark on a dare, in broad daylight on a sanitized shift knob. The really interesting part was, it wasn't a car owned by either of the girls involved, the darer or the dared, and in fact the owner would have been very upset. If he'd known. I guess she did have access to the keys.

Keep On Going (When You Get Where You're Going You Won't Be Missed At All) Written by Al Bernard and Paul Crane Performed by Daisy Martin with Tampa Blue Jazz Band Okeh 10" 8013, Side A Matrix Okeh S-70088-B Recorded in August 1921 David Giovannoni Collection

Created this for a yt video and i use a lot of sfx from this awesome awesome resource (thank you so much) so i want to start giving back as much as i can. I created the sound by recording it directly into audacity then adjusting the pitch down 30%. Thats it really :-) thanks. No need for attribution to me on this one (creative commons), although please abide be freesounds main attribution guidelines. .

1st release date: 1934 1st recording date: 1934 Place of recording: Camden Church Studio No. 2 (Trinity Church Studio), Camden, New Jersey (United States) Author(s)/Composer(s): Pyotr Ilyich Tchaikovsky (1840-1893) Lyricist(s): none Conductor: Leopold Stokowski (1882-1977) Performer(s): Philadelphia Orchestra Vocal range: instrumental Title/Work: Nutcracker Suite, Op. 71A Content: Waltz of the Flowers (Conclusion) Genre(s): Ballet suite (orchestral suite)

Recorded right next to a mosque in alanya from my hotel balcony. Recorded in stereo at 24 bit with a sony pcm m-10 with furry windshield. All my sounds are dedicated to the public domain, and are free to use, no restrictions. Although i really appreciate a message or comment if you use my sound for something interesting. Always fun to hear where my recordings end up :).

Audio de 6 personas diciendo las vocales. Ordenado de menor edad a mayor edad (mujeres primero). Edades entre los 5 a 10 años, 20 a 25 años y 40 a 50 años. Frecuencia de muestreo: 8 khzbits de cuantificación: 8 bits. Universidad de el salvadorca17036op17001. [6 people saying the vowels. Ages between 5 to 10, 20 to 25, and 40 to 50. Sampling rate: 8 khz. Bitdepth: 8 bits. Recorded on 06/2020, with phone microphone. Pre edited in audacity. ].

El archivo. Wav fue utilizado por los alumnos:ricardo antonio argumedo jovel, carné: aj17003moisés armando navarro hernández, carné: nh17004en la elaboración de la actividad evaluada final de la materia análisis de señales y sistemas (ass-115), de la escuela de ingeniería eléctrica de la universidad de el salvador. The. Wav file was used by students:ricardo antonio argumedo jovel, card: aj17003moisés armando navarro hernández, card: nh17004in preparing the final evaluated activity of the subject análisis de señales y sistemas (ass-115), de la escuela de ingeniería eléctrica de la universidad de el salvador.

In this sound i can imagine a monster in a horror game that is stressed because it can't catch its prey or another thing i can imagine is that the beast has been injured and is roaming around in pain. I made this sound using vocal sounds from a lion! i used fl studio like i always do and added effects like reverb, some eq and i also reversed the file to. I got the orginal lion sound from: https://www. Freesound. Org/people/roman_cgr/sounds/223978/. Go check it out!.

This is my voice of frustration. I recorded this by an accident, i got angry in the middle of recording something else. Authentic - no acting. "kurwa" is a polish word as popular and as meaningful as english "fuck". It is also (sadly) the most well-known polish word among other nations. Recorded with a zoom h2 via usb @ 48khz/16-bit into ardour 2. Edited and converted to flac using ardour 2. I apologize for uploading this.

i'll do it your way. he should know by now. I'll never do anything any way but my own. This is usable because it is non-specific to outcome, and what came next. I don't care for those warning flags, and providing more might get one. But i gotta tell you. You just can't make that much racket on a train. For heaven's sake there are people around. ;-d. And no. He was not ready.

Composer: César Cui (1835-1918) Title: Gloria Patri and Wedding Recessional from the opera "The Saracen" Printed source: Piano-vocal score published in Moscow by P. Jurgenson, 1899. This is a rudimentary MIDI arrangement and Ogg recording therefrom made by Mllefifi, Nov. 29, 2005 The music itself is in the public domain. Mllefifi is making this audio file available to promote the composer and for whatever other use can be made of it, besides linking it to the article "The Saracen (opera)".

I made a great impersonation of the grudge when she is angry using adiomass and my own voice! i thought it was a good idea since i had figured out how to make that sound a long time ago (like 2 months or something) the scream you may hear at the end was me breathing out but because i added 250% more gain over and over again i ended up sounding like i met the "grudge". Good for horror movies and possibly a grudge 2 (although i already saw the old grudge 2 this would be a remake. ).

Large metal sheet and ornamental metalwork gate to village cemetery opened and shut, creaking on it's hinges. Recorded around midnight to avoid bird and insect calls - despite this precaution there were birds calling in the distance. On arrival i saw there was a house adjacent to cemetery. Fearful of waking the non-dead i didnt hang around for more than two bad takes. I've added this not so impressive recording to give a taste of what i hope to record of this wonderfully vocal gate in the future.

This one has a very vocal blackbird finishing off the evening (8pm). All recorded whilst staying in a converted barn in rhos, wales. Recorded on my zoom h4n, there maybe some wind noise in places and maybe a very high flying jet, but mostly it is just the sound of nature. There is a nearby stream in the background too. These are the original uncompressed untreated files. Hope it is useful to someone.

I took an almagmation of freesound samples and loops. I then attempted to fit them together into something that resembles a chilled dubstep tune. The people that feature are:. Dirtyjewbs [online], available at; https://freesound. Org/people/dirtyjewbs/sounds/147525/slina trance bassline [online], available at; https://freesound. Org/people/slina/sounds/176312/dubstep 140 growl chop by loop pack, [online], available at; https://freesound. Org/people/looppacks/sounds/200856/piano4bar 140 bpm by shitefromaheight [online], available at; https://freesound. Org/people/shitefromaheight/sounds/209814/. Bbeat011 wav by gius1987 [online] available at; https://freesound. Org/people/gius1987/sounds/261189/. I put them together and recorder some short vocals with pitch upped a couple of octaves, reverb, delay, apple, chorus, and delay with sustain effects on the track.

1st release date: 1924 1st recording date: January 1924 Place of recording: unknown Author(s)/Composer(s): Franz Schubert (1797-1828) Music arranger(s): none Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer(s): Claire Dux (1885-1967) Vocal range: instrumental Title/Work: Heidenröslein, D 257, Op. 3, No. 3 Content: - Genre(s): Tone poem

1st release date: 1927 1st recording date: 13 November 1926 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Ruggero Leoncavallo (1857-1919) Lyricist(s): Ruggero Leoncavallo (1857-1919) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): La Scala Theatre Chorus and Orchestra Vocal range: Chorus Title/Work: Pagliacci (Clowns) (opera) Content: Coro delle Campane (Chorus of the bells) Genre(s): Opera terminology

Harmonic component obtained from the analysis of a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus residual model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 02.

Harmonic plus stochastic resynthesis of the female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Test subject is given two types of music to listen to, and asked to describe their difference. The color of the first kind of music is not provided, but the color of the second kind of music is orange. This is possibly a color code for the experiment, but may also be what a person with synesthesia sees when they hear it. The first kind of music is considered as merely "entertainment", hence its descriptionthe second (orange) kind of music, according to the subject, affects our spirit, to which the experimenter says "sure".

Recording of my voice, down pitched and edited around to soundmonsterous. A few "words", with a laugh at the end. -----------------------------------------------------------------------. This sound, as well as everything else i have upload here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

Short comment about why i donate to a nonprofit student-oriented radio station (c89. 5/knhc) operated from nathan hale high school in seattle, wa (us), for possible airplay - but maybe useful (in whole/part) for your creative project. Recorded into adobe audition using a blue snowball usb mic, with some (hopefully minor/not noticeable) noise reduction. Phonetic word list for possible clip extraction: my name is stuart jay whitmore and i'm a writer in the seattle area i donate monthly to see eighty nine point five because support educational mission also like listening to music while work on books.

If something happens to you. . . Like getting totally pantsed at a public basketball court. . . Somebody's bound to get pics. Or video. Or both. What happens to the stuff afterward is the thing that matters. Also, somebody would have to wanna help you out. Nobody like that around here. In the past somebody might have helped you out, if you were under any sort of attack. Today it's different. Everybody holds up a cellphone to see what they can capture, of whatever is happening to you. You're on your own.

Male voice, manipulated in pitch and speed, saying "here's a poem i wrote for animal lovers, it's called awwwwwww" the "awwwwwww" sound increases in pitch and speed, and just sounds kind of silly. I tried my best to fade in/fade out the clip and eliminate for background noise. Recorded on iphone 6splus microphone. Edited with audacity. #monopreme #podcast23 free forever and a day. No copyright, just the creative commons 0 guidelines. Enjoy. Or don't. Check out other cool stuff while you're here, using my poem to make an epic ballad or techno song, or a cat video. Awwwwwww!.

I asked for a fabric shredder because i couldn't find one, and i knew my dearest would knock himself out trying to. He didn't either but he did have one made, probably at considerable expense. It's a cute little portable unit, i think made of a modified paper(?) shredder, powered by a geared motor from a battery-operated power tool. It's probably a dangerous little work of art. So we're getting dressed in the bedroom after opening gifts on christmas morning, and i decided to try out my new toy. Good conversation, mechanical whir.

1st release date: between 1928 1st recording date: 13 July 1928 Place of recording: C Studio, Small Queen’s Hall, London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor: John Barbirolli (1899-1970) Performer(s): Guilhermina Suggia, Cellist (1885-1950) Vocal range: instrumental Title/Work: Cello concerto in D major Content: 3rd Movement (2nd Record) Allegro (Part 6) Genre(s): Cello concerto

1st release date: 1938 1st recording date: 29 August 1937 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Robert Reinick (1805-1852) Music arranger(s): none Conductor: none Performer(s): Tenor: Helge Rosvaenge (1897-1972), Pianoforte: Gerald Moore (1899-1987) Vocal range: Tenor with pianoforte accompaniment Title/Work: Gesellenlied Content: - Genre(s): Tone poem

I recorded my small house dog being scared. She's always scared for whatever reason and decides to whine. It is a very interesting sound because it almost like she's growling. I recorded her using my rode ntg3 plugged into my h5. Cleaned a bit of ac noise using rx5. Please post a link if you use this file. I'm excited to see what you can do with this!. Text me if you want to have fun and talk gear. I love hearing what people are up to!702-860-9869.

My first little attempt at making some film-like sound effects. Alot of bass in this one, tried to cut it below 30-50hz. I just want to point out to the people having a listen, that the sample that streams on the website has a small static-like noise in it. . The download version will not have this noise, i believe the compression for streaming degraded the sound a bit.

1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic

Label: His Master's Voice Cat. no.: DB 10083 Order number: OZA 12665 Matrix/StamperID: OZA1265-1 1st release date: 1945? 1st recording date: 1945? Place of recording: Switzerland Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Performer(s): Suzanne Gyr, Piano (1899-1974) Vocal range: Instrumental Title/Work: Piano sonata No. 23 in F minor, Op. 57 'Appassionata' Content: Allegro ma non troppo (Part 1) Genre(s): Piano sonata

Vocal, speaking, and audio snippets of interviews of visual artists that i did as part of a collaborative music project in 2018. The idea was to chop up and use these samples for a trance / punk form of music - which we jokingly called prance music. I used some, but never released any music with it in the end. Maybe one day i will, but in the meantime - i hope you can find some use of these.

Stochastic approximation of the residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

New life - hospital - labor - pain - birth - midwife saying "it´s a girl". This sample was made with mixcraft 9 recording studio. I built this sample from several samples of freesound in the thought or commitment that i can not only take but also must give. I believe that human togetherness can only work this way. -------------------------------------------------------------maybe you are interested in my other music on pond5?https://www. Pond5. Com/de/artist/seelengold. In my other music here on freesound?https://freesound. Org/people/seelengold/-------------------------------------------------------------. Thanks to freesound. Org. And thanks to all who bring this project to life!. Many greetings from germany.

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic

Warrior aggressively yelling the line "ho, land approaches, prepare to beach!" dry, with no added reverb. Taken from my viking audio drama: where the thunder strikescheck that story out here:https://youtu. Be/0unhlnhj350. If you like my work, check out my website as well:www. Welvynzporter. Com. Never stop pluggin', am i right? haha. Attribution is never required but always very appreciated. :). I hope you this will be useful for you. Cheers~.

Sometimes, my imagination goes here, and further. I never offer explanations for the bits and bites i ask from him, and clearly, he doesn't check it out later. So i put this together out of thin air. Probably. My mom used to caution that i shouldn't watch those horror flicks, they would warp my mind. Well any fascination with the macabre came directly from her. Right, dad?. Anyway, she should never have said that. I took it personally. She won't do it again. There's just a chance that this guy took it personally too.

Label: His Master's Voice Cat. no.: DB 2706 Order number: 2RA 858 Matrix/StamperID: 2RA858 -I- 1st release date: 1936 1st recording date: 4 November 1935 Place of recording: unknown Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Eduard Mörike (1804-1875) Performer(s): Herbert Jansen, Baritone (1892-1965) and Michael Raucheisen, Pianoforte (1869-1984) Vocal range: Baritone solo with pianoforte accompaniment Title/Work: Vergangenheit Content: The Hugo Wolf Society Vol. 6 Genre(s): Tone poem Comments: RCM and ELP

1st release date: 1942 1st recording date: 29 August 1942 Place of recording: unknown Author(s)/Composer(s): George Frideric Handel (1685-1759) Music arranger(s): Sir Hamilton Harty (1879-1941) Lyricist(s): none Conductor: Sir Malcolm Sargent (1895-1967) Performer(s): The Hallé Vocal range: instrumental Title/Work: Water Music, HWV 348-350 Content: Suite in F major, HWV 348: Allegro deciso Genre(s): Suites

When i first tested out my zoom h5 i began talking into the mic and then all of a sudden i needed a sneeze. I was about to stop the recording but then thought it would be good to record the sneeze to see how it handled my loudness. Well it coped very well and the recording came out perfect!i then played around with it in audacity and slowed it down -86% which makes me sound like a roaring lion. So i thought i'd upload this slowed down version too!.

Drum: pearl sensitone steel 14" x 5. 5". Head: genera dry. Mic configuration: mono room, two overheads [spaced pair], batter head, reso head. I did basic eq cuts and boosts with some compression. No limiting used. Each articulation was carefully played and gain adjusted to seem as natural as possible. My goal was to also create a multi sampled snare drum that could be drag and dropped into a sampler with ease. Articulations: x-soft, soft, medium, hard, and crack. ***i will post a link to the complete multisample pack for all to download soon.

A little excerpt from one of my cam sessions. I'm not the submissive type, but i thought it would be fun to hear her get really nasty and abusive, she was a really nice young woman though. Audio extracted from video and cleaned up somewhat. Audio:. Id : 2format : aac lcformat/info : advanced audio codec low complexitycodec id : mp4a-40-2duration : 16 min 12 ssource duration : 16 min 12 sbit rate mode : variablebit rate : 93. 5 kb/schannel(s) : 2 channelschannel layout : l rsampling rate : 48. 0 khzframe rate : 46. 875 fps (1024 spf)compression mode : lossystream size : 10. 8 mib (4%)source stream size : 10. 8 mib (4%).

would you get the door? i have a package coming that needs to be signed-for. . (chuckle) "sure. ". (pause) "are you dressed?" heh. Of course he changed his tune, but i was already headed for the stairs. Yep. Sure did. I didn’t step outside, though. Figured it was safer to let ‘em in…. Here’s a quick tip: when you’re holding the little computer thingie and signing, your hands are occupied. The thing kept rejecting my signature. Like, five times. Also if the package is on the floor, how you pick it up calls for considered forethought. I'd already sidestepped, um, all of that. Since when do two guys deliver one package?.