549 Royalty-Free Audio Tracks for "Eurorack"

A krell.

Exercising my switches.

Machine composition with modular synth.

Could be less.

A bi-product sound. Strange enough.

I'm bubbling away with my modular.

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

A little techno-loop.

Experimenting a little. Gentle sounds.

Interesting interference sound made with analog modular synth.

Simplified quantussy cell x 3 playing.

Simplified quantussy cell x 3 playing.

Simplified quantussy cell x 3 playing.

A third version of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. Now i let the alm pip slope affect a filter. I play a little sequence made with cvlfo , clock divider, attenuverter, quantiziser. The way i usually do…. But the interesting thing is the cvad (?) voltage controllable envelope generator. But in the case of alm pip slope you just control attack and decay. Seems to be enough. As in the other versions of this sound i connect one lfo to attack and a second lfo to decay. But this time i connect the vcad to control the frequency of a filter. Interesting. I wish i had two more cvlfos… should open up for rhythmical usage. I use no vca or adsr. I have connected the vco straight to the vcf and the vcf to mixer. In the beginning i have the frequency pot at 2 a clock then i gradually move it clock wise and let the vcad take control. 1 minute in the pot is fully clock wise. The vco is playing a sawtooth wave. If you dl and inspect the wave you can see that in the beginning and the end it is a sawtooth wave, but in the middle part the filter affects the wave form.

Actually i think i did it wrong, but something is happening.

Now i have downsized my shift register. 2-steps.

Sounds nice to me. Variable tempo. Made with analog modular synth.

There is no excuse. Chattering synth, farts, bleeps and bloops. All the worst.

Got accused for having copied "kid caprice" by wax doctor with this patch/sound. Lol. Soundcloud-bot-fail!.

Mono bass drum made on modular synth. The analog sound was sampled on phonogne, then recorded in audacity.

A 100% modular synth bird. Sorry for clipping at 1:29. The bird went load. That bird. . . . :-).

I'm using an analog delay stompbox (guitar effect pedal) to my modular synth. It's fun to overdrive it :-).

No soft sound. But interesting wave shapes if you take a close look. Much wave folding.

This is a recording from spaceship engine room. The ship is old and so are the machines.

One classic passive ring mod based on 2 transformators and one vca based.

Not just a patch! i'm actually wiggling during the recording. New for me. . . Very electronic. Minimalism. Unedited recording.

New session with quantussy cells as an engine for machine composition. New key and some changes. Just listen.

Okay i', trying the "toggling sample & holds" patch athttp://www. Doepfer. De/a100_man/a100_patch. Htm. Don't know if i'm doing the right thing. . .

A sound i, my self, will use for an instagram film made with imovie. I'm trying to learn that program a little.

Woahhh a sound with wild dynamic and frequency width. Can you say "frequency width"? anyway, modular bleeps and bloops for you!.

Piece for, a sometimes fm modulated, oscilator and small sampler. Randomness and modulation hand in hand. Rejoicing the autumn time and the utterance of sounds.

Everybody know that the space is full of sounds. . . . Sounds like this!. Last sound 2016!. Modular year 1 for me :-) i have learnt a lot this year. .

As i was playing with creating sequences with help of square waves i happen to make this beat. Annoying. . . Made with a small modular synth with love :-).

Modular patch ending up in the zoom ms-70cdr multi effect. 2 voices, noise and very much reverb :-). Shoutout to cabled_messhttps://www. Freesound. Org/people/cabled_mess/.

Nlc timbre! happiness! it works! i assembled this module a year ago. Never worked. Put it in a drawer. Now it works. Rent my drawer. . . 98,7% true!.

For one reason or another helsinki come to my mind today. For this drone i took an excellent helsinki field-recording, by the freesound user susipekka, as background.

Bartonmusicalcircuits decaying analog noise (bmc23) recorded raw. Manual wiggling. Pure analog high-hat drum module. At the end you hear the pure noise. Germanium diode based noise!.

The result of trying to disturb a sequence. I'm playing with a double vc switch. Whats wrong is right in the modular synth world. Good for me. And it's a loop!.

It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.

Samples fromhttps://freesound. Org/people/skjor1/sounds/321731/https://freesound. Org/people/kyster/sounds/81737/https://freesound. Org/people/lorenzosu/sounds/49435/an interesting mix of sound to use in phonogene. I'm trying to find out how to use phonogene. How do you use it?.

Samples fromhttps://freesound. Org/people/flcellogrl/sounds/195273/https://freesound. Org/people/joangilbardaji/sounds/237536/https://freesound. Org/people/carloscarty/sounds/463713/an interesting mix of sound to use in phonogene. I'm trying to find out how to use phonogene. How do you use it?.

Electronic minute no 31b - full modular acid remixlow mp3 quality december special noob versionfully analog modular synth fjant acid. Basically the same patch as 31. . . . Evaluation of patch/soundentertaining - ?. Wiggling during recording. Switching channels on or off in the beginning and end.

Droid kinda sounds from the lovely polygogo eurorack module. In this case it was processing cv input from an external lfo. Useful for laser sounds, droids, future computers, etc.

5 quantussy cells controlling 2 oscillators, 1 wave folder, 1 filter and 1 drum module (bmc analog drum). Even the pitch of the drum is controlled by one of the quantussy cells. The drum sound to fed to the feedback in on doepfer a-199 spring reverb.

Doepfer a-119. Maybe not the coolest module on the market. But i have plans for this little friend. Bought it used. "module a-119 (external input / envelope follower) is designed to allow external audio signals to be integrated into the" (from doepfer home page) modular synth. As delay i use joyo analog delay.

Mixed in random to create variations in the arpeggio. I call it arpeggio. Wrong probably. Well, call it tone sequence then. An arpeggio/sequence created with cvlfo and qnt as usually. . . No, i don't have a sequencer. But i ordered parts for a second case today. . . ;-)someday i'll get my self a sequencer - maybe. Https://en. Wikipedia. Org/wiki/arpeggio.

A near chaotic experiment. Im mixing cycling envelopes and lfos to generate triggers. The four sounds are totally unrelated. > bass drum. > snare (or something. . . )> bass. The pitches for the bass are generated withthree mixed lfos. A trigger is generated from the quantizerwhen the cv changed enough to generate a new note inthe selected scale. > ear piercing and annoying sound. Three minutes of more than enough.

Electronic minute no 28 - chaos and random are friends now. Patch with jerkoff, envelope follower, sample and hold, ring modulation and delayi like the sound my self :-). Evaluation of patch/soundone cycle is - about 30 sec - goodonly short sounds - yes, good this timeamplitude variation - not very much, okaypitch variation - yepp, enough, goodtimbre variation - some, okaymusical value - i should consider this musicalentertaining - think so, yes.

Zlob diode chaos - selection from an hour long recording, 54min and 45sec in. The chaotic lfo has 4 outputs x, y, z and trig (trig-ich. . . ). Center sound: x to pitch cv in on vco, y to filter cut of. To the right: z to a wave folder (osc static pitch). To the left: trig to cv in on a self oscillating filter. There are peaks (hz) beyond my hearing. I hope you can manage. . .

A lot of texture! yeah! even analog modular synths can create texture. . . Well not much of a surprise but i'm getting somewhere. . . !. Have to note what i have done. 1. Modulating a full wave rectifier at audio rate. Fixed modulating frequency. 2. I mix my the output of my two osc and clockmy clock divider with that and take /2 to mixer. Reverb is space hole on my zoom ms-70cdr.