573 Royalty-Free Audio Tracks for "France"

Recorded from my apartment, second floor. This starts with a few bolts of lightning during the end of a typical early summer afternoon and ends up on a pretty huge thunderstorm including hail. I wish i could have recorded more but the storm was getting so important, i had to close my window.

Small bamboo forest, with all the naturel sounds you can expect, birds, insects wind. Recorded with a zoom h6 late in the afternoonmidside mic //raw. Un enregistrement effectué en fin d'après midi dans une petite forête de bamboo an bordure d'une petite route au menu bruits de bambou balayé par le vent des oiseaux des insectes des craquement. Enregistré avec un zoom h6 // ms raw.

A horse harnessed with metalic chains is walking in a silent forest. The rattling of chains is getting closer, then we follow the horse and we can ear the lood steps on the forest soil of fallen leaves. Then the horse is going away and the rattling of chains desappears slowly in a silent forest of windy pines. France, january 2023. Recorded with a pair of clippy em172 in ab steuprecorded on zoom f3originaly recored in 32bits float, converted in 24bits, 48khz, wave stereo.

Field recording of a train ride in the western outskirts of paris. I wanted to capture what passengers actually hear when they take that train. It's a bombardier regional train with diesel engine. This is simportant because it gives this particular train a distinctive acoustical fingerprint: you can hear engine bursts (a bit like a bus hitting the gas) no electrical train does that. . . It also has a nice roaring drone. Recorded with a zoom h2n in stereo x/y mode.

Traditional biniou music from Brittany played by MM. Le Guennec et Le Bouc. Recorded by Edward Fowler and Douglas Larter. Gramophone record n° 237702. Matrixn° 2L-BFR 294. [1] Tradycyjna bretońska muzyka taneczna na dudach (binioù kozh). Македонски: Народен танц со гајда од Бретања, снимен во 1927 г.

Rain on a roof through an open window. Drops foreground are striking zinc very next to the mics. Other raindrops on the slate roof. Water falling from the gutter on a concrete floor further. Very nice thunderclap at 1'42"a low cut filter should be used to avoid some bass frequency in the wind. France, 2020listen also to "continuous thunderstorm" https://freesound. Org/people/bruno. Auzet/sounds/531041/recorded a few minutes before. Recorded with 2 clipy em172 in an ab setrecorded on sounddevice mixpre6stereo, 48khz, 24 bits.

This sound was taken with zoom h4n recorder. Location: meylan, france, in the alps. The town is situated near a 300. 000 inhabitants city, in a valley surrounded by moutains. Description : rain is pouring louder and louder, rolling thunder strikes periodically, exploding like a gunshot or echoing from one moutain to another. (i'm afraid at one point, the sound of a music from a video game played by neighboors was recorded, but apart from these few seconds, this sound is cool ;))hope you'll find it helpful.

A swalloow's nest with young and adults. Last five minutes in the evening before they get quiet. Cries and call, wings, movement in the nest. They are going to sleep. A fly. The nest is in an old empty house, britany, france, jully 2020. Close up: microphones are not half a meter from the nest. Recorded with ab set up: 2 em127 with 40cm distance,recorded on sounddevice mixpre6smooth edited. Part of the work "un dimanche à st cry":https://soundcloud. Com/user-876924050/un-dimanche-a-st-cry96khz, 24 bits.

A man is turning buckwheat pancakes on 9 billigs (special pan for galettes). First putting butter on billigs, then spreading and turning the liquid on the billigs, then returning the pancakes with a metalic tool. Then start again all the process two other times. First billig is next to us, billig number nine is 4 meters from us. We can ear his steps, a bird by the window, a car is also crossing the sound field. France, nov2022. Recorded with a schoeps cmc6 mk41 and a schoeps ab ortf, reducted to stereorecorded on sounddevice mixpre648khz, 24 bits, wave stereo.

An eastern-european musician playing guitar in a paris subway train. I was on my way to downtown paris when this guy started singing for money. I chose to record the scene because i thought this was a typical parisian soundscape, something parisian subway users experiment every day, and a real insight on how this city actually sounds. I happened to be sitting in one of these new line 5 trains. I think theyre audio footprint is much smoother than the old trains. . . Recorded with a zoom h2n in x/y stereo mode.

Here you can listen to a bike, then a car, by night, on the same straight desert wet road. Note the differences of the sound duration and the sound volume. The night is quite silent, only some discreet water drops. The road is wet. Same mic position (10m high in a metelilic structure 10m from the road), same record level. Recorded with 2 clippy em172 in an ab setuprecorded on zoom f3, originaly recorded at 32bits floatwave stereo, 24bits, 48khz. France, nov2022.

Sound of a walking on stones. Sound recorded with a zoom h4n pro. Sound recorded with a zoom h4n pro and a rycote mini wind screen. Son d'une marche sur des pierres. Son enregistré avec un zoom h4n pro et une bonnette rycote mini wind screen. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

This is the sound made by the needle crossing the linen cloth during my wife's embroidery sessions. The fabric is under extreme tension in a special wooden frame, it's like a tambourine skin. So when she stitches, the needle goes through the fabric (linen) and therefrom comes the main noise (like a door w/o grease). A second noise is a kind of dry "pop". It's when the thread finishes to run across the fabric, a tiny loop is stuck and the relased, making the fabric jump like a drum skin once again. Sound taken the 15th of march 2021, in brittany, france, using a xiao redmi smartphone.

The ambiance of the famous strasbourg christmas market, known as one of the oldest in the world (first edition took place in 1570) and the city's biggest touristic event, gathering thousands of people downtown for one month at the end of every year. I took my zoom h2n in different places, capturing a slightly different mood each time. Expect lots of crowd sounds, background music, street atmosphere and. . . A lot of different languages (french, german, spanish, english. . . . All recordings made in ms stereo mode (120° setting).

National anthem of France, La Marseillaise Himno nacional de Francia, La Marsellesa Nationalhymne von Frankreich, La Marseillaise Hymne national français : La Marseillaise Italiano: Inno nazionale di Francia, La Marsigliese 한국어: 프랑스의 국가 "라 마르세예즈" Português: Hino Nacional da França, La Marseillaise Национальный гимн Франции, Марсельеза Українська: Державний гімн Франції, Марсельєза Tiếng Việt: Quốc ca Pháp, La Marseillaise 中文：法国国歌，《马赛曲》

Title/Work: Cantate No. 189 (BWV 189) Content: Disc 23A: Meine Seele rühmt und preist (Part 1) Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935

Quiquiriquí - mexico, wirikuta desert (spanish). Sound engineer: félix blumemicrophone used: ms setup schoeps ccm41+ccm8recorder: sound devices 744trecorded in july 2012 in wuadley (san luis potosi, mexico)ms is encoded in stereo left-right. The rooster’s singing has so many names around the world. Cocorico in france, cock-a-doodle-doo in english, kikeriki in germany, quiquiriqui in spanish. . . Does the rooster really sing differently according to his nationality?cocorico sound is a collaborative project putting together on a map rooster sounds from all over the world, using the freesound platform. Http://www. Felixblume. Com/cocorico-sound-project/.

Title/Work: Meine Seele rühmt und preist (My soul extols and praises), BWV 189 Content: Disc 23B: Part 2: Recitative and aria Genre(s): Cantata Author(s)/(Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Max Meili (1899-1970) Conductor: Curt Sachs (1881-1959) Place of recording: Paris (France) 1st release date: 1935 1st recording date: 1935

The "concrete cello" pack is a collection of scraping, scratchy and droning improvisations on the cello focussing on the creation of sounds to be used as base materials for future compositions. They were originally recorded in 2019 to be used in as sound design elements for the documentary "hotel regina" by director matthias berger for which i composed the music. Part of the impetus of this sampling session was to create cello sounds that would be remiscent of construction machines. (if you look on the geotag you can see the machines, well, sort of). You can listen to the score here :https://doubleblindrec. Bandcamp. Com/album/regina-hotel. These are the close-micced mono raw studio recordings. Neumann u87 into a wa273 and a rme ufx. Recorded by barbara samla at studio aktis in france. Sounds are cco, use them as you will!(but feel free to let me know in what : it's always nice to find out!).

Label: L'Anthologie Sonore Cat. no.: FA 805 A Order number: JF 1 / M3-102726 Matrix/StamperID: JF 1-1 / M3-102726 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. 9. Air de Bastien: Oui, da! je ris de tes outrages; Air de Bastienne: Il n'est besoin que d'un sourire Genre(s): Opera terminology Comments: -

I made this recording of ambient backgroud noise directly beneath the eiffel tower. The shape of the eiffel tower creates a unique acoustic environment in the vicinity of the tower, especially beneath it. You can hear a much higher level of background noise than you would hear in an open area, and the noise is unusual. The tower is made of thin pieces of iron arranged into a complex and very large lattice, which reflects and slices and dices sound in a unique way. Thus you have a high level of very even and unidentifiable background noise as noises from the ground and the platform get bounced around and distorted by the structure of the tower. This recording was made from the ground, with microphones pointed straight upwards about 2 meters off the ground. Noises from the ground travel upwards and bounce around the inside of the tower, then drift back down. There are noises in the tower itself as well, such as elevator motors and people on the platforms. The first platform, at 57 meters, is open in the center, whereas the second platform, at 116 meters, is completely closed and flat on the bottom. Wind moving through the tower also makes noise, and again the open structure of the tower changes the noise in a way that is specific to the eiffel tower. There wasn't much wind at ground level for this recording, but i don't know what the wind speed was at higher levels in the tower. Some voices in multiple languages are audible in the recording, as the area beneath the tower is awash in tourists. Recorded hand-held with a zoom h4n and a mini windjammer, using built-in mics, in stereo 96 khz / 24 bits, then converted to mp3 at 320 kbps because of the size of the file. Duration is about two minutes.

Label: L'Anthologie Sonore Cat. no.: FA 805 B Order number: JF 7 / M3-102732 Matrix/StamperID: JF 7-1 / M3-102732 1st release date: 1942? 1st recording date: 20-24 September 1941 Place of recording: Paris (France) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Lyricist(s): Friedrich Wilhelm Weiskern (1711-1768), Johann Heinrich Friedrich Müller (1738-1815) and Johann Andreas Schachtner (1731-1795) based on "Les Amours de Bastien et Bastienne" by Justine Favart (1727-1772) and Harny de Guerville (17?-17?) Conductor: Gustave Cloez (1890-1970) Performer(s): Bastien: Paul Derenne, Tenor (1907-1988), Bastienne: Martha Angelici, Soprano (1907-1973) and Pauline Aubert, Harpsichord (1884-1979) with the Orchestre du Conservatoire de Paris Vocal range: Tenor and soprano solo with orchestra and harpsichord accompaniment Title/Work: Bastien et Bastienne (opera) Content: 10. Récit de Bastien: He quoi? tu ris de ma prière; Duo de Bastien et Bastienne: Va, berger perfide Genre(s): Opera terminology Comments:

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte