38 Royalty-Free Audio Tracks for "1919"

Jesse James is a 19th century American folk song. This version was recorded by typewriter salesman Bentley Ball in 1919. It is considered to be the first recording of the Western Music genre.

I'm Forever Blowing Bubbles, performed by Ben Selvin and His Novelty Orchestra (recorded 31 July 1919)

O mio babbino caro from Giacomo Puccini's opera Gianni Schicchi (1918). It was performed by Frances Alda in 1919.This is Victor 64802, Matrix B-22578-2, and was recorded on February 11, 1919 Українська: «О, дорогий мій тату» з опери Джакомо Пуччіні «Джанні Скіккі» (1918), виконує Френсіс Альда 11 лютого 1919 року.

Traditional American blues performed by Al Bernard

A song written by James Europe and Noble Sissle, with vocals by Noble Sissle. Recorded around March 14, 1919. Converted (lossy) to Ogg Vorbis from RealAudio. See redhotjazz.com for the RealAudio version.

Choro "Sofres porque queres", composed by Pixinguinha and played by ensemble "Choro Pixinguinha" (Pixinguinha in the flute and Tute in the 7-string guitar). Recorded in 1919 by Odeon.

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

Al Jolson's recording of George Gershwin's "Swanee". Composed in 1919, Al Jolson recorded for Columbia Records in January 1920, and it became a runaway hit

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.

Second Hungarian Rhapsody

A 1919 performance of the 1918 song Till We Meet Again by the Nicholas Orlandos Orchestra.

Song: "Ay, ay, ay (Reminiscencias cuyanas)".- Author: Osmán Pérez Freire (1880-1930).- Interpreter: Carlos Gardel & José Razzano.- Rec: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tempo: vidalita Tema: "Ay, ay, ay (Reminiscencias cuyanas)".- Autor: Osmán Pérez Freire (1880-1930).- Interprete: Carlos Gardel & José Razzano.- Grab: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tiempo de vidalita.

Songː Amame mucho (Cantar Eterno), zamba-tango. Authorː Angel Villoldo (dead 1919). Singerː Carlos Gardel & José Razzano. Temaː Amame mucho (Cantar Eterno), zamba-tango. Autorː Angel Villoldo (m 1919). Cantanteː Carlos Gardel & José Razzano

O mio babbino caro from Giacomo Puccini's opera Gianni Schicchi (1918). It was performed by Frances Alda in 1919. This is Victor 64802, Matrix B-22578-2, and was recorded on February 11, 1919

Nederlands: Jean Louis Pisuisse de peren

Der Tod und das Mädchen (La jeune fille et la mort), lied composé par Franz Schubert, interprété par Ernestine Schumann-Heink (1861–1936) en 1919

1st release date: 1920 1st recording date: 9 January 1919 Composer: Giacomo Puccini (1858-1924) Lyricists: Luigi Illica (1857-1919) and Giuseppe Giacosa (1847-1906) Performer: Rosa Ponselle (1897-1981) with orchestra Work: Madama Butterfly (opera) Content: Un bel di vedremo (One fine day)

Beautiful Ohio, official song of the U.S. state of Ohio as sung by Ruth Lenox (pseudonym for Marie Morrisey) and Henry Burr, composed by Mary Earl (pseudonym for Robert King) and Ballard Macdonald, published ca. January 1919.

Song: "La Morocha" (milonga-tango).- Author: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interpreter: Libertad Lamarque.- Rec. RCA, 1938, Buenos Aires Tema: "La Morocha" (milonga-tango).- Autor: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interprete: Libertad Lamarque.- Grab. RCA, 1938, Buenos Aires

Song: "El choclo" (tango). Author: Ángel Villoldo (1861-1919). Interpreter: Buenos Aires City Band. Recorded in 1907.

Song: "La morocha" (tango).- Author: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interpreter: Singer: Ada Falcón, Orq: Francisco Canaro.- Rec. Odeon 165980B, Buenos Aires, 1929 Tema: "La morocha" (tango).- Autor: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interprete: Cantante: Ada Falcón, Orq: Francisco Canaro.- Grab. Odeon 165980B, Buenos Aires, 1929

Title/Work: La Mattinata Content: none Genre(s): Romance Author(s)/(Composer(s): Ruggero Leoncavallo (1857-1919) Music arranger(s): none Lyricist(s): Ruggero Leoncavallo (1857-1919) Performer(s): Jussi Björling (1911-1960) Conductor: Nils Grevillius (1893-1970) Place of recording: unknown 1st release date: 1945 1st recording date: 27 March 1944

The last rose of summer, compositeur : John Stevenson (1761-1838), lyrics : Thomas Moore (1779-1852), interprète : Adelina Patti (1843-1919), publié en 1906.

1st release date: 1927 1st recording date: 13 November 1926 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Ruggero Leoncavallo (1857-1919) Lyricist(s): Ruggero Leoncavallo (1857-1919) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): La Scala Theatre Chorus and Orchestra Vocal range: Chorus Title/Work: Pagliacci (Clowns) (opera) Content: Coro delle Campane (Chorus of the bells) Genre(s): Opera terminology

Aria Ah! non credea mirarti de l'opéra La sonnambula Compositeur : Vincenzo Bellini (1801-1835) Librettiste : Felice Romani (1788-1865) Interprète : Adelina Patti (1843-1919) Publié en 1906

Edison Blue Amberol #3727. Performed by Edward Meeker.

Batti, batti o bel Masetto, de l'opéra Don Giovanni de Wolfgang Amadeus Mozart (1756-1791), livret de Lorenzo da Ponte (1749-1838), interprété par Adelina Patti (1843-1919), publié en 1905.

Former national anthem of Afghanistan used from 1992 to 2006. Composed by Ustad Qasim in 1919; he died in 1957.

John Philip Sousa's "The Golden Star" (1919) as performed by the United States Marine Band. Track 90 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Golden Star" (1919) as performed by the United States Marine Band. Track 90 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

Grosse Fuge Opus 133 by Ludwig von Beethoven, recorded by the Lener Quartet in 1919. First published recording of this piece. Jenö Léner (or Lehner), first violin, Joszef Smilovits second violin, Sándor Roth viola and Imre Hartmann cello. Recorded on the Columbia label (in 78 RPM format).

Performer: Enrico Caruso (1873-1921) Voice: Tenor Title/Work: Scordame (Forget Me) Content: Tenor vocal solo, with orchestra Genre: Vocal music Composer: Salvatore Fucito (1875-1929) Recording date: Camden, 11 September 1919 Release date: 1917

Prelude in C-sharp minor, Op. 3, composed and performed by Sergei Rachmaninoff. This is Edison Diamond Disc 82187-R, Matrix 6742-C-2-3 [2-1]. Recorded in 1919, released in December 1920. Українська: «Прелюдія до-дієз мінор», написана і виконана Сергієм Рахманіновим, випущена в грудні 1920 року.

A Cuban stereo recording of the Internationale in the Spanish language. El día 3 de noviembre de 1910 se convierte en el himno de todos los trabajadores del mundo, en el Congreso Internacional de Copenhage. En 1919 Lenin la oficializa en la Tercera Internacional y se convierte en el himno nacional de la Unión Soviética hasta el año 1943. Según cuenta Maurice Thorez en 1928, en el VI Congreso de la Internacional Comunista celebrado en Moscú, el propio Pierre Degeyter dirigió personalmente, con lágrimas en los ojos, el coro que interpretó la canción.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

Title/Work: Madama Butterfly Content: No.13: Perchè con tante cure Genre(s): Opera Author(s)/(Composer(s): Giacomo Puccini (1858-1924) Music arranger(s): none Lyricist(s): Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906) based in part on the short story "Madame Butterfly" (1898) by John Luther Long (1861-1927), which was dramatized by David Belasco (1853-1931) Performer(s): Professori d'Orchestra e l'intero Corpo Corale della "Scala di Milano", Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccaloni (Basso) and Lino Bonardi (Baritone) Conductor: Lorenzo Molajoli (1868-1939) Place of recording: London (United Kingdom) 1st release date: 1929 1st recording date: 25 April - 11 May 1929

This is a merry go round that was at the louisville zoo in kentucky, usa. It was actually specifically called a mary lee we go around, created by a mary lee and her husband in 1919. I’m not sure if the music is similar or the same as the music used when it was made but it seems like if it wasn’t it was made to feel like it could be. There’s music in this recording as well as some people talking in the background.