2,045 Royalty-Free Audio Tracks for "B Flat Chords"

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

Dominant seventh flat five chord on C - As MIDI

Eb major triad, MIDI file

Leading-tone seventh chord in C minor.

Leading-tone seventh chord in C major.

VI7 in C minor. Created by Hyacinth (talk) 15:26, 2 July 2011 (UTC) using Sibelius 5.

III+7M chord in C minor.

Supertonic diminished seventh chord in C (D♯=E♭).

Diminished triad on B, as MIDI

The chord of B major played on an acoustic guitar. El acorde de B major toca en una guitarra acoustica.

Dominant raised ninth flat five chord on C. C E Gb Bb D#.

Dominant minor ninth flat five chord on C. C E Gb Bb Db.

Viennese fourth chord.

Sonata in B-flat major, Deutsch Catalogue 960 - 4th movement: allegro ma non troppo

German sixth equals dominant seventh

Sonata in B-flat major, Deutsch Catalogue 960, 2nd movement.

Excerpt from Bach's Mass in B minor

Sonata in B-flat major, Deutsch catalogue 960 - iii. scherzo (allegro vivace con delicatezza).

Neapolitan sixth in C minor.

B-flat harmonic minor scale ascending and descending.

B-flat melodic minor scale ascending and descending.

♭III+ chord in just intonation. Pitch bend matches intervals.

Fifteenth chord from Perry on C

Fifteenth chord from Marpurg on A: A,(C,E,)G,B',D',F',(A"). Resolves to C,E,G,C',E'.

Dominant eleventh on F in fifth inversion: B♭CE♭FGA. V11 resolves to I.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Dominant thirteenth on F in sixth inversion: DE♭FGAB♭C. V13 resolves to I6.

Root, in red, of a C major chord.

Sixth (A), in red, of a C added sixth chord. Created by Hyacinth (talk) 15:57, 4 July 2010 using Sibelius 5.

Full diatonic fifteenth chord from Listz on B

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

viio/V - V - I chord progression. Common in ragtime.

Minor chord on A.

viio7 in G major, on the guitar.

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

B♭ natural minor scale ascending and descending.

Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo

An arpeggio.

Frédéric Chopin's Nocturne in B-flat minor, Op. 9, No. 1, 1832

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.

Half-diminished seventh chord on supertonic in C minor.

Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

7sus4 chord on C

Chord progression with a borrowed chord second to last: iv or Fm in C major.

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.

Borrowed chord common in rock music: I ♭VI IV. In C: C A♭ F.