53 Royalty-Free Audio Tracks for "1920s"

日本語: 神戸音楽同好会が1921年（大正10年）に作成した非公式の市歌。This song was unofficial Kobe city anthem, created by Kobe Music Club in 1921.

1st release date: 1920 1st recording date: 9 January 1919 Composer: Giacomo Puccini (1858-1924) Lyricists: Luigi Illica (1857-1919) and Giuseppe Giacosa (1847-1906) Performer: Rosa Ponselle (1897-1981) with orchestra Work: Madama Butterfly (opera) Content: Un bel di vedremo (One fine day)

1st release date: 1928 1st recording date: 13 October 1927 Place of recording: unknown Author(s)/Composer(s): Landon Ronald (1873-1938) Lyricist(s): Edward Teschemacher (1876-1940) Performer(s): Doris Vane (1874-?) Vocal range: Soprano solo with cello obligato and piano Title/Work: O lovely night Genre(s): Song

Interpret: Jenö Fescay Salon-Orchester Komponist: Johann Strauss (Sohn) Titel: An der schönen blauen Donau Erstveröffentlichung: um 1927

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9116 Order number: 20258 Matrix/StamperID: 2-20258 1st release date: 1927? 1st recording date: 5 May 1927 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Giuseppe Verdi (1842-1898) Lyricist(s): Francesco Maria Piave (1810-1876) based on a Spanish drama, Don Álvaro o la fuerza del sino (1835), by Ángel de Saavedra, 3rd Duke of Rivas (1791-1865), with a scene adapted from Friedrich Schiller's Wallensteins Lager. Conductor(s): Frieder Weissmann (1893-1984) Performer(s): Orchester der Staatsoper Berlin, Meta Seinemeyer (1895-1929) Vocal range: operatic soprano with orchestra Title/Work: La forza del destino (opera) Content: Sono giunta! Grazie, o Dio! (Aria di Leonora) Genre(s): Opera terminology Comments: RCM and Reloop

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9118 Order number: 20200 Matrix/StamperID: 2-20200 1st release date: 1927? 1st recording date: 30 March 1927 Place of recording: Hochschule für Musik, Berlin (German Reich) Author(s)/Composer(s): Franz von Suppé (1819-1895) Lyricist(s): Karl Costa (1832-1907) Conductor(s): Fritz Zweig (1893-1984) Performer(s): Orchester der Staatsoper Berlin Vocal range: instrumental Title/Work: Leichte Kavallerie (operetta) (Light Cavalry) Content: Ouverture - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP

NOTE: Edited version (noise reduced, volume boosted), original is at File:PDP-CH_-_Opéra_Comique_-_Élie_Cohen_-_Joseph_Rogatechwsky_-_Romance_de_Nadir_-_Les_pêcheurs_de_perles_-_Bizet_-_Cormon_-_Carré_-_Columbia-12527-lx90.flac. 1st release date: 1929 1st recording date: 1928 Place of recording: unknown Author(s)/Composer(s): Georges Bizet (1838-1875) Lyricist(s): Eugène Cormon (1810-1903) and Michel Carré (1821-1872) Music arranger(s): none Conductor: Élie Cohen (unknown birth/death date) Performer(s): Joseph Rogatechwsky (1891-1985) de l'Opéra Comique Vocal range: tenor with orchestra accompaniment Title/Work: Les pêcheurs de perles (The Pearl Fishers) (opera) Content: Romance de Nadir Synonym: This is a "Je crois entendre" encore[1] Genre(s): Opera terminology

Interpret: Jenö Fescay Salon-Orchester Komponist: Johann Strauss (Sohn) Titel: Geschichten aus dem Wiener Wald Erstveröffentlichung: um 1927

Performed by Al Jolson

Performed by Happiness Boys

Performed by Louisiana Collegians

Performed by Al Jolson

Performed by Diamond Trio

Performed by Isham Jones

Performed by Herbert Berliner

Performed by Fannie Brice

Performed by Al Jolson

Performed by Benson Orchestra

Performed by Billy Jones

Performed by Paul Whiteman

Performed by Van and Schenk

Performed by Helen Clark and George Wilton

Performed by Al Jolson

Performed by Henry Burr

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music

Written by Mykola Vitaliaeiovych Lisenko (1842-1912). Performed by Alexander Sashko, A. Iranova.

The Japanese Sandman (1920), by Paul Whiteman and His Ambassador Orchestra

Written by Clara Smith (1894 - 1935). Performed by Clara Smith. Piano and cornet accomp. .

Chinese traditional song sung by Jianhong He. Bekarecord n° 223. Matrix n°22769. [1]

Written by Virginia Liston (1890-1932). Performed by Virginia Liston (vocals), unknown (cornet), unknown (banjo), unknown (piano).

Written by Virginia Liston (1890-1932). Performed by Virginia Liston (vocals), unknown (cornet), unknown (banjo), unknown (piano).

Written by Virginia Liston (1890-1932). Performed by Virginia Liston (vocals), Ernest Elliot (clarinet), Clarence Williams (piano).

Written by Blind Lemon Jefferson (d. 1930). Performed by Blind Lemon Jefferson.

Written by Clara Smith (1894 - 1935). Performed by Clara Smith. Saxaphone and piano accompaniment..

MIDI file of 'Roguish Eyes Mazurka' (1920) by Albert Bokhare Saunders (-1946) First published in Palings annual No. 49

Written by Edna Hicks (1895-1929). Performed by Edna Hicks; Porter Grainger's Swingin' Three.

Written by Virginia Liston (1890-1932). Performed by Virginia Liston (vocals), unknown (cornet), unknown (banjo), unknown (piano).

This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith in 1920, and sold a million copies in its first year.This is Okeh-4169 (7529 take C) Эрзянь: This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith, and sold a million copies in its first year. Crazy Blues – blues w wykonaniu Mamie Smith z 1920 roku.

Written by Clarence Smith (1904-1929). Performed by "Pine Top" Smith.

Al Jolson's recording of George Gershwin's "Swanee". Composed in 1919, Al Jolson recorded for Columbia Records in January 1920, and it became a runaway hit

Written by Clarence Smith (1904-1929). Performed by "Pine Top" Smith.

Written by trad. Performed by Charlie Poole (vocals, 5 string banjo), Posey Rorer (fiddle), Roy Harvey (guitar).

Written by Clarence "Pine Top" Smith (1904 - 1929). Performed by Pine Top Smith (piano solo with talking).

1920s gustav becker wall clock ticking. Recorded with rode nt2a microphone.

Traffic jam. Many 1920s-1930s type of horns beeping.

1920s clockwork mechanism pendulum swinging and quircky westminster chime nine with long reverberations. Halllway ambience with slight garden atmos.

1920s gustav becker wall clock chiming the quarter hour. Recorded with rode nt2a microphone.

Recorded with an h4n. Footsteps walking up and down a wooden stairway in a 1920s brooklyn brownstone building.