35 Royalty-Free Audio Tracks for "1924"

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한국어: 홍난파 (1898년 ~ 1941년)가 작곡 및 연주를 한 "조선의 애수". 1924년 콜롬비아 레코드에서 작곡하여 연악회에서 발표하고, 1931년 콜롬비아레코드에서 녹음한 바이올린 독주곡. The Violin solo titled "The Sorrow of Korea" which was both composed in 1924 and recorded in 1931 by the Korean composer Hong Nan-pa (1898 ~ 1941). More information about the work in Korean
Author: 홍난파 (1898 ~ 1941 작곡, 연주) 콜럼비아레코드(제작)
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03:17
Interpret: Mario Chamlee Titel: Serenade Komponist: Riccardo Eugenio Drigo Erstveröffentlichung: 24. Juli 1924
Author: Carl Flisch
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02:40
1st release date: 1924 1st recording date: January 1924 Place of recording: unknown Author(s)/Composer(s): Franz Schubert (1797-1828) Music arranger(s): none Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer(s): Claire Dux (1885-1967) Vocal range: instrumental Title/Work: Heidenröslein, D 257, Op. 3, No. 3 Content: - Genre(s): Tone poem
Author: Untitled
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03:06
Written by Virginia Liston (1890-1932). Performed by Virginia Liston (vocals), Ernest Elliot (clarinet), Clarence Williams (piano).
Author: Virginia Liston
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02:28
Songː Catamarca. Authorː Eduardo Arolas (1892-1924). Interpreterː Julio de Caro Orquestra. 1940, Buenos Aires Temaː Catamarca. Autorː Eduardo Arolas (1892-1924). Interpreteː Julio de Caro Orquesta. 1940, Buenos Aires
Author: Eduardo Arolas (1892-1924)
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02:48
Songː El Marne. Authorː Eduardo Arolas ( 1892-1924). Interpreterː Ciriaco Ortiz Orq. 1937, Buenos Aires temaː El Marne. Autorː Eduardo Arolas ( 1892-1924). Interpreteː Ciriaco Ortiz Orq. 1937, Buenos Aires
Author: Eduardo Arolas (1892-1924)
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01:34
Songː La guitarrita. Authorː Eduardo Arolas ( 1892-1924). Interpreterː Carlos Di Sarli Sextet. 1928, Buenos Aires temaː La guitarrita. Autorː Eduardo Arolas ( 1892-1924). Interpreteː Sexteto Carlos Di Sarli. 1928, Buenos Aires
Author: Eduardo Arolas (1892-1924)
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02:55
Songː Rodríguez Peña (tango). Authorː Vicente Greco (1886-1924). Interpreterː Juan D'Arienzo Orq. Recː Victor 7 jan 1938 Temaː Rodríguez Peña (tango). Autorː Vicente Greco (1886-1924). Intérpreteː Orq. Juan D'Arienzo. Grabː Victor 7 ene 1938.
Author: Vicente Greco (1886-1924)
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02:46
Songː "Derecho Viejo". Authorː Eduardo Arolas (1892-1924). Play byː Julio de Caro Orquestra. 1936 Temaː "Derecho Viejo". Autorː Eduardo Arolas (1892-1924). Interpretado porː Orquesta de Julio de Caro. 1936
Author: Eduardo Arolas (1892-1924)
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03:02
Songː Rodríguez Peña (tango). Authorː Vicente Greco (1886-1924). Interpreterː Quinteto Francisco Canaro. Recː Odeón, 1938, Buenos Aires Temaː Rodríguez Peña (tango). Autorː Vicente Greco (1886-1924). Interpreteː Quinteto Francisco Canaro. Recː Odeón, 1938, Buenos Aires
Author: Vicente Greco (1886-1924)
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02:35
Song: "Papas calientes" (tango).- Author: Eduardo Arolas (1892-1924).- Interpreter: Orq. Edgardo Donato.- Rec: RCA, 29-nov-1937, Buenos Aires Tema: "Papas calientes" (tango).- Autor: Eduardo Arolas (1892-1924).- Interprete: Orq. Edgardo Donato.- Grab: RCA, 29-nov-1937, Buenos Aires
Author: Eduardo Arolas (1892-1924)
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03:08
Henry Fillmore's "The Man of the Hour" (1924), performed by the United States Marine Band in the 1960s.
Author: Untitled
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02:26
Songː Marcha de Platense (marcha-tango). Authorː Club Atlético Platense from anonymous author (1915-1924). Interpreterː Floreal Ruiz with Orquesta de José Otero. Recː 1939, Buenos Aires Temaː Marcha de Platense (marcha-tango). Autorː Club Atlético Platense de autor anónimo (1915-1924). Interpreteː Floreal Ruiz con Orquesta de José Otero. Recː 1939, Buenos Aires
Author: Club Atlético Platense from anonymous author
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03:08
Henry Fillmore's "The Man of the Hour" (1924), performed by the United States Marine Band in the 1960s.
Author: Untitled
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01:41
Композитор Иоганн Штраус (сын). Вальс "Весенние голоса". Исп.: А.Грюнфельд (фортепиано) (ум. в 1924).
Author: Штраус, Иоганн (сын)
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03:04
Donde lieta usci de l'opéra La Bohème composé par Giacomo Puccini (1858-1924), interprété par Nellie Melba (1861-1931) en 1907.
Author: Giacomo Puccini (1858-1924), Nellie Melba (1861-1931).
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03:25
Henry Fillmore's "The Man of the Hour" (1924), performed by the United States Navy Band in the 1990s.
Author: Untitled
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02:59
Adieu de Mimi de l'opéra La Bohème composé par Giacomo Puccini (1858-1924), interprété par Nellie Melba (1861-1931) en 1926. Addio di Mimi ("Donde lieta usci")
Author: Giacomo Puccini (1858-1924), Nellie Melba (1861-1931)
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02:44
John Philip Sousa's "Marquette University March" (1924) as performed by the United States Marine Band. Track 101 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.
Author: Untitled
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02:44
John Philip Sousa's "Marquette University March" (1924) as performed by the United States Marine Band. Track 101 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.
Author: Untitled
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03:21
John Philip Sousa's "The Black Horse Troop" (1924) as performed by the United States Marine Band. Track 100 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.
Author: Untitled
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02:19
John Philip Sousa's "Ancient and Honorable Artillery Company" (1924) as performed by the United States Marine Band. Track 99 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.
Author: Untitled
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02:19
John Philip Sousa's "Ancient and Honorable Artillery Company" (1924) as performed by the United States Marine Band. Track 99 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.
Author: Untitled
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04:38
1st release date: 1920 1st recording date: 9 January 1919 Composer: Giacomo Puccini (1858-1924) Lyricists: Luigi Illica (1857-1919) and Giuseppe Giacosa (1847-1906) Performer: Rosa Ponselle (1897-1981) with orchestra Work: Madama Butterfly (opera) Content: Un bel di vedremo (One fine day)
Author: Giacomo Puccini (1858–1924), Luigi Illica (1857–1919) and Giuseppe Giacosa (1847–1906)
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02:27
Nederlands: Gabriel Fauré (1845-1924): Après un Rêve, op. 7. Van Mutopia, publiek domein. De oorspronkelijke compositie is van Gabriel Fauré, die al meer dan 70 jaar overleden is, en het voor 1880 geschreven heeft. Voorzover er auteursrechten rusten op de bewerking tot midifile, heeft de auteursrechtenhouder het zelf in het PD geplaatst, zie de link op de bestandspagina en [1]
Author: The original uploader was Andre Engels at Dutch Wikipedia.
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04:44
Johann Sebastian Bach (1685-1750): Choral prelude for organ ‘’Now comes the gentiles' Saviour’’ (about 1708-1717), BWV 659, Adagio, G minor, transcription for piano (1907-1909) by Feruccio Busoni (1866-1924), dedicated to José Vianna da Motta (1868-1948) in meantone temperament
Author: Membeth
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03:06
Label: His Master's Voice Cat. no.: DB 3225 Order number: 2EA 5256 Matrix/StamperID: 2EA5256 -II- 1st release date: 1937 1st recording date: 28 May 1937 Place of recording: unknown Author(s)/Composer(s): Giacomo Puccini (1858-1924) Lyricist(s): Luigi Illica (1824-1893) and Giuseppe Giacosa (1847-1906) based on Scènes de la vie de bohème by Henri Murger (1822-1861) Conductor: Walter Goehr (1903-1960) Performer(s): Beniamino Gigli (Tenor) (1890-1957) and Maria Caniglia (Soprano) (1905-1979) with orchestra accompaniment Vocal range: Tenor and soprano with orchestra accompaniment Title/Work: La bohème (opera) Content: Act 1: O soave fanciulla Genre(s): Opera terminology (aria) Comments: RCM and ELP
Author: Untitled
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03:01
Title/Work: Madama Butterfly Content: No.13: Perchè con tante cure Genre(s): Opera Author(s)/(Composer(s): Giacomo Puccini (1858-1924) Music arranger(s): none Lyricist(s): Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906) based in part on the short story "Madame Butterfly" (1898) by John Luther Long (1861-1927), which was dramatized by David Belasco (1853-1931) Performer(s): Professori d'Orchestra e l'intero Corpo Corale della "Scala di Milano", Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccaloni (Basso) and Lino Bonardi (Baritone) Conductor: Lorenzo Molajoli (1868-1939) Place of recording: London (United Kingdom) 1st release date: 1929 1st recording date: 25 April - 11 May 1929
Author: Untitled
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03:20
Label: Parlophone (Carl Lindström Company) Cat. no.: P-9317 Order number: 20932 Matrix/StamperID: 2-20932 1st release date: 1929? 1st recording date: 23 November 1928 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Franz Schubert (1797-1828) Lyricist(s): Alfred Maria Willner (1859-1929) and Heinz Reichert (1877-1940) Music arranger(s): Heinrich Berté (1857-1924) Conductor(s): Walter Sieber (unknown birth/death date) Performer(s): Parlophon choir with soloists and large orchestra; Soloists:Ilse Wald (1898-?), Elisabeth Kühnlein (unknown birth/death date) and Hans Clemens (1890-1958) Vocal range: various Title/Work: Das Dreimäderlhaus (House of the Three Girls) (operetta) Content: Act 4: Potpourri - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP
Author: Untitled
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03:09
*Amicus No.: 31385055 Performer Heading: Jarvis, Harold (Harold Augustus), 1864-1924 Performer: Harold Jarvis, tenor with orchestra Title: O Canada : Canadian national hymn [sound recording] / [A.B. Routhier, lyrics] ; [Acton, Jas, transl.] ; [Calixa] Lavallée, music Composer Heading: Routhier, A. B.; Lavallée, Calixa,; Acton, Jas Generic Label: Berliner Transcribed Label: Victor Numbers: Issue no.: 5517; Miscellaneous no.: 2 Notes: Distributor: Berliner Gram-O-Phone Co., Montréal Manufacturer: Berliner Gram-O-Phone Co., Québec (Province) Recorded: Camden, NJ, Victor Talking Machine Released: [1 Aug 1908] Issue Type: primary label Comments: Single sided disc; sales/use/price licence appears across top of label; HMV symbol on label; "His Master's Voice"; patented 1897, 1908; Victor Talking Machine Co. matrices, sales/use licence in Canada only, appears arcing as a single-line across bottom of label. Title of Acton's translation : O Canada, beloved fatherland, copyrighted 1907, by The Home Journal, Toronto. Discographical reference: disc; Encyclopedia of Music in Canada, 1992, composer/lyricist; The Toronto Daily Star, release date, release year Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Anthems ; Patriotic songs; Chansons patriotiques Location: 78/10 20,341 Website location: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31385055
Author: This file is lacking author information.
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O store Gud Du großer Gott, wenn ich die Welt betrachte Du großer Gott, wenn ich die Welt betrachte, die du geschaffen durch dein Allmachtswort, wenn ich auf alle jene Wesen achte, die du regierst und nährest fort und fort, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Blick ich empor zu jenen lichten Welten und seh der Sterne unzählbare Schar, wie Sonn und Mond im lichten Äther zelten, gleich goldnen Schiffen hehr und wunderbar, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Wenn mir der Herr in seinem Wort begegnet, wenn ich die großen Gnadentaten seh, wie er das Volk des Eigentums gesegnet, wie er's geliebt, begnadigt je und je, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Und seh ich Jesus auf der Erde wandeln in Knechtsgestalt, voll Lieb und großer Huld, wenn ich im Geiste seh sein göttlich Handeln, am Kreuz bezahlen vieler Sünder Schuld, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Deutsche Nachdichtung: Manfred von Glehn (1867-1924)
Author: Melody: Swedish traditional; setting & sound file: Rabanus Flavus (Peter Gerloff)
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If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .
Author: Antwerpsounddesign
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