294 Royalty-Free Audio Tracks for "Heavily"

Some kind of west american wetland bird call. Recorded about 3 or 4 meters from the source (bird was in a tree. ) heavily eq'd to minimize the wind. Slightly expanded/noise-gated to reduce the other bird songs. Recorder: zoom h5date: 2/8/2018time: 4:30pmlocation: fremont, ca (usa).

Recorded in a tunnel with custom made musical pipes and distorted xylophone type instrument. Natural reverb. Heavily post processed to remove any background noise / artifacts. Creative commons 0. I am always interested to know what you guys use my sounds for so please post in the comments.

A sound created from heavily edited mouth sounds. It's meant to sound like a low glow, or hum. -----------------------------------------------------------------------this sound, like everything i upload here,is completely free for anyone to use. I hope it is useful. 🎶.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, layering and sculpting the sounds into short impulses that are suitable for ui sound design.

One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, using the granular synthesis features to generate a range of distorted, robotic tones.

Just a small sound i made for a project i am doing, i made it by jumping and landing on my hard floor close to the microphone. The effect is used for a person that is falling heavily on the ground. Recorded with my røde nt1-a microphone. The recording is in 44100 hz stereo, 32-bit, waw format.

Original file created using steinberg's padshop pro vsti. Heavily processed using reafir from the reaplugs vst fx suite. Http://www. Reaper. Fm/reaplugs/. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

One lonesome bird that lives in a tree on the neighbour's court. I recorded the tweets early in the morning from my balcony testing a røde videomc pro. There was some far away plane noise that i've filtered down quite heavily, so that now the bird sounds kind of 'isolated' and maybe somehow synthetic. Additionaly i passed an eq and a compressor (in audacity).

These will go well with any electronic or rap sound, or layered with acoustic drums for pop-rock or indie music. Apx half or more of the sounds were generated by me from one of my synths, and most of the others have been heavily altered from a "606" drum machine. Email me for the full library (free).

A slowed down and heavily edited recording of a chemical boiling i recorded in my chemistry class. Sounds like a large reservoir of lava, so it be suitable in a volcano setting. Has less treble than lava loop 3. Loops perfectly. Recorded with a zoom h4n pro on 08/05/2019. Edited in audacity.

One of a series of heavily processed sounds of a squelchy stress reliever toy. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of interesting, muddy contours.

Sound effect similar to a large energy beam quickly charging, then firing a large, long-lasting, destructive laser that gradually changes form (either weakens or grows). Created using a wide variety recorded sounds (including a washing machine, sliding of rocks in a metal bucket, and various other objects being thrown and collided), mixed and heavily edited in audacity.

Another sound that has been heavily edited to the point of being unrecognizable. This sound byte is an odd one that i made when i was pretty bored, it might be good for a drone or sound of a phantom or something. It could even be a warning or system message for a game. Either way, hope that this strange sound is useful to you somehow.

Download and loop. This break beat was made from freesound percussion hits, with some percussive hits from sound generators in fruity loops studio which was used to sequence and then quite heavily compressed in realtime, with seperate effects applied to the kicks and snares. Recorded out wav at 44khz 16bit stereo ~ 140bpm.

A sinister female laugh, overlayed with guttural, inhuman laughter, and the faint sounds of a woman crying. A recording of my voice, heavily processed in audacity, combined with the following sounds from freesound:"evil laugh_claire johnstone. Wav" by trijohnstone ( https://freesound. Org/people/trijohnstone/sounds/558229/ ) licensed under cc0"womancrying. Wav", by rebekahday ( https://freesound. Org/people/rebekahday/sounds/171946/ ) licensed under cc0.

This is the sound of an arrow pulling back and crashing a group of pots and pans or glass bottles. I was heavily inspired by a sound effect from “cartoon express”. Again, this was made from scratch like the last sound i posted. You can use this sound however you want. Just give me credit!.

The world philharmonic organ was established in 1916 by the company welte in new york in cooperation with the company skinner built. 1994 acquired the technik museum speyer heavily damaged organ. Since 2001, renovation work at the firm arnold pierrot gmbh in bad schönborn. The organ has 3 manuals, 36 registers, 2592 whistles, a 10-fold paternoster role changer, wind pressure system, equipped percussion.

This is a sound i created specifically for a video a made a while back. It is heavily distorted, meant to sound like punches/blows to something or someone - sort of ip-man style. The original recording was done by repeatedly tapping a table with my fingers, so if you want to create something similar but without the distortion, think in that direction.

Muffled muddy balim sound created with interplay of 2 o-ctrl (thanks walker!) through strega and o-coast. Echophon, mimeophon and morphagene heavily involved along with the haible tau phaser. X-pan plays the stereo. Rendered in reaper @48khz 32 bit fp with 14 markers for all you morphagene fans out there. Enjoy the mud!.

A sinister female laugh, overlayed with guttural, inhuman laughter, and the faint sounds of a woman crying. This version has a slight stereo effect. A recording of my voice, heavily processed in audacity, combined with the following sounds from freesound:"evil laugh_claire johnstone. Wav" by trijohnstone ( https://freesound. Org/people/trijohnstone/sounds/558229/ ) licensed under cc0"womancrying. Wav", by rebekahday ( https://freesound. Org/people/rebekahday/sounds/171946/ ) licensed under cc0.

One of a series of heavily processed sounds of a squelchy stress reliever toy. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, shaping them into short, sharp, and punchy impulses. These might be useful for some unusual ui sound design, or perhaps some gloopy weapon sounds!.

Assorted impacts and rumbles obtained from my metal shed door, heavily pitched and processed. Recorded with zoom h4 mic. Clean full length recording can be found here: http://www. Freesound. Org/people/epicwizard/sounds/264889/. I used these sounds in my project that featured a large metal factory building manufacturing construction machinery. Would love to hear what you use them in.

Very seletive recording of a birdsong early in the morning on the begining of april. The city ambience was heavily processed, so when the car appears it sounds quirky. It is left there on purpose, as i guess everyone is going to cut only the part that one needs. Recorded by piotrek zylaequipment: sony pcmd100. If you recognize what bird is it - please leave a comment.

One of a series of heavily processed sounds i made using a small squeeze toy that just happens to be shaped like a cob of corn. I used s-layer, the sample-mangling plugin from twisted tools, to combine these swishy sounds with various other metallic and synthetic sounds from my own library. The results are dynamic and surprising, and might be useful for certain kinds of unusual ui sound design.

Created from a heavily edited piano instrument, played glissando in milkytracker. -----------------------------------------------------------------------. This sound, as well as everything else i have uploaded here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

Tornado siren in streamwood, il recorded during the monthly test. This version is heavily edited, with some filtering and compression applied, as most of the recording was distorted (i was too close to the siren!), although it should be useable with appropriate filtering to suit your purpose. The actual siren is located a short way north west of the geotag (it should be visible using google's satellite view). Recorded using a rode ntg2 into a zoom h4.

A classic movie punch sound recreated by hitting a leather car seat with a cricket bat. Recorded using a rode k2 tube mic and a schoeps cmc6, driving the preamps hard and compressing the input, then heavily compressing a number of takes using analog-emulation plugins (including a fairchild 660) and running the mix through waves maxxbass. Then limiting some more and finally adding the swoosh of a riding crop and a non-linear reverb noise tail.

This clip is a short walk from a walking path heading out to shollenberger wetlands in petaluma, ca. The path is a short diversion into a small wooded area leading to a creek that was rushing pretty heavily due to a recent rainfall. There is a small waterfall making rushing sounds in the creek where the recording ends. The person steps on a log, and breaks a twig on the way to the water's edge.

So this is actually a heavily edited sound of me making a weird mouth noise. It sounds like it oddly fits a video game jump, or just something game-ish perhaps. It would be very fun if you left a comment on how you used this, i would be interested to hear. Given the cc0 license, you don't have to credit me of course, it is in the public domain after all, but i wouldn't exactly come complaining if you did!.

This was originally a friend's cat meowing but it has been processed heavily. First, it was put through a granulizer and the pitch was dropped -2 octaves. The sample was then panned l-r using automation, and bitcrushed. Lastly, to get a slight detuned feel, i added a chorus effect. This sample sounds even better with some convolution or hall reverb but i left this effect out since it's usually a effect users want total control over. The end result is a strange, alien sounding noise.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. ‘slayer’ refers to s-layer, the sample-mangling plugin made by twisted tools. By layering, blending, and mulching the original monos recordings, i was able to get a range of sounds the are dynamic, punchy, and unabashedly stereo. These might be useful for edgy-sounding ui elements.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. Using s-layer, the sample-mangling plugin from twisted tools, i focused on generating short, punchy impulses that leaned into the resonant character of the original monos recordings. These sounds might be useful for ui buttons, as well as designing modern-retro sounds for games.

The recording starts with gentle rain and slow thunder rolling across the sky. The thunder is predominantly in the first half of the recording. The rain increases in intensity in the second half, peaking about three-quarters of the way through. Recorded on a sheltered, outdoor stairway, in a suburban location in south-eastern england, in august 2013; using a zoom h2n recorder set on mid-side stereo, at a 120 degree spread. The original recording was heavily edited, to remove traffic, trains, planes and parakeets(!). Some light, occasional, background traffic noise remains, however.

I took my snare drum into the wonderfully echoey parking garage of my building to record the reverb. Included are samples recorded from varying distances and positions. Also included are dry versions, recorded in a living room and a super-dry elevator. When used in a production, try mixing in the heavily reverbed snares against the dry ones to fit your taste. Also the reverb snares work well mixed under even unrelated percussions to add a neat ambiance. The same goes for my "stairwell foot stomps" sample set. Recorded 24-bit stereo with a sony pcm-d50. Assisted by matt mcgowin.

I composed a fairly long midi loop of chord progressions & let each section repeat twice. Then i layered a bunch of return tracks of the same line with arpegiated outputs played with straight, quarter note swing eight note swing, 16th note swing, & 32nd note swing all played together. The output was then compressed, heavily chorused through multiple fx devices, and stereo panned into the nonsense you hear. If you use this please comment a link, i don't need/want credit i'd just be super curious to see what you did with it!.

A jumpscare/screamer sound that can be used for a horror game. I yelled into the mic, i then edited it with a few effects, then i added one of the snare samples built into the daw, then i added a synth (fake synth built in to the daw) and then heavily distorted it with a few more effects. My yelling was recorded with my phone's built-in mic and the daw i used was fl studio mobile (used cloud storage to transfer to my computer). I made this for my five nights at freddy's fangame.

The Song to the Moon (Lieblicher Mond, or, in the original, "Měsíčku na nebi hlubokém") from Act I of Antonín Dvořák´s Rusalka (1901, Op. 114), sung by Emmy Destinn (Ema Destinnová). Conducted by Walter B. Rogers. This is Victor 88519, Matrix C-14757-3. Full details This file is heavily retouched from the original, including noise reduction, multiband spot compression, band-pass filtering, and spot repairs of clicks, pops, and NR artifacts. Edits made by Kevin McCoy, User:Kmccoy, and credit is appreciated.

A sci-fi like sound effect, made for a feeling offear washing over someone. Could be from something lookingback at you, or maybe something passing by you etc. . . Created from a heavily editing recording of thewall gas heater in my home. -----------------------------------------------------------------------. This sound, as well as everything else i have uploaded here,is completely free for anyone to use. |you may use this in any project, whether it becommercial, or not. You aren't even required to credit me,although that would be appreciated. |you may use any of my sounds however you please. I hope they are useful. 🎶.

Zip twisting mechanism sound, then a drop glug sound. Also sound like a bottle glug. Use examples: you can use this in a number of ways if you edit it. 1. Parking meter. 2. Edit/cut the sound so that it sounds like you are using a drink vending machine. 3. Use the end glug sound as bottle being put down. Or copy and past the glug multiple times in a row to simulate someone heavily drinking from a bottle. 4. Glug sound can be used as something dropping in water. -[ recording info ]-. I created this accidentally while making bead strand zip sounds and hitting the microphone. Studio mic: at4033recorded in: adobe audition 3mastered: using eq, compressed, noise gated, and normalized to -. 1. *no credit is ever needed to use my samples!*read my profile for further info.

A rather lengthy sound byte that i heavily edited to the point of being unrecognizable. It sustains a flat note with varying bass levels causing an unnerving effect or the listener or player. I had designed this track for a roleplay plot involving a cursed train station, the plot came out kinda rough and it fell through midway. . . But, the audio track i made came out good enough to post here like my first sound involving my transformers oc!. It's free to use as long as you credit me, and it can be used in a wide variety of fields that is deemed appropriate. From suspense to horror, or even background noise in a lighter field; it can be altered and edited as needed due to it's broad and simple design. I made the volume low to prevent any extreme bass causing ear bleeds. Hope you enjoy! <3.

Featured in the game 'noclip vr'!! thank you so so much, reality games online!. This is heavily inspired by the urban myth and/or creepypasta called the backrooms, which have a very distinct atmosphere to them. This is my interpretation. However, this isn't exclusively for backrooms-related stuff! so by all means, if you're simply in need of some interior ambience of any sort, that's also why i made this for you. No advanced processing was used to achieve this sound. I recorded an electrical box in my garage for the buzzing. For the 2nd layer, i turned on some fans in my room, and made a long mono recording of the white-noise. I then split the recording in half, and used each half for the left and right channel, giving it a stereo sound. I then spent an hour leveling all of it because i'm a perfectionist. Yay. Hardware & software used:-audacity-zoom h4n pro (buzzing)-rode nt1 (fan-noise).

An actual new production instead of old stuff! made in june of 2020. A dark intro implies the humming engines of the spaceship you're in as you're traveling at speeds unimaginable. Slowly the ship starts to spring to life. As you open your eyes, slow but huge bands of light sweeps across your cryogenic sleeping pod, as if being scanned. The pod starts to move while you're still in it, going through chambers filled with machinery and bleeping computer stations, until it stops in front of a huge closed door. Suddenly, your pod opens up as well as the door. Your eyes are greeted with the majestic sight of a gigantic control room with windows as far as the eyes can see, galaxies fills your field of view, a beautiful synergetic view of the grandeur of space and the hundreds of lights of the control room, welcoming you to a new adventure. 2 simple chords form the basis of a textural composition supplied with sound effects. Plugins used: ni kontakt 5 with atom hub's the planet, doom by sampletraxx, space by rigid audio, ni absynth, and massive vst synths. Extra sound effects: shocking signal and ui designer by sampletraxx, heavily sampled and mangled. Effects: izotope mastering plugins, a bunch of fl studio stock reverb and eq, guitar rig 5, blackhole reverb, replika xt, raum reverb.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.

Favorite airs from The Mikado (music by Gilbert and Sullivan, 1885) was a 1914 production by Edison Records, performed by the Edison Light Opera Company. This was one of several phonograph cylinders put out by Edison Records (and, no doubt, others) that attempted to encapsulate an entire opera or musical in about four minutes generally, they consisted of a bit of the opening chorus, a verse or two from one or two of the songs, then a bit of the Act II finale. This one is not atypical. The cast is not given, but in the 1913 recording of Pinafore, also by the Edison Light Opera Company, the following singers were featured: Elizabeth Spencer, Mary Jordan, Harry Anthony, Walter Van Brunt, James F. Harrison, and William F. Hooley The only copy of the recording I had to work from was not particularly high quality, and, though I think I managed to clean it up fairly well, I had to leave some of the background noise in, or the singers start to sound unnatural since cleanup of static does, by necessity, remove some information as well. By removing clicks and pops, then blending a noise-reduced track with the one just cleaned of the clicks and pops, good results can be achieved. Notes This was Edison Blue Amberol #2179, which was a reissue of Edison 4-minute Amberol #465. Songs All songs are heavily abridged: Overture (first few seconds) A wand'ring minstrel I Three little maids from school are we Tit-willow (On a tree by a river) Act II Finale: "For he's gone and married Yum-Yum" and "The threatened cloud has passed away" The full text of The Mikado is available on English Wikisource: s:The Mikado.