134 Royalty-Free Audio Tracks for "Fourth"

Recorded ambient sounds while various people were shooting off fireworks in my neighborhood and surrounding areas.

The fourth piece surviving from the fragments of the Nannerl Notenbuch

Cello Sonata, op. 19, composed by w:en:Sergei Rachmaninoff in 1901. Excert from fourth movement.

Overhead firework reports with slight people/vehicle background, generally quiet with good building echo effect. Recorded in natchitoches, louisiana usa with a tascam dr-1.

A short recording of fireworks going off right outside my apartment. Quickly ran outside to capture it with my zoom h4n.

Descending enigmatic scale on C is distinguished by F♮, a lowered fourth degree.

Here is a firework show sound effect. Recorded on july 4th 2020. Licensed under creative commons 0. Enjoy!.

Here is a firework show sound effect. Recorded on july 4th 2020. Licensed under creative commons 0. Enjoy!.

A long unedited recording of fireworks being set off at a 4th of july festival. You can hear the firing and explosions as well as audience reactions.

Halloween firework captured from circular courtyard, bass roll off applied. Zoom h4n, 16 bit 44. 1khz, 120 degree stereo.

Halloween firework captured from circular courtyard, bass roll off applied. Zoom h4n, 16 bit 44. 1khz, 90 degree stereo.

It's july 4th, and people are shooting fireworks! they're in the distance, this is outside of my house. A lot insects. Sony ecm-680s into a zoom h4n, 24/96.

*Eleventh harmonic on C = F↑ (Ben Johnston's notation). 11:8 = 551.32 cents. Limit: 11-limit. MIDI pitch bend: 54,80

July 4th fireworks going off all across town, echoing off the buildings. Sounded like the world was ending, figured i'd get a sound bite.

Created by Hyacinth (talk) 03:09, 23 June 2011 (UTC) using Sibelius 5. [Description from image: From the Minuet of Wolfgang Amadeus Mozart's String Quartet in G major, K. 387. The music this excerpt comes from is public domain. My selection of this excerpt is GFDL.]

*3125th harmonic on C = F♯+. Equal-tempered: 23125/2048:1 = 731.57 cents. Limit: 5-limit. MIDI pitch bend: 13,42 on A7

viio6 as a substitute for V43 chord in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

*Twenty-first harmonic, harmonic seventh on G on C = F+ (Ben Johnston's notation). 21:16 = 470.78 cents. Limit: 7-limit. MIDI pitch bend: 83,54

Opening and closing different types of windows. First one is a roof-light. Second one is a standard house window. Third one is tilting the standard house window and fourth one is a cellar window out of metal.

Recording made on 7a. M. At the hotel balcony on a fourth floor, facing outside towards the b1 road of limassol, cyprus. Made with roland r-26 built-in xy mics.

Recorded on july 4th, 2022 (of course). You can credit me for the sounds (if you want), but you don't need to.

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

An explosion, blowing very close a "vocal mic: sennheiser md 431", wavelab octavic harmonics, multiband eq to cut all except low-mids, clean comp-wavelab, reverb, reshaping envelope via wavelab button "v".

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

The first three, and final verses of Through the Years. Originally "Tyle Lat" and later translated into English. Written c. 1920 by Francis Hodur, and translated in 1921 by the Fourth Synod of the PNCC.

De la wiki en inglés. Sound example from fourth movement of Beethoven's 5th Symphony, recorded by Opus33 using an acoustic piano. This music is in the public domain. This recording is released into the public domain by Opus33.

Dawn birdsong recorded in lucca, italy, june 2016, 5 am from a fourth floor window in the suburb os sant'anna. Loud soloist of unidentified species, possibly eurasian blackcap (sylvia atricapilla) on nearby treetop. Other birdsong and traffic sounds in background. Recorded with zoom h4n's built-in stereo mic.

Pentax k1000 load film and shutter clicks. The first one with 1 second of exposure. The second one with 1/8s. The third and fourth - 1/125s. The last 2 clicks with 1/1000s. Recorded with h4n, 24/48.

A digitally created thunderstorm using a yamaha keyboard. The clip last for about 2 minutes. The rain isn't heard until the end and doesn't start until like a minute and thirty seconds in or so and lasts for only about 30 seconds. Recorded with a yamaha keyboard and audacity. My fourth recording.

Firework effect made with fl studio. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2021.

*Eighty-fifth harmonic on C = E♯ (Ben Johnston's notation). Just: 85:64 = 491.27 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 17-limit. MIDI pitch bend: 26,93 on M3

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Fourth movement of Gustav Holst's Second Suite in F for Military Band, based on the folk song of "Dargason" whilst "Greensleeves" clearly wovens into the fantasia in the end.

A few minutes of early fireworks that i couldn't escape, so i recorded them. Hope you can use it. This turkey lives about a hundred yards from me. The soft sound of passing cars, the little bursts of legal fireworks from time to time serve set it off.

In order, the first sound is the turning of a doorknob and opening an exterior door; the second is the closing and latching of the same door; the third is the engagement of a deadbolt lock, and the fourth is the disengagement of the deadbolt. Recorded with an iphone and external microphone.

A compilation made from a longer recording taken in my backyard on the 4th of july 2021. There are lots of pops and booms of neighborhood fireworks. I strung together what sounded like the best and got rid of longer periods of inactivity or other distracting noises. Enjoy!.

First Publication Alberts Music Sydney Australia with separate violin & cornet parts (ommitted) Fourth edition 1932 by another publisher Palings Sydney Australia with band parts Bert Rache (-1928) http://nla.gov.au/anbd.aut-an35655503 Dated Australia wide (5 July 1910). "Advertising". The West Australian XXVI, (7,572): 1. Retrieved on 3 May 2021.

Sounds like the uplift to the drop of an edm track, but can also be used as a firework sound effect, or for a bomb dropping. Created using a low-passed square wave, over-compressing it, distorting it, playing 2 notes a semitone apart and pitch shifting.

This is a long recording taken in the backyard of my neighborhood on july 4, 2021. There are lots of distant (and a few closer) booms and explosion sounds. Kind of sounds like a war going on! in this longer recording a plane also flies overhead, and someone drives down the street.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

In the range of three octaves, sung by me in 13 tracks. Not completely in tune. The first one is unedited sound. The second is transposed an octave lower. The third is transposed two octaves lower. In the fourth all the latter are sounded together (39 voices). The transposing makes a peculiar effect to the voice specially in the second (12 semitone) transposition.

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

Field recording of canada day fireworks. You can get some pretty clean samples of just fireworks, without crowd in here. Cleaned the audio in rx8. Use this for whatever you want, for free. Feel free to credit me if you feel compelled to. Find me here:https://geoffreybremner. Wixsite. Com/gbaudio.

This is a recording i took in my back yard on the 4th of july 2014. There are the sounds of crickets as neighborhood fireworks being set off faintly in the background sounding almost like a war zone. The house is off a busy street, so there is also some traffic sounds. Neighborhood dogs bark at the fireworks faintly in the background.

Cavatina from La Favorita, arranged and played by alto saxist H. Benne Henton. It is originally from the fourth act of Gaetano Donizetti’s opera La favorite. Die Cavatine aus Die Favoritin, arrangiert und eingespielt vom Altsaxophonisten H. Benne Henton. Es ist ursprünglich die Cavatine des Fernando aus dem vierten Akt der Oper Die Favoritin von Gaetano Donizetti.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the first piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fourth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.