27 Royalty-Free Audio Tracks for "Convinced"

Woman saying hmm a few times as if she is being convinced.

Combine with all versions to form a convincing falling tree , made for animations as a cartoon effect.

A low, loud, ominous bell ringing sound. Actually, i just decreased the speed of a small service bell ringing, but it's surprisingly convincing!.

A few sound gathered from here compiled to make a convincing sound of a person falling on a wood floor.

A pressurized sound made from a very simple source - my own mouth. Filtering and stretching gives it a convincing effect of a hydraulic release. May be compatible with sounds of medical machines.

Use in your star wars projects. . . . Or blast on your car speakers to convince your neighbors that you're a sith lord. . .

New linear scale. Made in python. . . 200hz up to 2000hz and back in steps of 100hzi'm not that convinced the beep command outputs exact frequencies. . . And the sound is terrible. But it is a beep. . .

It's a scream recorded for a project, most convincing part of that project, thusly been using this scream in other projects as my very own wilhelm scream.

Sound of my binger wristwatch ticking. I used phase cancellation to get rid of the noise floor except for the ticks. At lower volumes it sounds very convincing. I draped the watch over my microphone - the blue yeti pro.

I was doing a narration where i had character voices pre-recorded. When i do that, i simply read through the story and paste the actual voices in afterward, but this still sounded pretty convincing.

Recorded myself doing some silly monster sounds in fl studio, synthesized it in harmor, and did some post-processing. The result, a pretty convincing werewolf-ish creature howl. Use as you please, a link to the end product would be sweet.

A brook near my home. I like it’s sound but not easy to record. But here i try again with my zomm f4 and sennheisser mke 600. I did some adjustments with an equalizer and i'm happy with resault so far. But i'm not completely convinced, maybe i'll try again sometime later :. Equipment usedzomm f4 and sennheisser mke 600.

An all-american expression of incredulity. It can be used to express genuine surprise, or better yet, with a touch of sarcasm. "we need to put a hold on this check till it clears. " well, no shit. I note that it is easily edited to produce a very convincing "oh shit" which i have put into practical use on occasion.

Ok this is going to sound like an 8 year old trying to convince his 23 year old brother that fnaf is real so bare with me. This is a real noise i heard, if it is just a regular sound the wind likes to make from time to time please tell me, i genuinely want clarification on what this is :).

Sound of a single droplet. The standard sound for like a leaky faucet or a drop hitting a puddle or bucket of water. I actually made this sound with my mouth and tapping my cheek at the same time, but it is a very convincing drop sound, which can easily be looped at the speed you want for that "continuous drop" sound in the background.

There was a foley (of the then cranky closet of mine i was fiddling with) lying around in my hard drive i recorded some time ago. I pitched it down several times, stacked up in multiple layers & went on to process the layers individually.

A few sporadic waterdrops. Just a random sound i've been making with my mouth ever since i was a little kid. At the right volume it's fairly convincing. Anyway, i've been using this site for a while for a few of my own projects and felt it was time to say thank you and give something back. If you can use it for anything, then by all means, feel free. Enjoy.

Now this sfx is my pride and joy. I acted quickly to get materials to work together to make this sound. I pulled a rope through the belt-eyes of some short pants, which would be the ropes releasing from the bag. Then i fluttered the pants to sound asif wind and the parachute material was colliding, making the sound so much more convincing.

A sound of a tightening wrench (a bike repair kit) being spun around to produce its distinct ratchet like sounds. Foley fun: put to 25% of its rate and you get convincing metallic gear sounds, apply a tiny bit of reverb, maybe layer it with some screeching sounds from other users (or me, your choice) or a slow gate shutter to get a nice mechanical door opening sample.

This is a sound i made in audacity by recording myself going "vvvvvvvvvvvvvv. . . " on two separate tracks and slowing them both down by 95% and adding a little bit of reverb. I think it's sort of convincing but i think it would be better if the pulse of the samples being copied a bunch of times kind of gives it away. Feel free to do what you like with it.

A stereo wav recording from a zoom h1n during a thunderstorm today. One siren picks up followed by several more producing a convincing stereo image. I have done a basic bass roll-off, but have left it otherwise untouched. If you have a spectral editor you can probably clean out more of the noise, but i couldn't do so and keep the sirens sounding good.

This sample was created by layering short, improvised passages on a yamaha psr-275 into a boss dd-20 in sound on sound mode. Loop was played into a boss me-30 on harmonizer and pitch shifter settings, processed in real time, then faded out. Audio was further processed in goldwave (compression, added hiss, vibrato, etc. ) to give it a more believeable "old vhs tape" sound. I cut it to only include the most convincing segment of audio. (it's not perfect, but it's only an emulation!) 24 kbps, stereo.

This is audio i recorded of my husband using his ten year old decrepit constant positive air pressure sleeping machine. I was trying to convince him that he needed a new one. The variety of sounds he and it managed to make is extraordinary. The intermittent beeping is the machine's warning sound. When i played it for him he cried laughing. I hope you find it useful for something. You'll be please to know his new machine is whisper quiet.

Got a group of about 8 people to say "hey!" a few times. Layered all the takes, compressed, and added a touch of reverb. I've used this one a bunch in my own songs. Sometimes, to achieve a convincing gang vocal effect, when i don't have a gang, you can sing your line a few times, and then layer this "hey" under each syllable, and you can get a pseudo-gang vocal. Works in a pinch if your mix is dense enough. I'd love if you'd credit joshua scott or rjc studios if you use this sample, but don't sweat it if you don't. Good artists borrow, great artists steal.

Hey!. I've made this for a friend's project. But the project is now stalled, so i decided to release my work to the world. The sound is created with multiple layers of zynaddsubfx digital synthesizer. Sequenced and rendered using lmms. This was my first serious attempt at creating high-quality game sounds. I've spend quite some time refining and adding detail to the sounds, so they are rich and convincing. I hope this is a production at top level, that could be used in a commercial motion picture. Have i reached my goal?. If you want to use them, you'll need to edit it by yourself :). There are several different firing sounds, laser beams, discharge, sounds of plasma projectiles hitting a wall etc. . . Have fun and don't forget to give me a credit and link to this page!.

Studio technologies - stereo simulator (generation ii). Https://studio-tech. Com/products/generation-ii-stereo-simulator/. The generation ii stereo simulator from studio technologies creates a convincing stereo imagefrom a mono audio source. The fully mono-compatible signal simulates space withoutreverberation by using random, non-recursive filter techniques. The mode switch (found on the hardware unit) controls the overall sound of the generation ii. In the music position, the full audio bandwidth of the input signal is simulated. This mode isappropriate for audio material with little or no voice-only content. In the music & voice position, the input signal is sent through a band-reject filter prior togetting sent to the simulator circuits. This creates stereo simulation over the low and highfrequency range, while limiting simulation in the voice band. This mode is appropriate for audiomaterial that contains voice-only content, such as a film track or television show. The stereo intensity control determines the amount of stereo simulation that is produced. Inthe fully counterclockwise position (ir files “0” – included for process comparison), no simulatedstereo is produced. The mono input signal is sent equally to the left and right outputs. As thecontrol is turned clockwise (ir files “1 – 6”), the amount of stereo simulation increases.

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte