11,554 Royalty-Free Audio Tracks for "Oh! How I Hate To Get Up In The Morning"

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Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.
Author: Irving Berlin (1888-1989) Irving Kaufman
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01:60
Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.
Author: Irving Berlin (1888-1989) Irving Kaufman
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03:29
Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.
Author: Irving Berlin (1888-1989) Arthur Fields (1888-1953)
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Oh, How That German Could Love composed and sung by Irving Berlin in 1910
Author: Irving Berlin
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Oh, How That German Could Love composed and sung by Irving Berlin in 1910
Author: Irving Berlin
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Das historische Soldatenlied How Stands the Glass Around. The historic soldier song How Stands the Glass Around.
Author: Nachtbold
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04:42
Song from The Remains of Tom Lehrer
Author: Untitled
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04:19
A song from The Remains of Tom Lehrer
Author: Untitled
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01:38
I Vow to Thee, My Country
Author: Melody: Gustav Holst (1874-1934); setting & sound file: Rabanus Flavus (Peter Gerloff)
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03:46
Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile is the full name of a World War I marching song, published in 1915 in London. It was written by George Henry Powell under the pseudonym of "George Asaf", and set to music by his brother Felix Powell. This is the version sung by Helen Clark.
Author: George Henry Powell/Felix Powell
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Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.
Author: Henry Burr, Peerless Quartet and Harry C. Browne
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Oh, Susannah is an example of rounded binary form: A-B-½A.
Author: Hyacinth
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Sveriges Radios folkmusikinspelningar. Ålandsresan 1958 (kompletterande inspelningar 1959) Dokumentatör: Matts Arnberg Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 58/12126:31:8
Author: Untitled
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How Stands the Glass Around
Author: Melody: traditional; setting & sound file: Rabanus Flavus (Peter Gerloff)
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The International. Lansbury's Labour Weekly released a series of gramaphone records of left-wing songs and speeches from 1926. This is a recording of one of those records. L'Internationale. Lansbury's Labor Weekly a publié une série de disques de chansons et de discours de gauche de 1926. Voici un enregistrement de l'un de ces disques. «Интернационал». «Lansbury's Labour Weekly» выпустил серию грамзаписей песен и выступлений левых в 1926 году. Это запись одной из таких пластинок. Українська: «Інтернаціонал». «Lansbury's Labour Weekly» випустив серію грамзаписів лівих пісень і промов 1926 року. Це запис однієї з таких платівок.
Author: Lansbury's Labour Weekly
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Tamo Daleko, April 1917. Columbia Phonograph Company. Audio restoration by Steven Kozobarich.
Author: Tamburaško Pevačko Društvo
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Veni, Vidi, Vici (1896), a march by Robert Browne Hall. It is here performed by the U.S. Air Force Band for their 1998 album Front & Center, a Collection of American Marches, conducted by Colonel Lowell E. Graham.
Author: Robert Browne Hall (Composer, 1858–1907) Scan of credits THE UNITED STATES AIR FORCE CONCERT BAND Commander/Conductor: Colonel Lowell E. Graham – Greeley, CO Manager: Chief Master Sergeant James H. Moseley II – Beaumont, TX PICCOLO MSgt Ardyth Scott – Shreveport, LA FLUTE MSgt Lawrence Ink* – Rockville, MD MSgt Lucille Johnston Snell – Albuquerque, NM TSgt Sharon Weinberg – Philadelphia, PA OBOE MSgt Ronald Erler* – Falls Church, VA CMSgt Robin Forrester-Meadows – Evansville, IN ENGLISH HORN CMSgt James Moseley II – Beaumont, TX E-FLAT CLARINET MSgt Jan Siegfried – Valparaiso, IN B-FLAT CLARINET CMSgt Steven Lawson* – Simi Valley, CA TSgt George Stoffan – Norwalk, CT MSgt Carl Long – Hanover, NH MSgt Elizabeth Campeau – Pinckney, MI MSgt Sandra Haton* – Columbia, SC TSgt Richard Drew – Joliet, IL TSgt Brian Jones – Panama City, FL MSgt Kay Schultz – Skaneateles, NY MSgt Lorraine Haddad* – Poughkeepsie, NY TSgt Shawn Buck – Brookside, PA SMSgt Robert Little – Houston, TX BASS CLARINET TSgt David Aspinwall – Atlanta, GA CONTRA ALTO CLARINET TSgt Brian McCurdy – Virginia Beach, VA BASSOON CMSgt Danny Phipps* – Annapolis, MD TSgt Lawrence Burke – Redondo Beach, CA ALTO SAXOPHONE SMSgt John Thomas* – Ellisville, MS MSgt William Marr – Alexandria, VA TENOR SAXOPHONE TSgt Jeffrey Snavely – Milwaukee, WI BARITONE SAXOPHONE MSgt Mary Beth George – Buffalo, NY FRENCH HORN TSgt Deborah Stephenson* – Dallas, TX TSgt Leslie Mincer – Charlottesville, VA TSgt Kent Wyatt – Arlington, TX TSgt Philip Krzywicki – Philadelphia, PA CORNET TSgt Andrew Wilson* – Gambier, OH SMSgt David Golden – Bethlehem, PA TSgt Michael Bosch – Bethlehem, PA MSgt William Adcock – San Jose, CA TSgt Curt Christensen – Mt. Clemens, MI MSgt Clarence Mitchell – Portsmouth, VA TRUMPET TSgt Robert McConnell – Wadsworth, OH MSgt James Bittner – Harrisburg, PA TROMBONE SMSgt Mark Williams* – Okemos, MI MSgt Jeffrey Gaylord – Western Springs, IL MSgt Lindsey Smith – Williamston, MI TSgt James VanZandt – Austin, TX EUPHONIUM MSgt Ann Baldwin* – Canton, OH TSgt Lance LaDuke – Niles, MI TUBA MSgt Jan Duga* – Columbus, OH SMSgt Edward McKee – Roselle, NJ MSgt David Porter – Alcoa, TN TIMPANI MSgt Patrick Shrieves – Freehold, NJ PERCUSSION MSgt Aubrey Adams* – Medford, OK SMSgt Mark Carson – East Fultonham, OH TSgt Thomas Maloy Jr.- Clinton, NY TSgt Erica Kadison – Louisville, KY * Principal CREDITS Colonel Lowell E. Graham – Commander/Conductor/Producer Major Frank J. Grzych II – Deputy Commander/Producer Captain Scott A. Guidry – Staff Officer/Co-Producer Mr. Bruce Leek – Engineer/Digital Editing Master Sergeant Kendall S. Thomsen – Assistant Engineer Chief Master Sergeant Dana L. Steinhauser – Director of Public Affairs Master Sergeant William D. Porter II – Recording Production Technical Sergeant Robert K. McConnell – Graphic Layout Master Sergeant Elizabeth K. Campeau – Liner Notes Technical Sergeant Sharon B. Weinberg – Booklet Editor Crabtree + Company (Arlington, VA) – Cover Design Mark Custom Recording Service (Clarence, NY) – Disc Replication Lion Recording Services, Inc. (Springield, VA) – Disc Packaging Master tapes were recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6–8, 1998 Catalog number: BOL-9807.
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Ελληνικά: Φούγκα 19. από το Καλά Συγκερασμένο Κλειδοκύμβαλο Ι του Γ. Σ. Μπαχ. Fugue 19 from Bach's The Well-Tempered Clavier.
Author: . Original uploader was Skalk at el.wikipedia
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The melody of the folk song The Girl I Left Behind Me. Die Melodie des Volksliedes The Girl I Left Behind Me. La mélodie de la chanson populaire The Girl I Left Behind Me.
Author: Nachtbold
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hymnsandcarolsofchristmas.com The First Nowell from an 1879 book by Henry Ramsden Bramley
Author: The Brothers Dalziel
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A modified stereo recording of the Indonesian dialect of the Malay language, performed by the KOM.
Author: Учхљёная, PKI (Partai Komunis Indonesia), KOM, Pierre De Geyter
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A modified stereo recording of the Internationale in the Italian language, lyrics composed by E Pote & sung by soloist Coro Le Camice Rosse.
Author: Учхљёная, Coro Le Camice Rosse, E Pote
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Stereo recording of the Internationale in the Russian language.
Author: Choir and orchestra of Bolshoi Theatre, conducted by G. Rozhdestvensky
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O store Gud Du großer Gott, wenn ich die Welt betrachte Du großer Gott, wenn ich die Welt betrachte, die du geschaffen durch dein Allmachtswort, wenn ich auf alle jene Wesen achte, die du regierst und nährest fort und fort, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Blick ich empor zu jenen lichten Welten und seh der Sterne unzählbare Schar, wie Sonn und Mond im lichten Äther zelten, gleich goldnen Schiffen hehr und wunderbar, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Wenn mir der Herr in seinem Wort begegnet, wenn ich die großen Gnadentaten seh, wie er das Volk des Eigentums gesegnet, wie er's geliebt, begnadigt je und je, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Und seh ich Jesus auf der Erde wandeln in Knechtsgestalt, voll Lieb und großer Huld, wenn ich im Geiste seh sein göttlich Handeln, am Kreuz bezahlen vieler Sünder Schuld, dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Dann jauchzt mein Herz dir, großer Herrscher, zu: Wie groß bist du! Wie groß bist du! Deutsche Nachdichtung: Manfred von Glehn (1867-1924)
Author: Melody: Swedish traditional; setting & sound file: Rabanus Flavus (Peter Gerloff)
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Song from The Remains of Tom Lehrer
Author: Untitled
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A song from The Remains of Tom Lehrer
Author: Untitled
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Lieutenant Colonel Alan C. Sierichs, Commander and Music Director arranged by Master Sgt. Alan Baylock
Author: Benjamin Hanby (1864)
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Català: Espais de Llum Musical 2 violins, 2 trompes i baix continu Arxiu Musical de la Cateral de València Obra de Francesc Morera i Cots (Sant Mateu, 4 d'abril de 1731 - València, 17 d'octubre de 1793), compositor valencià del barroc. Va ocupar la plaça de mestre de capella de la Catedral de València.
Author: Coral Catedralícia de València
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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02:57
Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:1:8
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:3:12
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:1:9
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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02:26
Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 51/15093
Author: Untitled
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