246 Royalty-Free Audio Tracks for "Fm"

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A tune made using Faust Music Creator for the Adlib sound card and recorded digitally from the YM3812 chip.

Dan Papirany interview on New Zealand national radio concert FM

alien frequencies preset #01 from spherator fm synthesizer vst vst3 audio unit frequency modulation synthesis (windows / mac).

A little loop of a pad in a volca fm synth, 120bpm.

Simple-fm with artifactsaudio rate and control rate comparison of a unit generator compiled in faust for supercollider.

Radio static i recorded from an old am/fm radio with a akg perception mic. Used in the song nonbeing by instead of ink @ http://insteadofink. Bandcamp. Com/.

The note a in octave 4. An fm synth brass patch created in audiosauna.

Playing the character of a typical fm radio dj. Fulfilling request: http://www. Freesound. Org/forum/viewtopic. Php?t=6517.

Recordings of a yamaha pss-370 keyboard with built-in fm-synthesizer.

Quickly changing radio stations on a fm radio.

Αττεντιον: really harsh noises! lower your volume!harsh, metallic, industrial sample, 2 bars long at 120 bpm with a little release, dry. Created with a yamaha dx-100.

Using a home built fm synth with sequencer. Two triangle waveforms, two voices. Changing some parameters during the sampling.

Sound effect made with vopm. Suggested use - incoming communication.

Sound create use fm synthesis and use 16 bit for high quality. Create sound use c program. Sample have different frequency (power 2) and length. Last several sample have wave frequency above nyquest limit 48000 hz/2 = 24000 hz. Some effect sound like effect in game strider hiryu (ストライダー飛竜) from capcom 1989 (robot gorilla in level siberia) and sonic hedgehog 1 from sega 1990 (sonic jump in large ring at level end if have more than 100 ring). Algorithm:• one carrier and modulate pair• modulate frequency 1. 4 of note (carrier frequency)• modulate amplitude (β) change from 0. 0 to 10. 0 across note• hill envelope with top at 0. 1 of note length.

The dx-harp sound,made popular by ray lynch. Created with dexed-vst and audacity.

I have made a pastiche (sw. Pastisch) on a simple track i, for one reason, like.

Simulation of an airplane passing overhead in an outdoor environment. Sound designed in ableton live using ableton's operator and analog synthesizers, and native effects.

Alien xxx sent me a “cross modulation challenge”. I have tried to be true to his idea, but added automation, so to speak. Oscillator1 is constantly fm-modulating oscillator2. I vary the frequency of oscillator1 with an lfo. The output of oscillator1 is sent to a) left audio channel and b) in to oscillator2. The output of oscillator2 is fed to oscillator1. The degree of cross fm modulation is controlled by a vca controlled by another lfo. The output of oscillator2 is also sent to right audio channel. As i’m writing this i have just made a theoretical patch on a piece of paper. The result is what you hear. No effects added. Straight out of the modular for better or worse.

Looking at the spectrogram waveform display of https://freesound. Org/people/ivolipa/sounds/344948/ i noticed a few patterns. Distinct bands of high volume at around ~600hz, ~1200hz, ~1800hz, the fade in volume toward higher frequencies, a ubiquitous noise, and the soft staccato rhythm. Using these facts, i tried to make yet another engine sound with fm-synthesis. Sound forge 7 — to my knowledge — lacking a spectrogram, i've no clue if this was a successful attempt, but it does have a vaguely engine-like sound.

Thought i wanted to explore fm-modulation a bit further. The sound is going through my ladik reverb. The vco i'm fm-modulate is the intellijel μvcf. A filter really. . . No editing in audacity. This is the result. Sorry for long sound. . .

Cross fm modulated filters performing a painful dance on your eardrums. This is noise but with a musical and rhythmic trace. I keep coming back to my vcfs…?.

I feed 2 lfo sqr-wavs to a vca. Now you can get 3 levels of cv.

Dead air from the fm dial at 107. 3, volume boosted.

Static with a sort of jackhammer pace at 107. 9 on the fm side of the radio dial. Recorded from a digital tuner, with a quick flip to 87. 5 fm then back to the 107. 9 static. Definitely qualifies as noise.

Dead air static with a "singing" hum at 103. 3 on the fm radio dial, with the volume boosted and slight effect added.

This is one of many build ups from my personal effects library. I used a time-stretch,and added a heavy eq over it for an added bass effect. It builds from in fade to original volume with re-verb. Enjoy. .

Dead air humming static at 103. 3 on the fm radio dial.

Hello all!i recorded this sample today, 10-11-2012 in la, ca, usa. I needed a radio tuning sample and i wasn't pleased with the ones i found, so i recorded one with my zoom h2!. I realized i actually didn't have a radio, so i went to a thrift store and bought one for $4. 34. It sounds perfect for what i need. This sample is in 44. 1khz, 24bit. Enjoy, comment, and download!. - jordanielmills.

My plan was to make a simple krell patch with some added timbre on the voice. The patch got bigger, fm-modulation and feedback in different form was added.

Sampling the afm (advanced fm) operators of yamaha sy99 synthesizer. My purpose was to recreate the waveform shapes mathematically in serum formula parser.

Some nice fm sounds from my synth. Unedited and raw. Do you need some strange space sounds here they are :-).

Using internal suboscillator to fm modulate the frequency of xpo wavefolded low frequency outputs (stereo). Sequenced by 0-ctrl. Rumbling beats. Suitable for underlying deep trance and stuff. Rendered in reaper @48khz 32-bit fp with markers for all you morphagene fans out there. Enjoy rolling in the rumble!.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Korg volca fm.

Volca fm ambient sound.

Volca fm ambient sound 2.