2,487 Royalty-Free Audio Tracks for "B"

This is part of a experiment on pitch difference. The audio consist on the 12 semitones of an octave, made up with sine waves.

Quick sampling of a plastic alto recorder with vibrato. Enjoy!. Recorded with 2x rhode nt-1a's in a dry space up close.

Wooden, headless tambourine recorded using a zoom h5 and a rode nt-5 in a bathroom. Edited in ocenaudio, also some de-reverberation. No equalization applied. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

It's a recording of a modern portable cash register printing a daily report. Then the paper tape is ripped of. There are funny frequency effects caused by the paper tape getting longer and resonating different frequencies. The sound have not beet piped through any processing. Recorded with a hand-held zoom h2's rear mics. Originally 96khz/24-bit wav. Edited and converted to flac using audacity.

Fx laser shoot (medium pitch range) made with adobe audition.

Dirty tone type of riff with maybe a hint of texas sauce with lots of harmonics.

Sort of a riff but sort of an assortment of noises/harmonics and vibrato/tremolo effects. Chop it up and serve hot or cold, your choice.

Nasty type of tones, think bad garage rock. But a simple type of riff which could be used for a beginning or break segment if shorten.

Just some random, bad and sloppy shredding type of playing. Lots of fast notes and some heavy power chords. Call it the lead guitar player having a bad day.

A nice and wide sounding piano chord, using a digital piano sound i'm developing from public domain piano samples. Enjoy!.

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 2. Adagio ma non troppo (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

The sound of a bell and howell model 253b 8mm projector being switched on, running, and being switched off.

Just augmented second in just C scale: A♭ and B.

Stop-time in Dan Emmett's "Aunt Dinah's Wedding Dance" (1895) second break down strain

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

She hears the seal at open outdoors by b & w international. Recorded with: the t. Bone sc400recording software: adobe audition (2017).

Bell ring. Recording made for play. Hardware: behringer b-1, m-audio fasttrack ultra, macbook prosoftware: adobe audition cs 6no post processing.

Sonido de puerta metálica con sonido chirriante un poco macabro del edificio b de la uem.

Recorded on a tascam portable recorder using the inbuilt condenser mics in an a/b pattern.

She hears i open an outdore case from b & w international. Recorded with: the t. Bone sc400recording software: adobe audition (2017).

She hears i close an outdore case from b & w international. Recorded with: the t. Bone sc400recording software: adobe audition (2017).

She hears i close an outdore case from b & w international. Recorded with: the t. Bone sc400recording software: adobe audition (2017).

She hears i open an outdore case from b & w international. Recorded with: the t. Bone sc400recording software: adobe audition (2017).

Braun oral b electric toothbrush in action, somewhat of a didgeridoo type sound. Recorded using a zoom h4n field recorder.

November 26, 2011: cassette 2, side b: this is a recording on the boardwalk/boat launch at ballast point park.

Electric guitar, clean, county style but with a some start and stop moments.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: spic_b1_v1_rr1. Wavinstrument family: stringsinstrument: cello sectionarticulation: spiccatonote: b2midi note: 47midi velocity (center): 31location: boston, maroom type: classroommicrophone: 2x rode nt1-a spaced pair, 1 royer r-101. Performer: cristobal cruz-garcia, addy harris, parker ousley.

Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpreter: Orq Francisco Canaro; Singer: Charlo; Rec: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931 Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Orq Francisco Canaro; Cantante: Charlo; Grab: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931 Italiano: Tema: "Flor de fango" (tango). Autori: Testo: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Orq Francisco Canaro; Cantante: Charlo; Registrazione: Odeon 4735 B, Buenos Aires, Buenos Aires, 14 Apr 1931

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ambisonic b-format recording. Recorded with a coresound tetramic. Open field, slightly residential area, early evening. Birds. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Ambisonic b-format recording for creaky footsteps in a fairly reverberant hallway. Recorded with the coresound tetramic. *note: you will need to decode this b-format ambisonic file with a plug-in such as the (free)surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files (and opposed to ambix bformat).

Recorded with zoom h2n ambisonic b-format (no z track), airplane cabin with passenger chatter. *note: you will need to decode this b-format ambisonic file with a plug-in such as the surroundzone2 which allows you to decode the file to a surround, stereo, or mono format. Also note that these are fuma bformat files converted from ambix format.

Rain spout drip after heavy rain, recorded with the zoom h2n in spatial mode in a very reverberant space. This is an ambisonic recording - b-format, ambix. Do to a limitation of the h2n, it does not have a height channel. You can decode this file to mono, stereo, or surround with rode's sound field plug-in.