2,202 Royalty-Free Audio Tracks for "1929 In Brazil"

Choro "Aguenta, seu Fulgêncio" (composed by Lourenço Lamartine and Pixinguinha) played by Pixinguinha (flute). 1929 (RCA Victor Talking Machine Company of Brazil).

Samba by Almirante (Singer). 1929.

Choro "Harmonia Selvagem" composed by Dante Santoro. Recorded by Dante Santoro (flute) in 1938. [1]

Arthur Fields performs I far Down An' Go Boom with his Assassinators, 1929 probably for Edison Records. Arthur Fields singt I far Down An' Go Boom mit seinen Assassinators, 1929 wahrscheinlich für Edison Records.

Português: Pelo Telefone, composição de Donga (Ernesto Joaquim Maria dos Santos), é considerado o primeiro samba a ser gravado no Brasil. Disponível no Acervo de Música e Arquivo Sonoro da Biblioteca Nacional.

Traditional algerian music (Hawzi) Hawzi tlemçani

The traditional country song Soldier's Joy, performed by the the North Carolina Hawaiians

Traditionnal algerian music (Gherbi) Gherbi "hadjou lefkar"

Traditional algerian music (Bedoui / Rai) 'aroubi "Goul Le Si Mohamed" (second part)

Pie Plant Pete performs the song Hand Me Down My Walking Cane, recorded around 1929 probably for Gennett Records.

«Яблочко», один из вариантов народной песни в исполнении Михаила Вавича, с аккомпанементом оркестра

Brazil National Anthem - Audio in 1905

National Anthem of Brasil during WWII Bombings in Italy (1944) - Brazilian Expeditionary Force Português: Hino Nacional Brasileiro Durante bombardeios da Segunda Guerra Mundial na Itália (1944) - Força Expedicionária Brasileira

Brazil National Anthem (abridged) - Audio in 1905 Português: Hino Nacional Brasileiro (abreviado) - Audio de 1905

Brazil National Anthem (complete) - Audio in 1905

Traditional algerian music (Hawzi) Hawzi "Niran Chaâla fi knani" Composer : Ahmed Ben Triki [1650-1750]

, Algerian piyyout, by Elie Bensaid

Classical algerian music (Sanâa of Tlemcen) Msaddar rasd eddil "rani bi l-afrah", from the first mouvement (msaddar) of the nûba rasd eddil.

Classical algerian music (Sanâa of Algiers) "Laylat-u al-'uns-i", a mseddar (first movement) from the Gherib mode.

Classical algerian music (Sanâa of Algiers) An istikhbar from the Zidan mode, one of the sixteen modes known in the classical algerian music or arab-andalusian music of Algiers (Algeria).

Barichai Bocherh Aarbi, Algerian jewish liturgical song, by Elie Bensaid

Classical algerian music (San'a of Tlemcen) Istikhbar Mezmoum, vocal improvisation in the mezmoum mode (one of the seven fundamental algerian modes).

Sung by Carmen Miranda and Sylvio Caldas. Disc Victor 33445.

Sung by Carmen Miranda. Victor disc 33.769

Sung by Carmen Miranda. Victor disc 33769.

Traditional music from Algeria sung by Mahieddine Bachtarzi.

Traditional music from Algeria sung by Mahieddine Bachtarzi. Istikhbar Djarka – tradycyjna algierska pieśń w wykonaniu Mahieddine’a Bachtarziego z 1929 roku. Македонски: Истикбар џарка — алжирска народна песна снимена во 1929 г. од Махиедин Биштарзи, наречен „Пустинскиот Карузо“.

The traditional country song Cripple Creek, performed by Gid Tanner and his Skillet Lickers

Sung by Carmen Miranda. Odeon disc 11540.

Sung by Carmen Miranda. Odeon disc 11442.

Choro "Intrigas no Boteco do Padilha" composed and recorded (1940) by Luis Americano (Clarinet).

Português: Choro (maxixe/tango brasileiro) "Amapá" (ou "Tango do Amapá"), composto por Costa Júnior (João José da Costa Júnior - que usava o pseudônimo Juca Storoni) e executado por Dante Santoro. Gravação de 1941. Música composta em 1901.

Português: Choro "Flamengo", composto por Bonfiglio de Oliveira em homenagem ao Clube de Regatas do Flamengo no Rio de Janeiro. Gravação de 1931 pelo próprio Bonfiglio de Oliveira no trompete.

Choro "Magoado", composed and recorded (in 1930) by João Pernambuco (guitar).

Português: Samba choro. Interpretes : Carmen Miranda e Barbosa Jr. Disco Odeon 12042 B

Sung by Carmen Miranda. Vicot disc 33445.

Traditional song from Morocc performed by Chikha Aicha El Hertitia. Recorded by Harold Fleming in Casablanca. Gramophone record n° K-4631. [1]

The traditional country song Cotton Eye Joe, performed by Gid Tanner and his Skillet Lickers

Choro "Mariana em Sarrilho", composed by Irineu de Almeida. Recorded by Grupo do Novo Cordo (clarinet, cavaquinho and guitar, but members are unknown) in 1907.

Choro "Atraente" composed by Chiquinha Gonzaga in 1877[1]. Played by Pixinguinha with the saxophone and Benedito Lacerda in the flute. "Atraente" is one of the most influential music in Rio de Janeiro

This choro music shows the typical improvisation style of the choro players. The music is a variation of the ancient folk theme of northern part of Rio de Janeiro state called "Dança da Urubu" also called "Urubu Malandro", "Samba do Urubu" or "O Urubu e o Gavião". Flute: Pixinguinha (recorded in 1930).Português: Esta gravação mostra o típico estilo de improvisação do choro. A música é uma variação da música folclórica chamada "Dança do Urubu", oriunda do norte do Estado do Rio de Janeiro. Em 1914 foi gravada pela primeira vez a música, com o nome de "Urubu Malandro", pelo chorão conhecido como Louro. Pixinguinha, em 1930 gravou com sua flauta esta variação, com o nome de "O Urubu e o Gavião"

Title/Work: Madama Butterfly Content: No.13: Perchè con tante cure Genre(s): Opera Author(s)/(Composer(s): Giacomo Puccini (1858-1924) Music arranger(s): none Lyricist(s): Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906) based in part on the short story "Madame Butterfly" (1898) by John Luther Long (1861-1927), which was dramatized by David Belasco (1853-1931) Performer(s): Professori d'Orchestra e l'intero Corpo Corale della "Scala di Milano", Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccaloni (Basso) and Lino Bonardi (Baritone) Conductor: Lorenzo Molajoli (1868-1939) Place of recording: London (United Kingdom) 1st release date: 1929 1st recording date: 25 April - 11 May 1929

Choro polca "Massada", composed by Lulu Cavaquinho (Luiz Carlos dos Santos), recorded in 1911 by Choro Carioca (Pixinguinha: Flute; Irineu de Almeida: Bombardino and Oficleide; Bonfiglio Oliveira: Piston; Leo Viana and Otávio Viana: guitars; Henrique Viana: Cavaquinho)

Choro (maxixe) "Corta jaca", composed in 1895[1] by Chiquinha Gonzaga and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves. Recorded in 1910-1912) ↑ http://www.choromusic.com/compositores_chiquinha_titulos_in.htm

Escovado, composed (1905) and recorded (1930) by Ernesto_Nazareth (piano).

Português: Hino Nacional Brasileiro (abreviado) - Piano e Orquestra Philharmonia

Português: Hino Nacional do Brasil (abreviado) - Orquestra Philharmonia

A copyright-free version of the first recording of the Brazilian anthem made in London, in 1901.

Português: Hino Nacional do Brasil (Continências ao Presidente da República) - Orquestra Philharmonia

Português: Hino Nacional Brasileiro (Continências ao Presidente da Repúblic) - Versão Jogos Panamericanos 2011