5,709 Royalty-Free Audio Tracks for "Altered Voice"

V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.

Altered dominant played twice then resolved to the tonic. Created using Sibelius and Audacity.

Example of an altered chord progression in jazz.

G7alt chord.

Tritone substitution and altered chord as, "nearly identical". Chords: C7, F♯7, and C7 +9 +5: Root 3rd 5th 7th 9th 11th 13th C

Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo

Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.

C altered scale.

Augmented dominant seventh chord on C

I used voxal voice changer plus to create this file. The voice is my own, but i added a phoney english accent to make it sound interesting.

An odd sounding voice saying "two weeks later" - kinda had a monty python-esque feel in mind when i made it.

Diminished seventh chord resolution: both diminished fifths tend to resolve inward, doubling the third of the tonic chord.

Haha, I was just recording myself using vibrato while in chest voice. This for educational and useful purposes, feel free to use it.

Robotic voice effect using a en:vocoder. This effect is often found in film and television productions. For the technically minded, the voice is modulating a 110Hz en:sawtooth wave, which is the note A two octaves below en:A440. There is also some en:reverberation and phasing added. Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].

Recording of water fountain that has been altered or distorted.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Р.Дриго. Балет "Эсмеральда", вальс. Исп.: Симфонический оркестр, дирижер капельмейстер Придворного оркестра Г.И.Варлих. Выпуск фирмы "Amour Gramophone record"

Антонио Бадзини "Танец шалунов". Исп.: Я.Кубелик (скрипка) The Dance of the Goblins (La Ronde des Lutins), Scherzo fantastique, Op. 25

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Р. Дриго. Балет "Эсмеральда". Пиццикато. Исп.: Симфонический оркестр, дирижер капельмейстер Придворного оркестра Г.И.Варлих. Выпуск фирмы "Amour Gramophone record".

Details of the voice leading in m. 3-7 of BWV 941: original

Композитор П.И.Чайковский. Опера " Евгений Онегин". Дуэт Няни и Татьяны ""О чем же, Таня" Исп.: М.А.Михайлова (сопрано) (ум. в 1943), Е.И.Збруева (контральто) (ум. в 1936) в сопровождении оркестра

punk-dark italian band Maybe the first band in Italy to completely refuse copyright on own self-produced work - record label stated permission to copy and distribute music contained.

Дж.Верди. Опера "Риголетто". Песенка Герцога "Сердце красавицы". Исп.: Д.А.Смирнов (тенор) (ум. в 1944). Выпуск фирмы "Amour Gramophone record"

This is a 2nd altered version of my other sound loop "running motor". Uploaded original version to soundtrap. Com and altered the recording.

Here's a hummingbird recorded at 96khz, then filtered and slowed 900%, resampled to 44. 1you can hear the individual wing strokes and the chirps now sound something like the monsters from the movie "pitch black".

Hamilton College Choir performs Hamilton's alma mater, Carissima, at the Home Concert at the end of the Spring Choir Tour of the Northeast.

Bahnhof Kronstadt (RO), Ankündigungsmelodie für Lautsprecheransagen (ora Brașovului, Ciprian Porumbescu) Esperanto: Braŝovo (RO), stacidomo, enkonduka melodio por laŭtparolilaj anoncoj (ora Brașovului, Ciprian Porumbescu) Română: Gara Brașov, melodia introductivă de anunțuri pe difuzorul (ora Brașovului, Ciprian Porumbescu)

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

Air de Cour "Je suis ravi de mon Uranie" von Étienne MouliniéJe suis ravi de mon Uranie, Toute beauté pres d'elle est ternie:Jamais l'amour dedans ces boisN'en a fait voir, n'y regner de pareille,C'est une merveille,Sa seule voixPeut dompter, et sousmettre les plus grands Roys.

V65 of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. Reduced from Chopin.

V/V-V-I in C, in four-part harmony.

Lift Every Voice and Sing performed by the United States Navy Band. Featuring Musicians 1st Class Danlie Cuenca and Chelsi Vanderpol and Chief Musician Cory Parker with Chief Musician Justin Cody, piano

I care not for these ladies by Thomas Campion, sung live by my self.

Р.Дриго "Серенада", пьеса Исп.: Инструментальный квартет "С-ть Георгъ". Выпуск фирмы "Amour Gramophone record" Waltz from Drigo’s Serenade. Performed by instrumental Quartet "st George."

Enfin la Beauté by Etienne Moulinié, an "air de cour", performed live by myself: Enfin la beauté que j'adore Me fait cognoistre en son retour Qu'elle veut que je voye encore Ces yeux pour qui je meurs d'amour Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame. Le ciel voyant que son absence M'oste tout mon contentement, Octroye à ma perseverance La fin de mon cruel tourment: Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame. Mes maux changés vous en delices, Mon coeur arrestés vos douleurs, Amour bannissez mes supplices, Mes yeux ne versez plus de pleurs: Mais puis que je revoy la beauté qui m'enflame, Sortez mes desplaisirs hostez vous de mon ame.

V of V in C, four-part harmony. From Bach.

An ensemble from U.S. Navy Band Southwest, Jacksonville, Fla. performs "Lift Every Voice and Sing" by James Weldon Johnson and John Rosamond Johnson.

Композитор Иоганн Штраус (сын). Вальс "Весенние голоса". Исп.: А.Грюнфельд (фортепиано) (ум. в 1924).

Cavatina di Rosina ("Una voce poco fa…") from opera The Barber of Seville. Performed by Aurelia Dobrovolskaya. Recorded in 1914. Каватина Розины "В полуночной тишине" из оперы "Севильский цирюльник" (действие первое, картина вторая) (Дж. Россини). Исполняет Аврелия Добровольская. Запись 1914 г. (Арх.№ ф. 42, оп. 1 "г", ед. уч. 237). Kawatyna Una voce poco fa z opery Cyrulik sewilski w wykonaniu Aurelii Dobrowolskiej zarejestrowana w 1914 roku. Čeština: Árie Cavatina di Rosina ("Una voce poco fa…") z opery Lazebník sevillský, nahrávka z roku 1914. Македонски: Розинината каватина од операта „Севиљскиот берберин“ во изведба на Аврелија Добровољскаја. Снимено во 1914 г.

V of V in C, on guitar.

Was originally a rap beat i made. . . I took off the beat. Its best to have this used for a slasher film.

The sound of altered states.

Композитор Г.-Ф.Гендель. Пьеса "Менуэт", Исп.: С.Якобсон (скрипка) (ум. в 1902). Выпуск фирмы "Amour Gramophone record"