155 Royalty-Free Audio Tracks for "1928 12 17"

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 27-29 September 1928

Phrase group of three four bar phrases in Mozart's Piano Sonata in F, K. 332, first movement.

Fantasiestücke, Op. 12, Nr. 8, "Ende vom Lied", by Robert Schumann (17 KB, 4:01 minutes)

Fantasiestücke, Op. 12, Nr. 7, "Traumes Wirren", by Robert Schumann (16 KB, 2:43 minutes)

Fantasiestücke, Op. 12, Nr. 6, "Fabel", by Robert Schumann (15 KB, 2:13 minutes)

Fantasiestücke, Op. 12, Nr. 1, "Des Abends", by Robert Schumann (8 KB, 3:23 minutes)

Fantasiestücke, Op. 12, Nr. 4, "Grillen", by Robert Schumann (18 KB, 3:47 minutes)

Fantasiestücke, Op. 12, Nr. 3, "Warum?", by Robert Schumann (4 KB, 1:37 minutes)

Fantasiestücke, Op. 12, Nr. 2, "Aufschwung" by Robert Schumann (16 KB, 3:29 minutes)

Fantasiestücke, Op. 12, Nr. 5, "In der Nacht", by Robert Schumann (21 KB, 4:25 minutes)

*Major second on C = D. Equal-tempered: 22/12:1 = 200 cents. MIDI pitch bend: 0,64

*Major seventh on C = B. Equal-tempered: 211/12:1 = 1100 cents. MIDI pitch bend: 0,64

The traditional country song Slow Buck, recorded by Gid Tanner and his Skillet Lickers

The traditional country song Nancy Rollin ’, performed by Gid Tanner's Skillet LickersFrançais : Nancy Rollin ’, chanson country traditionnelle chantée par le groupe musical Skillet Lickers. (Durée : 3 m 27 s)

Schubert Quartett-Satz in C minor, opening bars

*Perfect fifth on C = G. Equal-tempered: 27/12:1 = 700 cents. MIDI pitch bend: 0,64

John Philip Sousa's "Old Ironsides" (1926) as performed by the United States Marine Band. Track 104 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Black Horse Troop" (1924) as performed by the United States Marine Band. Track 100 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ancient and Honorable Artillery Company" (1924) as performed by the United States Marine Band. Track 99 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Mitten Men" (1923) as performed by the United States Marine Band. Track 97 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Marquette University March" (1924) as performed by the United States Marine Band. Track 101 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Old Ironsides" (1926) as performed by the United States Marine Band. Track 104 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Dauntless Battalion" (1922) as performed by the United States Marine Band. Track 96 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ancient and Honorable Artillery Company" (1924) as performed by the United States Marine Band. Track 99 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Mitten Men" (1923) as performed by the United States Marine Band. Track 97 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Dauntless Battalion" (1922) as performed by the United States Marine Band. Track 96 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The National Game" (1925) as performed by the United States Marine Band. Track 102 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Marquette University March" (1924) as performed by the United States Marine Band. Track 101 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

*Hundred-fifty-third subharmonic on C = B-. Just: 256/153 = 891.13 cents. Limit: 17-limit. MIDI pitch bend: 20,61

*Hundred-nineteenth subharmonic on C = D♭-. Just: 128/119 = 126.22 cents. Limit: 17-limit. MIDI pitch bend: 49,72

*4 steps in 17 equal temperament on C = E♭ (Easley Blackwood's notation). Equal-tempered: 24/17:1 = 282.35 cents. MIDI pitch bend: 45,58

*Fifty-first subharmonic on C = F♭. Just: 64/51 = 393.09 cents. Limit: 17-limit. MIDI pitch bend: 101,61

*Hundred-eighty-seventh subharmonic on C = G↓♭. Just: 256/187 = 543.73 cents. Limit: 17-limit. MIDI pitch bend: 127,77

*6 steps in 17 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/17:1 = 423.53 cents. MIDI pitch bend: 68,71

*Eighty-fifth subharmonic on C = A. Just: 128/85 = 708.73 cents. Limit: 17-limit. MIDI pitch bend: 101,66

*5 steps in 17 equal temperament on C = D♯ (Easley Blackwood's notation). Equal-tempered: 25/17:1 = 352.94 cents. MIDI pitch bend: 120,48

*Two-hundred-twenty-first subharmonic on C = E♭. Just: 256/221 = 254.52 cents. Limit: 17-limit. MIDI pitch bend: 57,49

*Minor second on C = D♭. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: 0,64

Klaviersonate Nr. 12 B-Dur, op. 26 - III. Marcia Funebre - Andante maestoso

MIDI: Perfect fourth on C = F. Equal-tempered: 25/12:1 = 500 cents. MIDI pitch bend: 0,64

*Minor seventh on C = B♭. Equal-tempered: 210/12:1 = 1000 cents. MIDI pitch bend: 0,64

Traditional song from Argentina sung by Juan Rodríguez. Disco Electra n° 153. Matrix n° 815. [1]

Banda De Policia De Mexico - Himno Nacional Mexicano 1928

1st release date: between 1928 1st recording date: 13 July 1928 Place of recording: C Studio, Small Queen’s Hall, London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor: John Barbirolli (1899-1970) Performer(s): Guilhermina Suggia, Cellist (1885-1950) Vocal range: instrumental Title/Work: Cello concerto in D major Content: 3rd Movement (2nd Record) Allegro (Part 6) Genre(s): Cello concerto

Klaviersonate Nr. 12 B-Dur, op. 26 - I.Andante Con Variazioni

Major chord on C in 17 equal temperament (0,6,10).

Alternate Title: The Battle Hymn of the Republic Henry Reed's air is evidence of the folksongs in circulation about John Brown that became the basis for Julia Ward Howe's patriotic hymn "The Battle Hymn of the Republic." His version implies a verse and refrain using essentially the same melodic material, as is the case with "The Battle Hymn of the Republic." Title change: The title appeared in the fieldnotes as "John Brown's a-Hangin' on a Sour Apple Tree." Key: D Meter: 4/4 Strains: 2 (middle-middle, 4-4) Rendition: 1-2-1 Phrase Structure: ABAC A'B'A'C (abcd abef a'b'c'd' abef) Compass: 9

*12 steps in 23-et on C = ?. Equal-tempered: 212/23:1 = 626.09 cents. MIDI pitch bend: 44,72