549 Royalty-Free Audio Tracks for "Eurorack"

Pattern 6 hold back the clams. . . Simple graphic score. Fun. Not that obvious. Pattern 6 is here: https://www. Instagram. Com/p/bml3wfka8lg/?taken-by=gis_sweden.

A patch with a changing sequence made on analog modular synth. Spring reverb and analog delay. The changes are made with an chaos lfo. Its 10 min loop!.

Bartonmusicalcircuits decaying analog noise (bmc23) recorded raw. Manual wiggling. Pure analog high-hat drum module. At the end you hear the pure noise. Germanium diode based noise!.

I'm rebuilding and downsizing my synth. Which modules should i keep. Doepfer a-124 is that a keeper or not? maybe i keep it, but not in the starting eleven?.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

Three part modular uncomposition. Or call it a patch driven by a mix ofchaos and order. Perfect as annoying sound. . . Made with a analog modular synth. The reverb is a spring reverb.

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Some techno-like sounds. Genie and drum sound are modulated by nlc jerkoff. Genie is modulating vco and vcf.

The result of trying to disturb a sequence. I'm playing with a double vc switch. Whats wrong is right in the modular synth world. Good for me. And it's a loop!.

A little soundscape of an ostinato sequencer pattern with variations in duty and slide values. Realised on a modular system consisting of doepfer, ajh minimod, sputnik and circuit abbey modules.

A sound object for sarah belle reid‘s opera project: a sequence of mostly percussive sounds - you can use the whole object, different parts or a individual sound. Eurorack-equipment: mi marbles, mi elements and mi rings. The sound that gives time its depth.

Actually a quite simple patch with not many modules involved. A rewarding patch! have to take some notes. Fm-modulation off-course. Self oscillating filters. Lfos. Sample and hold. Modular fun! well. . . I think its fun.

Dark bass sound made with the following modules as main actors dinsync modseq, doepfer a-124 special edition, uoki-toki polivoks vcf, intellijel μvcf and synthrotek dirt. I'm exploring my filters and try to use them in different ways.

Diy gate connector techno. My home made gate connector is fun to use to more then modular gate signals. This is a simple, almost accidental, beat driven thou the connector.

I have started to read a certain book written by allen strange, "electronic music: systems, techniques, and controls". It's about time i dig into it. Probably it will result in some sounds. . .

An unsilent patch to celebrate that my spring reverb now is silent - when i want it to be silent. Spring reverbs can be sensitive to electricity. No my spring tank is hidden away!.

Two envelopes trigger each other and the quantizer which is fed with cv from the sloth lfo. Anyway, a modular synth experiment. A triangle wave from an lfo acts as a bass tone.

Formatted for use in the makenoise morphagene eurorack module. These live acoustic recordings i made with a sony pcm m10 around my house / farm in thailand. They concentrate on the percussive hits, scrapes, cuts, frogs, insects, water wells, metal farm things, gongs, railings, fans, crushed snail shells, creaks, dogs, drips and clicks. Useful for musique concrete artists. Https://www. Instagram. Com/p/cczmpenh1n0/?igshid=13qsz9itlxntphttps://www. Instagram. Com/p/cfb6blvhexl/?igshid=b35rj1fju85rfor morphagene users, just rename the wav file "mg1" for it to be seen. The wav file can be used in any sampler but you may not see any of the morphagene slice points - so you need to slice manually. I record music as "mudlogger" using buchla easel/200e, serge 4u and eurorack instruments and as "hoan kiem chess team" using ciat lonbarde instruments. Https://mudlogger. Bandcamp. Comhttps://hoankiemchessteam. Bandcamp. Com/.

This sound/track is made with a modular synth and a zoom ms-70cdrwith spacehole reverb and stereocho chorus effect. The music is a patch controled by some random andlfos. I'm not interfering at all.

Was experimenting with involving an adsr in sequencing when this beat suddenly appeared. Had to record it. Saved it in a low resolution mp3 format just to get that old mp3 sound. Meaningless. . . That's what it all about.

In the right channel you hear uoki-toki polivoks vcf. In the left channel is the sound of intellijel μvcf. They are playing the same tones. The sounds have the same envelope but respectively vca are also affected by attenuated lfos.

What you dont want to hear in your helmet after landing on an alien planet. Long title. Alien sound fx made with modular synth.

Was playing with my spring reverb. This happened. Analog synths are capable of some sick sounds too. . . Sound straight from the synth. No editing or post fx anything.

Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/noise and some simple tones added. Reverb and delay (zoom ms-70cdr)!nlc sloth is controlling filters and melody development.

I made a tonal quantussy recording. The bass always plays a low c. The 5 tracks are selected from one 15 min long recording. The synth creates defined tracks with different character.

This is a little 'electronic eurorack modular synth jam'. I am singularly the one recording, producing/ posting and composing/ compiling the works as it is recorded. The date was september 04th, 2021 and it has an ''as-is'' no alteration. . Touching up. . Or thus otherwise that the uploading and steam compression did during the posting and uploading process but - take it kindly please. Lol. I would like to hear your honest options in comments as this is not anything like the music i usually do - much less dare to upload lol! ha!. Thnaks!.

Drone experimenti want sideband frequency 1 (s1) to be 110hzas fc (carrier) i use 164hzthen fm (modulator) must be 54hzcreated s2 will be 218hzslowly an lfo brings in the carrier frequency. This is mono. No fx. All analog. Listen to the electronics.

Used a mini mod filter and tuned it up slowly so you can cut out the wanted pitch, switch daw to 120bpm to cut it preciselyenjoy.

It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

Variable speed on main trigger. 4-step shift register made with sample and hold modules. Looping envelopes with varying speed. The sample and hold shift register does not preserve pitch frequency very well.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly.

Strange beat. Recorded dry. No reverb. Why? answer i have sold my digital reverb. The one i had in my case. It's finally time for a spring reverb!!!gis_sweden goes fully analog! as long as i dont record with my computer. . .

Three sounds. 1) 2hp sh samples from 25hz bipolar lfo (doepfer a-147-2)2) 2hp sh samples from 25hz looping envelope (intellijel quadra)3) 2hp sh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

Three sounds. 1) bmc 2lfosh samples from 25hz bipolar lfo (doepfer a-147-2)2) bmc 2lfosh samples from 25hz looping envelope (intellijel quadra)3) bmc 2lfosh samples from noise generated by barton musical circuits bmc23 decaying analog noise).

One take dark ambience created with an eurorack setup. 3x disting wavetable oscillators morphing slowly. Valhalla reverb added in post.

A self modulated a-110. A self modulated bermuda through filter with some res. Barton analog drum, spring reverb and analog delay stompbox. Sxxxe (you know what) sound is imperfect wave forms, or. . . ?.

The sequence is not stable. I'm not touching the synth. Te electronics are making variations. Not what i thought but interesting. Sequencing in my usual way with a vclfo. My plan was to upload a short loop, but the variations was so interesting. . . .

the krell patch was conceived by fab wiggler vgermuse, who can be found in the buchla forum!(dcramer, muffwiggler. Org). This is some sort of krell-ish patch. But i don't have an envelope generator with eoc function. . .

Patch generating classic space sounds. . . Maybe to much is going on? and to fast. This sound even has an ending :-). A respect to the pioneers in this field. Bebe barron and louis barron. They made the music to forbidden planet (1956).

The sound is going through zoom ms-70cdr. I use the "particer" reverb program. It acts like a compressor and limiter too. . . Kills the dynamics of the modular. Nice anyway - or not. . . And i use the ladik r-330 reverb too.

This sound was made with 3 lfos, 1 vco and 1 vca. It was decided that the sound should be 30s. It took some tries for me to set the lfo that controlled the vca. The vca controls the output amplitude of the sound.

Another room acoustic ambiance recording. Connected my little modular to a guitar amp (orange crush 12l). Some overdrive added character to the sound and the simple patch. Placed my phone 2,5meters from the speaker and recorded. No post editing! not even amplification.

This was not what i was planning to do. Not at all. But i think this sound was kind of fun. I torment my intellijel μvcf a little. This time i edited the sound a little in audacity (eq, compressor and limiter).

Ambient music shaped by two sloth lfosmuch reverb! very much. . . . Oh yes, some "ambient noise" toolets call this patch "instant generative ambient patch"one sloth generates triggers. One controls pitch cv. Noise through filter controlled by 2lfosh. And loads of reverb.

It's sooo hot in sweden right now! 30 c where i live. Luckey me having a cool modular synth. All previous records are gone. This is the hottest may since 1850-ish.

I used make noise function, doepfer a-147-2 cvlfo, doepfer a-148 sample and hold, doepfer a-110 vco, doepfer a-124 filter, alm tangle quartet vca and mixer, doepfer a-199 spring reverb, pittsburgh modular outs (mk. Ii) outmodule.

Had a patch. Changed speed, attack and delay time. Got this. A bubbly noisy landscape. At the end i dissconect the "main lfo". The one thats makes things advance. But beyond that i get sounds.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.