4,775 Royalty-Free Audio Tracks for "Cs"

Dissonance in Mozart's Adagio and Fugue in C minor, K. 546

IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.

Half-diminished seventh chord on sharpened supertonic in C.

Half-diminished seventh chord on sharpened subdominant in C.

*Orwell comma on C. 1728:1715 = 13.07 cents. Limit: 7-limit.

Car start and drive away, 90ies mercedes c-class, sennheiser mkh 416.

Custom descending sweep i made in 2013. It is in the key of c and the delay is set at 90bpm. Good for edm or transitions in hip hop.

Five steps in A12 equal temperament on middle C. 3(5/12)=792.48 cents.

Three steps in A12 equal temperament on middle C. 3(3/12)=475.49 cents.

*First Feigenbaum constant on C = δ. 4.66920 = 2667.81 cents. MIDI pitch bend: 89,53

Nine steps in A12 equal temperament on middle C. 3(9/12)=1426.47 cents.

One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.

Four steps in A12 equal temperament on middle C. 3(4/12)=633.99 cents.

VI7 in C minor. Created by Hyacinth (talk) 15:26, 2 July 2011 (UTC) using Sibelius 5.

Two steps in A12 equal temperament on middle C. 3(2/12)=316.99 cents.

Mozart; Concerto No. 25 in C- I. Allegro maestoso

Oboe Concerto in C K.314 271k II. Andantino (Mozart) European Archive

Mozart Symphony No.34 C major I. Allegro vivace (Mozart) European Archive

Chord progression on mic'd acoustic guitar. A major, c# minor, b minor, e major. Sm57.

Relearning how to use fl studio. Recorded wife humming "c" and added some fx to her voice. . . Added a simple beat too.

Made with a glitch of a black and red picture transposed to sound with audacity, then slow down and eq. Tuned to c.

*Drobisch angle on C. Equal-tempered: 21/360:1 = 3.333333 cents. MIDI pitch bend: 9,65

Zalzal's wosta on C, E↓+. 27 : 22 = 354.55 cents.

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Warsawaudio: flashmic drm85-c.

Perc loop.

Note c. I recorded the ukulele on my phone, playing the note c on several strings. The recording was then reversed and treated with more reverb. At the end of the recording, after processing, we got a very cool "wind" effect. Place the file in the sampler with root note c and get an unusual cinematic pad. Enjoy).

*Sixty-third harmonic on C = C+. Just: 63/32 = 1172.74 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 7-limit. MIDI pitch bend: 35,87 on 1100

*Greater 41-limit fifth tone on C = C (Ben Johnston's notation). Just: 41:40 = 42.75 cents. Limit: 41-limit. MIDI pitch bend: 87,77

*129th harmonic on C = C (Ben Johnston's notation). Just: 129/128 = 13.47 cents. Limit: 43-limit. MIDI pitch bend: 40,68

*Lesser 43-limit fifth tone on C = C↑ (Ben Johnston's notation). Just: 44/43 = 39.80 cents. Limit: 43-limit. MIDI pitch bend: 94,76

*Greater 43-limit fifth tone on C = C- (Ben Johnston's notation). Just: 43/42 = 40.74 cents. Limit: 43-limit. MIDI pitch bend: 4,77

This frequency is 136. 1 hz, or a c# if a=432hz. C# is often considered the "om tone", as there is some evidence that tibetan buddhist monks and others base their chants on this note. More info here: http://sonicfabric. Blogspot. Com/2012/01/432-hz-pythagoras-and-om-1361-edition. Html.

Piano concerto no. 2 in c minor, op. 18 - ii. adagio sostenuto

Clarinet processed sample remix.

Clarinet processed sample remix.

Clarinet processed sample remix.

Clarinet processed sample remix.

Clarinet processed sample remix.