2,562 Royalty-Free Audio Tracks for "Guitar"

This wasn't actually played on a bass, it's a regular strat, but i was tuned low.

This wasn't actually played on a bass, it's a regular strat, but i was tuned low.

This wasn't actually played on a bass, it's a regular strat, but i was tuned low.

I put together instrument sounds i had sitting around and this is what i got!.

Song for a game i did sound for!.

Bassline sample. Sounds like part of an opening film score.

20% faster version of markgia's sound 'wah dealio. Wav'. Use audacity effect→change speed. . .

My band sample of a fall off (rock music).

A short peaceful background ambiance music.

Loop made in rebirth. 1 bar long. Bassline is tb 303 synthesized.

A sample from rock band composition with drums, bass, rythm guitar and cello.

Blues shuffle w/a 50's stripper beat, Mixcraft recording, canned loops except for guitar.

Recorded with my squier telecaster and squire mini-bass through the focusrite interface into reaper. A nod to kenny gioia for the reaper tips. The guitar was sent through the walrus slo pedal on 'dream' setting. Also added a pitch change to compliment some of the guitar parts. The bass was double tracked for better sound. Bass amp is a behringer bxl1800. Comments welcome. Bartolome calatayud was born in 1882 on the island of mallorca, received in 1899 the diploma of honor 1st class granted by the workers instructive center palma for his "superior musical knowledge in guitar playing". Although less famous in the classical guitar world, bartolome calatayud has left much enjoyable and exciting music written for classical guitarists of all abilities. He taught many pupils in majorca during his final years. He died in 1973 at the age of 91.

Low e string on acoustic guitar scrape slide with pick. Increased pitch, wah-wah effect at 31. 2%, light tremolo,fade and noise reduction used. Recorded with conexant smart audio using at2020 mic, processed on audacity.

/////description de base ////////. A sound of a futurist guitar. //////////typologie (p. Schaeffer)///. V : variée continu. ////////morphologie////////////. - masse : groupe nodal. - timbre harmonique : acide. - grain : lisse. - allure : allure naturelle qui necomporte pas de vibrato. - dynamique : l’attaque est douce et graduelle. - profil mélodique : les variations sont glissantes. - profil de masse : calibre.

Creole music is the music of the coast of peru, it is influenced by spanish music. The guitar and the cajon peruano are the pillars of this musical genre. The style is unique and rich in lyrics, rhythms and musical skill.

This is a tone that i generated using my electric fender strat through one of my vintage amplifiers in my studio. Works well as a sample for composing soundscapes with it - i've used these tones in maschine and other sequencing/midi based instruments to create some interesting orchestral arrangements with the tones.

This file was modified (converted from stereo to mono) and uploaded here in order to use it and study it in our asp class on coursera. The original author of this file is ssteve (http://freesound. Org/people/ssteve/). The original stereo sound file is located here: http://freesound. Org/people/ssteve/sounds/328627/.

The original wav files from experiments i did manipulating digital recordings. Designed to be used as loops to create witch-house type music. Also for use as background ambiance on my blog.

Created this excerpt for my film "one thing". Melodic cello is joined by chirpy guitar to create an odd mood. Very lovely imo. Not a complete piece but a nice sound-bite?. Created in garage band at 120bpm. Mp3 file. Simple two track overlay. Feel free to hash it, mash it and trash it. Use it as you wish, with only two conditions:. 1. Don't claim it for yourself by claiming you created it - that's just rude!. 2. If you feel inclined, and it's appropriate for you to do so, please feel free to say something like "credit to max riley tennant for their part in sound used" - or something like that. Or nothing like that. It's ok. I just would like max riley tennant credited too, if you wanted to. Don't bother to credit me. I don't really mind :) and only if you want to :) enjoy!. And if you want to see the short film i created it for: one thing then click here. Please be advised though -it is a potentially challenging subject matter, and i've been interviewed by the police for it already, so don't watch it if films about mortality and the ephemeral nature of life may upset you?.

I processed the samples from kawai k1 ,using paulstretch (audacity) and looped them.

A melody i did with strings and guitar in garageband for something called victors crypt. It's short, direct and suitable for everything that is spooky i think. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

This is a single guitar string plucked with a pick directly at the headstock, that means between the tuners and the nut. There the string is very short and tight, resulting in a high, almost piano-like tone. Also, since there is no sound box, the tone is rather quiet. I used this for a sampler and i liked the sound of it. This is the raw recording. If you want to use it in a sampler too, i recommend adding some eq, reverb and maybe some delay. It is not perfectly in tune though, the closest note is a#. You might tweak the tuning a little bit when using it in combination with other tuned instruments. Microphone: akg perception 120post-processing: none.

Created this excerpt for my film "one thing". Chirpy guitar is used to create an odd vibe. Very lovely imo. Not a complete piece but a nice sound-bite? created in garage band at 120bpm. Mp3 file. Feel free to hash it, mash it and trash it. Use it as you wish, with only two conditions:. 1. Don't claim it for yourself by claiming you created it - that's just rude!. 2. If you feel inclined, and it's appropriate for you to do so, please feel free to say something like "credit to mr. Max riley tennant for their part in sound used" - or something like that. Or nothing like that. It's ok. I just would like max riley tennant credited too, if you wanted to. Don't bother to credit me. I don't really mind :) and only if you want to :) enjoy!. And if you want to see the short film i created it for: one thing then click here. Please be advised though -it is a potentially challenging subject matter, and i've been interviewed by the police for it already, so don't watch it if films about mortality and the ephemeral nature of life may upset you?.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.

Breakdown sequence of a dischord on a guitar in drop c.

I hear a few squeaks from the upload if you can live with that. Comments welcome.

Slowly fluctuating, deep and electric droning. Similar in quality to someone playing a guitar.

Just something i made while playing guitar and putting it through a bunch of effects.

D chord in drop D tuning.

G run in G major. Created by Hyacinth (talk) using Sibelius 5.

Dominant seventh chord (V7) in C, G7.

Diatonic scale on C, guitar tablature clef.

A brief wah-wah flourish a-la 70s disco. Boogie on!.

Composition of three softsynths a drumkit and some percussions.

Instrument : ibanez gio grg-270amp : marshall mg-50-dfxpedals : boss cs-3 / boss dd-7.

This wasn't actually played on a bass, it's a regular strat, but i was tuned low.

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Recording of a ukulele being played (no singing). 96khz24it/s.

Recorded with smartphone, november 24, 2017.

Ambient voice back. It's a backward song fragment. From alternative rock 1990 band name: curve.

At a roadside restaurant grill, a musician sings and plays sikus and guitar.

Some sketchy playing to demo the sound of an on-going amp sim project.

Ill record of venezuelan 4 stringed cuatromade of walnut and mahagony.

Listen to my dreams , what do you seeeverything or nothing.

Edited sound of https://freesound. Org/people/destructo20/sounds/669643/.