I placed about 200 small brass ball-bearings (2mm diameter)on to a "half-life analogy apparatus" (which i have access to but i've never see the like using a google search. Basically its a titled wooden box with holes. The ball bearings roll down some of which fall through the holes and are collected in a beaker. The remainder are collected at the end of chute. Anyway, i just like the sound and hope someone can make use of it !i used a zealsound microphone and recorded directly into my laptop using audacity. The sound is as recorded.
This is an excerpt from slow decay, a project commissioned by istimrar 2021 - an irtijal festival initiativedrumming by nadia daou playing various percussions on a steel metal plate.
Mono recording of a 440 hz tuning fork with resonance box, full decay time = more than 1 minute. I used the measurement microphone k4 by arnold esper placed directly in the resonance box. Recorded in the anechoic chamber for analysis and measurement purpose mostly.
No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.
Kick from my first sample session with my fresh eurorack:- envelope generator: make noise maths- oscillator: doepfer a-110-1 vco- filter: doepfer a-124 vcf5 wasp.
Recorded originally in m-s at the lake of "kloental", switzerland. Stones of various sizes, sliding, falling or bouncing on rocks. Dry sound, no ambient noise.
It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.
De-tuned electric guitar noise played through a heavy metal pedal and a small practice amp , recorded with a cheap condenser mic and fussed with a bit.