40 Royalty-Free Audio Tracks for "1926"

Song recorded by Rudy Vallée & Yale Collegians (later Connecticut Yankees). This recording was never issued.

Title/Work: Messiah (Handel) Content: No.06: Air: But who may abide (Conclusion) Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946

Title/Work: Messiah (Handel) Content: No.04: Chorus: And the Glory of the Lord Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 12 July 1946

Title/Work: Messiah (Handel) Content: No.07: Chorus: And He Shall Purify Genre(s): Oratorio Author(s)/(Composer(s): George Frideric Handel (1685-1759) Music arranger(s): none Lyricist(s): Charles Jennens (1700-1773) Performer(s): Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)) Conductor: Malcolm Sargent Place of recording: Liverpool Philharmonic Hall, Hope Street, Liverpool, Merseyside (United Kingdom) 1st release date: 1947 1st recording date: 14 July 1946

The country song I Don't Love Nobody, performed by Gid Tanner and his Skillet Lickers

Wendell Hall performs I'm Tellin' The Birds, I'm Tellin' The Bees. He recorded it in 1926 for Brunswick Records and featured his famous whistling on it. The sound quality isn't the best, but it one of Hall's classic songs. Wendell Hall sing I'm Tellin' The Birds, I'm Tellin' The Bees, dass er 1926 für Brunswick Records aufnahm. Mit Halls bekanntem Pfeifen ist es einer seiner typischen Titel.

Irish music performed by James Morrison. Columbia record n° 33108-F. Matrix n° 106431.

Pretty Little Thing by Art Gillham

The traditional tune Shortenin' Bread, performed by Gid Tanner and his Skillet Lickers

Traditional Lebanese oud played by Chahadé Saadé. Odeon record n° X35285, matrix n°: xES 381 [1].

Written by Virginia Liston (1890-1932). Performed by Virginia Liston (vocals), unknown (cornet), unknown (banjo), unknown (piano).

Written by Virginia Liston (1890-1932). Performed by Virginia Liston (vocals), unknown (cornet), unknown (banjo), unknown (piano).

Written by Virginia Liston (1890-1932). Performed by Virginia Liston (vocals), unknown (cornet), unknown (banjo), unknown (piano).

Written by Virginia Liston (1890-1932). Performed by Virginia Liston (vocals), unknown (cornet), unknown (banjo), unknown (piano).

Performed by Charlie Poole With The North Carolina Ramblers.

Written by trad. Performed by Charlie Poole (vocals, 5 string banjo), Posey Rorer (fiddle), Roy Harvey (guitar).

Former national anthem of Afghanistan, 1926-1943

Songː Puente Alsina (tango). Authorː Benjamín Tagle Lara (1892-1933). Singerː Rosita Quiroga. Recː RCA 21-dic-1926, Buenos Aires. Temaː Puente Alsina (tango). Autorː Benjamín Tagle Lara (1892-1933). Cantanteː Rosita Quiroga. Grabː RCA 21-dic-1926, Buenos Aires.

Adieu de Mimi de l'opéra La Bohème composé par Giacomo Puccini (1858-1924), interprété par Nellie Melba (1861-1931) en 1926. Addio di Mimi ("Donde lieta usci")

Songː "Pato cua cua". Authorː Juan Rodríguez (1895-1928). Played byː Julio De Caro y su Orquesta Típica. Recorded in Nov 15th 1926. At 1926 the orquestra (sextet) had the following integrationː Bandoneons: Pedro Laurenz & Armando Blasco. Violins. Julio De Caro & Emilio De Caro. Piano: Francisco De Caro. Bass: Enrique Kraus. Temaː "Pato cua cua" (tango). Autorː Juan Rodríguez (1895-1928). Interpretado porː Julio De Caro y su Orquesta Típica Grabado el 15 de noviembre de 1926. La Orquesta en 1926 estaba integrada por Bandoneones: Pedro Laurenz y Armando Blasco. Violines. Julio De Caro y Emilio De Caro. Piano: Francisco De Caro. Contrabajo: Enrique Kraus. Pedro Laurenz (1er bandoneón), Armando Blasco (2do bandoneón), Julio De Caro (1er violín), Emilio De Caro (2do violín), Francisco De Caro (piano), Enrique Krauss (contrabajo).

The International. Lansbury's Labour Weekly released a series of gramaphone records of left-wing songs and speeches from 1926. This is a recording of one of those records. L'Internationale. Lansbury's Labor Weekly a publié une série de disques de chansons et de discours de gauche de 1926. Voici un enregistrement de l'un de ces disques. «Интернационал». «Lansbury's Labour Weekly» выпустил серию грамзаписей песен и выступлений левых в 1926 году. Это запись одной из таких пластинок. Українська: «Інтернаціонал». «Lansbury's Labour Weekly» випустив серію грамзаписів лівих пісень і промов 1926 року. Це запис однієї з таких платівок.

By the Waters of Minnetonka, composed by Thurlow Lieurance and sung by Ernestine Schumann-Heink.Français : By the Waters of Minnetonka, composé par Thurlow Lieurance, interprété par Ernestine Schumann-Heink (1861-1936) en 1926.Română: By the Waters of Minnetonka (Pe apele Minnetonkăi), compusă de Thurlow Lieurance și interpretată de Ernestine Schumann-Heink în 1926.

The earliest known recording of the song "Come By Here," more commonly known as "Kumbaya."

Himno Nacional del Perú, grabado por un Coro de Hombres en New York el 30 de Julio de 1926. El coro estuvo conformado por Antonio Utrera, Miguel Santacana, Juan Pulido, Carlos Mejía, Luis Zamudio y Mr. Galarraga, con el acompañamiento musical de la Orquesta Internacional.

This version of S. A. Emery's "Sleep, Baby, Sleep" (composed 1869) was recorded by Vaudeville-Entertainer George P. Watson (1871 - 1926) in 1911 for the Victor Talking Machine Company in New York, NY.

In 1926 Lansbury's Labour Weekly release a series of gramaphone records of left-wing songs and speeches. This is a recording of one of those records.

Mahler Symphony No.4 in G major 3. Ruhevoil (Mahler) European Archive. The symphony was published before 1926 and is therefore in the public domain.

Mahler Symphony No.4 in G major 4. Sehr behaglich (Mahler) European Archive. The symphony was published before 1926 and is therefore in the public domain.

Mahler Symphony No.4 in G major 1. Badachtig Nicht ellen (Mahler) European Archive. The symphony was published before 1926 and is therefore in the public domain.

Mahler Symphony No.4 in G major 2. In gemachlicher Bewegung (Mahler) European Archive. The symphony was published before 1926 and is therefore in the public domain.

John Philip Sousa's "Old Ironsides" (1926) as performed by the United States Marine Band. Track 104 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Old Ironsides" (1926) as performed by the United States Marine Band. Track 104 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

The hymn of free Russia by Alexander Gretchaninov (music) and Konstantin Balmont (text), performed by David Medoff, published by Columbia Phonograph Company in Apr. 1926 as Co 20074-F/W 106678-2, "Da zdravstvuyet Rossia! (Hymn Svobodny Rossii)," "Гимн свободной России" Александра Гречанинова (музыка) и Константина Бальмонта (текст), поёт Давид Медов

This anthem was in use during the rule of Emperor Haile Selassie I from 1930 to 1974. The music was composed in 1926 by Kevork Nalbandian, an Armenian living in Ethiopia. It was first performed when Haile Selassie I was crowned Emperor on November 2, 1930 and remained the national anthem until the Emporer was overthrown by socialist army officers in 1974 and the socialists fully gained control of the government in 1975.

1st release date: 1927 1st recording date: 13 November 1926 Place of recording: Teatro alla Scala, Milan (Italy) Author(s)/Composer(s): Ruggero Leoncavallo (1857-1919) Lyricist(s): Ruggero Leoncavallo (1857-1919) Music arranger(s): none Conductor: Carlo Sabajno (1874-1938) Performer(s): La Scala Theatre Chorus and Orchestra Vocal range: Chorus Title/Work: Pagliacci (Clowns) (opera) Content: Coro delle Campane (Chorus of the bells) Genre(s): Opera terminology

Label: Disque "Gramophone" Cat. no.: DB 1001 Order number: 2-053278 Matrix/StamperID: CVE-31274-5 (A31274, 2-053278-P) 1st release date: 1927 1st recording date: 29 October 1926 Place of recording: - Author(s)/Composer(s): Julius Benedict (1804-1885) Lyricist(s): none Music arranger(s): Jean-Baptiste Arban (1825-1889) Conductor: Josef Pasternack (1881-1940) Performer(s): Toti Dal Monte (born as Antonietta Meneghel (1893-1975)) Vocal range: Soprano vocal solo, with orchestra Title/Work: Carnival of Venice Content: Part 1 Genre(s): Variations for trumpet Comments: RCM and SPU

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music

O Canada English Weir 1928 Amicus No.: 31400413 Performer Heading: Johnson, Edward, 1878-1959 Performer: Edward Johnson, Tenor with Orchestra assisted by Male Quartet Title: O Canada [sound recording] / Weir, lyrics ; Lavallée, music Composer Heading: Weir, Robert Stanley, 1856-1926; Lavallée, Calixa Generic Label: Victor Transcribed Label: Victor Numbers: Issue no.: 24005 Matrix no.: [BVE45612] Take no.: 3 Side no.: B Notes: Distributor: RCA Victor Company Limited., Montreal Manufacturer: RCA Victor Company Limited, Québec (Province) Recorded: [7 Jun 1928], New York, Victor Talking Machine Co Released: [ca Sep 1928] Issue Type: primary label Comments: Text transcribed from label/Texte transcrit de l'étiquette: Licensed under Canadian patent no 160997 for sale at current catalog price by authorized dealers. No other person shall sell, expose or offer this record for sale or exchange; Not licensed for Radio Broadcast. Additional information/information additionnelle: BVE preceding the matrix no. indicates a 10" electric recording. Discographical reference: The Tenor of his Time : Edward Johnson of the Met, matrix, number, recording date Physical Description: 1 sound disc : 78 rpm, monaural ; 10 inch Genre: Songs ; National songs--Canada; Chansons nationales--Canada Location: 78/10 16010 Web source: http://amicus.collectionscanada.ca/gramophone-bin/Main/ItemDisplay?l=0&l_ef_l=-1&v=1&lvl=1&coll=24&itm=31400413

A recording of my grandfather's old pendulum wall clock, made in about 1926. The mechanism is worn and ticks unevenly, with occasional clunks from damaged cogwheel teeth. Recorded from inside the case, it is entirely unedited so contains slight ambient noise.

The apollonia is a mechanized organ and music machine. It was built in 1926 and resides in the musical instrument museum (phoeniz, arizona). It takes up the space of an entire wall. Tech notes: this is a stereo recording made with a sony pcm-d50 (onboard mics, close xy pattern). I failed to notice that the low-cut filter was engaged on the recorder, so the full bass range of the instrument was not properly captured. You'll need to hear it for yourself in person!.