238 Royalty-Free Audio Tracks for "Form"

Català: Zarabanda de Johan Kuhnau on es pot veure una forma binària de dues frases

Oh, Susannah is an example of rounded binary form: A-B-½A.

Greensleeves is an example of sectional binary form (the first phrase ends with the tonic). In the key of G, with E flat and F natural and sharp.

Ladrang form, without the phrase making/colotomic instruments, but with balungan line (on slentam). Slendro tuning (5-tet).

Donald MacGillavry

First theme of Mozart's Sonata in C Major, K. 309, measures 1-20.

Start of second subject (D major) of Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 13–16.

Transition in Mozart's Sonata in C Major, K. 309, I, measures 21-32.

Recapitulation transition in Mozart's Sonata in C Major, K. 309, I, measures 116-126.

Haydn's Sonata in G Major: Coda.

First theme of Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1–12.

Exposition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1-28.

Development Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 29-53.

Some sort of additive synthesis with controlled parameters.

Responder no whatsapp.

Picking up and dropping a metal cake form a few times.

Dozy pilchard may drone moment underlying form.

Triangle wave form from the noise reap bermuda oscillator. During the recording i'm turning the "self mod" knob cw and back.

Sound of text appearing on screen, as used in many action movies to display location info. I recorded the sound of a little electric engine, speeded that up and put it through some effects in audacity. You can easily loop the sound to increase duration.

This sound was made by importing a picture into audacity, no mangling used. You may do so as much as you like. Made with audacity.

Verleih uns Frieden gnädiglich, Evang. Gesangbuch 421, andere Form

Nun danket alle Gott, spätere Form, Evang. Gesangbuch 321

This is just my first form by Komiku

O Haupt voll Blut und Wunden, ältere Form im Evangelischen Gesangbuch

Chords with a primary or secondary dominant function.

So you liked surprising her. Here's what it feels like, dude bahahaalso, what it sounds like. A first foray into educational response, the subject slowly awakened in handcuffs, barely aware he was rapidly losing his shorts. Totally unsympathetic cohorts then lashed ankles quickly to both ends of a broomstick. Free to do as they please, unplanned things can happen, and did. Oh, dear. 😯 well he was completely vulnerable. You mean. . . Yeah. They did. 😼 at that point i think he was awake. His victim had selected the broadest and longest, high-output motorized appliance to be found, complete with bulging veins. . . Eventually, at her hands and from her “deep” feminine resolve and with considerable force, the nautilus made port. Ta-daa!! lubricant sure wasn’t needed anymore but had spent the night in the fridge. So she used it😬 end published audio, but not the still-expanding asshole, um, event. Take-away: if you cannot be respectful, at least be careful where you sleep. In fact just a bit later, the enhanced vibrators and integral power-stroking were switched on. Gracious. He didn’t know it had an “on” 🙀 and just about went wild. A lovely, cohort-induced stiffy relaxed and then, any semblance of bladder control did too - oh, oh my 😸 😹then we left.

This is just my first form by Komiku

Leitmotif of Siegfried form Act III of opera.

6/8 clave, third form (rumba clave)

6/8 clave, second form (son clave)

6/8 clave, first form (standard pattern)

Sleep music form act 3 of Wagner's opera Die Walküre.

Prime row form from Stravinsky's Requiem Canticles.

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}

Dominant form chord: Diminished seventh leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

Fate motif form Symphony No. 5 in C minor, Op. 67 by Ludwig van Beethoven. "Motyw losu" z V Symfonii c-moll op. 67 Ludwiga van Beethovena.

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

Dominant form chord: Dominant ninth chord preceding tonic chord and possessing a primary dominant function.

The Douglas Munro March form "U.S. Coast Guard Bicentennial: 1790-1990" a recording of the U.S. Coast Guard Band (1990)

Aria from the Goldberg Variations. Converted form the FLAC file at https://archive.org/details/MusopenCollectionAsFlac. Note that this recording is not the one from Open Goldberg Variations, but commissioned by Musopen itself.

The Huffman Prairie Winds of the United States Air Force Band of Flight perform Bach's "Little" Fugue in G Minor, BWV 578. Track 7 form Blue Skies (1993).

Ambient synth piece in which every musical element is a pitch palindrome. I used it to experiment with some new softsynths I'd just bought - Korg Gadget. My first track for the disquiet junto... More on this 344th weekly Disquiet Junto project (Careful Symmetries: The Assignment: Explore palindromes in musical form) at disquiet dot com.

Ein feste Burg ist unser Gott, younger version of Luther's original tune, 1529; four-part setting by Peter Gerloff Ein feste Burg ist unser Gott, heute meist gesungene Version von Luthers Melodie, Evangelisches Gesangbuch 362; vierstimmiger Satz: Peter Gerloff

Hark! The Herald Angels Sing is an English Christmas carol which first appears in its modern form in 1850. The original lyrics are adapted from Charles Wesley's 1739 hymn ""Hark! how all the welkin rings", set it to the same tune as Christ the Lord is Risen Today. George Whitefield altered the opening lyrics to the more familiar "Hark! The Herald Angels Sing", and various others also made small alterations in the following years. In the early 1840s, Felix Mendelssohn wrote "Festgesang", a cantata in celebration of the presumed 400 year anniversary of Johannes Gutenberg's invention of the printing press. The tune to the second part of this piece, "Vaterland, in deinen Gauen", was adapted to fit the revised Wesley lyrics in 1855 by William H. Cummings, assembling the hymn tune into its more-or-less final form. It is performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

The Canadian national anthem, "O Canada", played by the United States Navy Band in the early 2000s. The song was originally commissioned by Lieutenant Governor of Quebec Théodore Robitaille for the Saint-Jean-Baptiste Day ceremony, 1880. The music was written by Calixa Lavallée as a setting of a French Canadian patriotic poem composed by Sir Adolphe-Basile Routhier. The lyrics were translated to English in 1906, Robert Stanley Weir wrote another English version in 1908, which were revised thrice before taking their current form in 2018. Was converted to Ogg format using Audacity (Originally uploaded on en.wikipedia).

Imagining sound as a life form.

The amen break processed very lightly to form a basis for re-sampling and slicing into any form required.