88 Royalty-Free Audio Tracks for "Flange"

S&sms loop 7.

S&sms loop 8.

S&sms loop 9.

Squashed & sizzled mattel synso loop 1.

A slightly menacing other-wordly, digital sound. Alien or space-ship mechanism?.

Radio imaging element.

Synth bells treated with variety of pitch shifting reverbs and flange.

Dull flangey bwap.

Recorded congo drum, added flange, delay, bitcrusher *original creation - royalty free - free to use.

Recorded congo drum, added flange, delay, guitar amp *original creation - royalty free - free to use.

A breathier version of "not like that". Slowed the pitch and added a slight flange effect on this take.

A thunder boom, loud and pure, with a long tailing series of rumbles which flange slightly.

This is 97835 by epanody, but with vocoder, filter and flange effects so it sounds like a futuristic ai.

Recorded congo drum, added flange, delay, bitcrusher, guitar amp *original creation - royalty free - free to use.

Think maybe a sabbath type of riff, low gain distortion but enough of an edge to call it thick/heavy. Probably better split into a smaller segment. Number 95 – flange harmonics g to d – harmonic noise which you could probably use smaller pieces of to signal an alarm/warning type of sound.

Harmonic noise which you could probably use smaller pieces of to signal an alarm/warning type of sound.

The source of this sound is https://freesound. Org/people/doomyd/sounds/530580/ - a clean electric guitar open a string. This sound has been processed using the harmonic plus stochastical analysis of the sms-tools package https://github. Com/mtg/sms-tools with frequency scaling and frequency stretching, to give a metallic flange & 2 octave bend effect.

The question, "you call that dancin'?" with effects. The tail turns from a doot-doot to a flange tap.

Amplification at -28,1 to diminish sound. The sound has an effect which turn; a rounded up effect. Retro flanger has an average stall (8,02 ms) and flange frequency (1,58 hz).

Inspired by gutek's 'helicopter. Mp3,' this is a recording of my coffee machine with only a low pass filter and flange applied. Sounds like a distant helicopter.

Saying, "get ready to move your noodley (noodly) appendages," with a flange and mechanized echo. Perfect for pastafarian exercise mixes.

4x4 pole allpass allows to have a strident sound and retro ranger allows to have a rounded up and parasitic effect. Caracteristics of retro ranger : average stall = 2,5 ms and flange frequency = 1hz.

Used a micro-cassette recorder to record bells from the naxi village in yunan, china. I'm swinging them around, which gives the recording a flange-like warble sound, exaggerated by the tape recorder.

A darkpsy riff @ 155 bpm. Done in caustic on the subsynth. Used the fm function obviously. Put a flange & phaser & distortion, 2 delays & a reverb. ۋاقىت ساياھىتى.

American interstate highway traffic recorded from the side of a four-lane concrete roadway. The passing trucks have a sort of rocket-like flange from their tires on the surface.

In honor of my new guru pramahansa yogananda, i searched for a swan sample. Then i added: time stretch, high pass sweep, flange, rotator pann, delay @ 124 bpm,. Thank you guru, namaste.

A wobble or "synth growl" i done did in caustic 3 on the saw synth. Used a pulse wave, flange & phaser, then a couple pitch layers in post. √π ∆ π√.

A rendition of :: http://freesound. Org/people/kkz/sounds/66224/. Just pitched down an octave with another layer 2 notes up so they are modulating plus a bitcrusher with amount going down plus a flange/chorus thing.

Some synth sound i made maybe about a year ago. With actually a really simple soft synth, the fl studio wasp xt. Just got that synth to a certain pleasing setting, then put an lfo high pass and flange and the right amount of distortion. Enjoy.

il est plus difficile de changer ce qui se trouve a l'exterieur que ce qui se trouve a l'interieur( it is more difficult to change what is outside rather than that is inside )recorded by me with shure sm58 microphone on behringer x32, reverb + flange effect.

A re-mix of this sound::. Https://freesound. Org/s/440700/. Pitched it down a bit, ran it through a bpf on a low sweeping rate, then through a phaser with a low rate, then a flange, then compressed the daylights out of it. Yeehaw.

Recreating the pitch shift used by pink floyd in echos. Inspired by taking the now retro echophonto its extreme flange edge and tweaking. . . Rendered in reaper with markers at 48 khz 32 bit fp for the beloved morphagene fans out there. Go back in time and enjoy!.

I recorded the acoustic guitar with audacity, then added the fx with reaper. It is named 5pm because that was the time when i recorded it. In reaper i made 3 tracks of the same recording and added different fx to each one:track 1 contained reverb and flange with adjusted tempo. Track 2 contained a pitch delay doubler. Track 3 contained a resonant lowpass filter - low quality.

Wind noise, made from several segments of white noise with different eq and flange settings, cross-faded to form one long loop. I probably used soundforge's accoustic mirror, but i can't remember for sure. This was inspired by;http://www. Freesound. Org/people/anton/sounds/2690/andhttp://www. Freesound. Org/people/erh/sounds/34338/. . . Two very good wind samples, in my humble opinion.

Sounds expressing tension - hence the name. All makenoise / soundhack modules. Rene 2 sequencing telharmonic h output. Into mimeophon output into optomix. Maths envelope triggered by gate from rene 2. Maths lfo provides flange in mimeophon. Recorded using reaper. Rendering 48khz 32 bit stereo. Thanks to all from makenoise. A real source of inspiration.

I was demoing the new digital performer 10. 1 with a royer r-10 pair in blumlein array but wanted to check out one of the ribbons because it possibly sounded blown so i went ahead not bothering to create a new mono file. The mic was tracked through a yamaha mixer into digital performer via a motu 624. I have various cymbals including a paiste hi-hat and a zildjian ride which i bowed or scraped. There is an occasional tiny bit of noise from the hard drive, sorry. It has the hiccups. Some of these have an effect or two like a flange on one or more and a bit of delay but mostly you just hear the marvelous and very interesting cymbals!.

So one of tac0's friends came by with a civilian style contact stun gun and tac0 does what he does best, blasts it a small room for 1/10 of a second. Mp3 48,000 hz at 256 kbps. Also commonly and incorrectly referred to as a "taser" which is on the same level as calling a magazine a "clip". See google for more info. I can't help that it sounds like a bee. Also if it's too short, you'll have to make it longer in your daw. Uses (apart from videos that involve a stun gun or maybe a real taser brand taser): magic lighting zaps? a game show buzzer?. Possible vst modifications. Reverb: sound impulses for speakers. Distortion (guitar style): military style radio noise. Chorus/flange: science sounding things. Pitch: at -30 semitones you get some low pitched sound similar to a airsoft aeg which may be ideal for montage airsoft videos where piles of tokyo marui m4s traditionally muffled by the gopro waterproof case. // at -45 semitones you resemble gun fire at a distance. Mathematically at 10 rps (600 rpm) you could use this as a sit in for a distant fired ak-47 rifle ideal for video games, war movies, mods, etc. Apply a resonant filter and some reverb for appropriate outdoor acoustics. And nobody will know your distant machine gun sound was a civilian stun gun except for us semi colon right parenthesis. Or you could also apply ringmod at ~9000 hz to simulate ear ringing for those ptsd scenes. Trimming + looping + pitch: if you can loop this properly in a daw you could even create a saw style bass for electronic dance music.

This is an updated (improved is debatable) version of my previous electric contact stun gun firing sound, except longer and without peaking. Oh and higher sampling rate so you can hear all the higher frequencies better when you pitch it down. You'll immediately notice it sounds like the boring buzz of a bee. Oh well, not like you'll get a lightning storm. That's about it. Don't forget to have fun. Copy pasta---also commonly and incorrectly referred to as a "taser" which is on the same level as calling a magazine a "clip". See google for more info. I can't help that it sounds like a bee. Also if it's too short, you'll have to make it longer in your daw. Uses (apart from videos that involve a stun gun or maybe a real taser brand taser): magic lighting zaps? a game show buzzer?. Possible vst modifications. Reverb: sound impulses for speakers. Distortion (guitar style): military style radio noise. Chorus/flange: science sounding things. Pitch: at -30 semitones you get some low pitched sound similar to a airsoft aeg which may be ideal for montage airsoft videos where piles of tokyo marui m4s traditionally muffled by the gopro waterproof case. // at -45 semitones you resemble gun fire at a distance. Mathematically at 10 rps (600 rpm) you could use this as a sit in for a distant fired ak-47 rifle ideal for video games, war movies, mods, etc. Apply a resonant filter and some reverb for appropriate outdoor acoustics. And nobody will know your distant machine gun sound was a civilian stun gun except for us semi colon right parenthesis. Or you could also apply ringmod at ~9000 hz to simulate ear ringing for those ptsd scenes. Or some gau-8 avenger. Trimming + looping + pitch: if you can loop this properly in a daw you could even create a saw style bass for electronic dance music.