1,209 Royalty-Free Audio Tracks for "Convolution Reverb"

Linear decay produced from stereo pink noise to reproduce 80's plate reverb in a convolution reverb plug-in. This can be filtered to find best character.

Clapping in echoey spots to capture the impulse-response. You can map the contours to make your own convolution reverbs.

Reverb tail off a synth chord. Used to make pertiverbhitbuiltfrompiece. Wav.

A recording of a re verb from a british spring put through a convolution re verb loaded with a tunnel impulse made in bristol.

Convolution with the impulse response of the 3r floor from pompeu fabra university (poblenou, barcelona) and https://www. Freesound. Org/people/inspiredfunk/sounds/66352/.

Live drums with excessive reverb.

Fostex 31801980's spring reverb studio effect. Impulse response taken with sine wave sweep and deconvolved using reaper. 44. 1khz 24-bit flac.

I loaded a slew of random ir files into kontakt, played them through other irs and into the plate140, fairchild, and neve1073 plug ins off the uad card. Then i selected 5 good hits and applied logic's offline compression and destructive fade envelopes. I loaded them into space designer and it produces deep/bright/spacious reverbs.

Akg 535 pt le 7,1.

Bass reverb.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse response of a 1986 alesis microverb on the large 2 setting. Recorded through a tascam us-1641 into studio one 2, convolution done with voxengo deconvolver.

Were experiments with algorithmic reverb, trying to create the reverb style used in the 80's.

Pretty-sounding mix of layers of verbhitbuildypiece. Wav.

Door slamming hard with reverb.

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.

Originally straget's alarm clock audio without noise grain and an echo added.

Edirol field recording. Sounds cool pitched down.

A synth generated progression sound with reverb.

Created in lmms. Sine loop that is catchy. Use at your disposal.

2 year old and adult communicating in a large underground car park echo.

Knocking knock big reverb.

Sonido de piano convolucionado con la respuesta impulsional de los pasillos de la planta 4 del edificio roc boronat de la upf.

A slap with reverb.

This is a cool ending like in a cool film.

Playing the flute, one tone, recorded (shure sm58), pitch shifted, layered.

A scream with an echo and reverb.

Only reverb.

I was playing around in audacity and made this sound.

A edited snare turned into alien in a cave. Well thats what it sounds to me.

Dark sound made from hi hammer hit on metal , pitched down + compressed and reverbered with logic pro 9.

This started out as me recording my some of my whistling and then i pitched it down and added some reverb. Credit would be appreciated but it is not needed.

Based upon my "single gunshot. Wav" sfx, this experiments a bit with the effects of stereo audio. I made the sound quite punchy also. Created with audacity. Use however you see fit.

Rhythm synth with delay and reverb.

Recorded by us in 2010 with professional actor ro j. Goodwin for use in the movie carter's nightmare. A sound idea for a man falling to his death from a great hight. Owned by rigar uk. That's us.

Made with ableton simpler.

This sound was meant to represent lots of blips on the screen. But it sounded too "sciency" so it was unused. This sample is public domain, ignore the cc license.

Like the tags say: blips and pops in a very reverby space. It is made with pd. This sample is public domain, ignore the cc license. .

I took my snare drum into the wonderfully echoey parking garage of my building to record the reverb. Included are samples recorded from varying distances and positions. Also included are dry versions, recorded in a living room and a super-dry elevator. When used in a production, try mixing in the heavily reverbed snares against the dry ones to fit your taste. Also the reverb snares work well mixed under even unrelated percussions to add a neat ambiance. The same goes for my "stairwell foot stomps" sample set. Recorded 24-bit stereo with a sony pcm-d50. Assisted by matt mcgowin.

I recorded myself doing a water drop noise with my mouth and added some reverb.

Recorded with tc electronic 24d 24bit 48000.

Spring reverb fender amp guitar.

Reverberated version of risedrone.

A piece of scrap metal being dropped inside a large cement tank.

A trumpet being played inside a large cement tank.

A piece of scrap metal being dragged and scraped inside a large cement tank.