487 Royalty-Free Audio Tracks for "Historical"

Traditional Indian song performed by Master Laloo. Recorded in Mumbai by Arthur James Twine. HMV record n° 2569. Matrix n°BX. 4884 [1].

Traditional Basque music played by Txistularis Hermanos Landaluce y Sr. Elola. Recorded by H.E. Davidson in Barcelona. HMVrecord. Coupling Number: AE 2467. Face Number: 2-260706. Matrix Number: BJ1692. [1]

Traditional song from Georgia performed by Georgian State Folk Song and Dance Ensemble. Aprelevski Zavod record. Issue Number: 28165. Matrix Number: 28165/3-1. [1]

Orchestrion from "imhof and mukle 1895, vöhrenbach, black-forest, germany plays "i can't give you anything but love" by jimmy mchugh. Recorded in the "deutsches musikautomatenmuseum bruchsal"http://www. Dmm-bruchsal. De/. Recording: tascam hd-p2 and beyerdynamic mce82;. Soundsystem: pro tools le.

A freight train passes and a long distance express follows it. The express has been carrying travelers for more than 40 years, but people are switching to faster shinkansen, so the historical express disappears on march 13. This is a memorial recording. Mkh20 and mkh30, korg mr-1.

Nostalgic piece where a choir sings on a station platform whilst a steam train is waiting to move off. The choir is singing in kings college cambridge style in the key of c - actually rené sequencing mimeophone karplus-strong over 2 octaves :).

Regular thursday night session at 20:00 in our neighbourhood in worcester of applause and general din-making in support of our heroic carers in the british national health service together with all the other essential support workers - in supermarkets, delivery drivers and many others.

Took a ride on a historic steam engine in the lake district (england). This was recorded from inside the carriage while in transit. Some background talking but a lot of good mechanical clunking type sounds. This one was recorded pointing the mic at a rattly window.

Recorded with a rode nt-5 microphone and a zoom h-5. Edited in ocenaudio. You can also check out my pond5 profile. Perhaps you find something you like there. Http://www. Pond5. Com/artist/cabled_mess.

From a distance - sounds of a civil war reenactment. Ca. 1991 near portland or. Gunfire some canons and (rebel) yelling. This part gets cut off - sorry, this was back in the days of dat. Then more individual canon and gunfire with lots of natural reverb. Actually some of this is good for convolution if that's your thing. . . .

This is a simulation of the sound produced by the fabyan anti-gravity device which was built, tested and debunked in 1913 at riverbank estates in geneva, illinois. The device is now in the geneva historical society museum but is too fragile to attempt to operate it. This simulation was produced to accompany an asa conference presentation "what did colonel fabyan's anti-gravity device sound like?".

The old flour mill at woodbridge in suffolk, england is powered by water from a tidal pond, which refills at every high tide. It is one of only two in the country. The sound is of the vertical wooden main drive shaft creaking in its bearings, with the mill-wheel rumbling in the background. Recorded with my sony pcm-m10.

The world philharmonic organ was established in 1916 by the company welte in new york in cooperation with the company skinner built. 1994 acquired the technik museum speyer heavily damaged organ. Since 2001, renovation work at the firm arnold pierrot gmbh in bad schönborn. The organ has 3 manuals, 36 registers, 2592 whistles, a 10-fold paternoster role changer, wind pressure system, equipped percussion.

Traditional biniou music from Brittany played by MM. Le Guennec et Le Bouc. Recorded by Edward Fowler and Douglas Larter. Gramophone record n° 237702. Matrixn° 2L-BFR 294. [1] Tradycyjna bretońska muzyka taneczna na dudach (binioù kozh). Македонски: Народен танц со гајда од Бретања, снимен во 1927 г.

My grandma recently gifted me a music box that was given to her by her mother, but it unfortunately doesn't work right anymore. It starts and stops unnaturally and can't make a loop, it requires constantly turning the wind-up mechanism to continue playing. This is the 1st of 2 recordings of me trying to get it to play.

Traditional gamelan recorded in Bali. Odeon record A20476. Matrix Jab 555 [1]. Jedno z pierwszych nagrań balijskiego gamelanu.. Čeština: Jedna z prvních nahrávek hudby orchestru bicích nástrojů tradiční indonéské hudby gamelan z ostrova Bali z roku 1928. Македонски: Една од првите снимки на балискиот инструмент гамелан, направена во 1928 г. ไทย: หนึ่งในการบันทึกเสียงครั้งแรกของเครื่องดนตรีกาเมลันของชาวบาหลี เมื่อ พ.ศ. ๒๔๗๑

Spoiler alert - from the description, you might be led to believe that this is the sound of an old steam engine slowly chugging its way past you, under a bridge or through an old station. In fact, it is actually the sound of me scrubbing a textured shower-room floor. Nothing more, nothing less.

Stopped in a tiny museum in kansas and the curator turned on the 1900s edison photograph for me and let me record the classic sound of music with all the hums and associated scratches. The music sounds like an old turn of the century carnival to me. Recorded on my cellphone and cleaned up in audacity. Production-now. Com - shout-outs welcome.

This historic "flute clock" (orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Record with tascam hd-p2 and beyerdynamic mce82soundsystem: pro tools le.

Old church with few tourists atmo. Recorded with mixpre 6 and two em 272 in ab stereo. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

Stopped in a tiny museum in kansas and the curator turned on the 1900s edison photograph for me and let me record the classic humming, scratchy sound of a turntable turning. The steady rhythm had a very "bioshock infinite" feel to me, and i loved it. Nice to put under music to make it sound old. Recorded on my cellphone and cleaned up in audacity. Production-now. Com - shout-outs welcome.

Recorded with a rode nt-5 microphone and a zoom h-5. Edited in ocenaudio. Please consider supporting me on flattr. Https://flattr. Com/profile/cabled_messyour contribution would make it possible for me to share more cc0 audio content on freesound. Org. :-). You can also check out my pond5 profile. Perhaps you find something you like there. Http://www. Pond5. Com/artist/cabled_mess.

I´ve recorded this sound produced by a large water wheel of 4 meters diameter, in the historical part of augsburg bavaria, part of town where early industry and work shops used water energy for different purposes. This water wheel does not drive any gear any more, it is just for to give an impression of that old water driven industry. The wheel is driven by one of many former industry channels, small rivers through that part of town.

These recordings were made during a location-scouting trip i took some time ago to southern germany, where we had a look at some cathedrals to shoot a documentary. I took the time to record a few atmos with my handy h2. . . This is a very touristy sort of restaurant in the center of the historical town of speyer, featuring people talking in various languages, restaurant noises and, last but not least, no background music!.

The snailhorn is a wind instrument. (skrt. Skankha, tib. Dung kar, jap. 陣貝, jinkai, 法螺貝, horagai)it is from the shell of a snail manufactured, the tip is detached. Often the snail shell by engraving or ornamented metal versions. Sometimes it is also a mouthpiece of metal used. With hindsight bubbles - similar to a horn or a trumpet - creates a distinctive, penetrating tone. The snail horn is used in different cultures and different symbolic meanings. Recording: tascam hd-p2 and beyerdynamic mce82;. Soundsystem: pro tools le.

I used audacity to record this sound with no editing. I used turtle beaches x12 to record. The sound was from an old antique wind-up toy mechanism (music box) that was made in japan. I covered the metal with my finger to change tone of the song. The song played on the music box was called "close to you". Reminds me the simpsons movie. -check me out on youtube "gamingninjataco": https://www. Youtube. Com/channel/ucgtmxqssht0xzv0riousz_a.

Small steam locomotive hiss and honk sound effect recorded with sony pcm d100 and clippy em 272 in ab-stereo. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.

Conjectural nonhuman technical generated language modulationsexomusicology inspired sonic object. "though musicology is defined as "the historical and scientific study of music," the term is typically applied only to the study of music from the european classical tradition. "ethnomusicology" is used to describe the study of nonwestern musical traditions and to the comparative study of different musical cultures. The more general term exomusicology (from the greek prefix exo, meaning 'external to' or 'outside of') is more appropriate to the study of nonhuman musical traditions, much as exobiology refers to the study of non-earth life forms, and exolinguistics to the study of alien languages"(sethares).

Canon 310xl consumer 8mm film camera rolling, then making a click sound when it stops. The rolling part of the sound is loopable. This sound is licensed under creative commons 0, meaning you can use it in any work, for free, forever! however, i request that if you do use it in your project, you leave a comment below sharing what you used it for. You can use the sound regardless, but i would love to see what people use it for. Thanks, and happy mixing!.

Recreating a radio reception sound with alien female voices modulationsexomusicology"though musicology is defined as "the historical and scientific study of music," the term is typically applied only to the study of music from the european classical tradition. "ethnomusicology" is used to describe the study of nonwestern musical traditions and to the comparative study of different musical cultures. The more general term exomusicology (from the greek prefix exo, meaning 'external to' or 'outside of') is more appropriate to the study of nonhuman musical traditions, much as exobiology refers to the study of non-earth life forms, and exolinguistics to the study of alien languages"(sethares).

I picked up a home-grade reel to reel machine at a thrift store and and this is the tape which was in it. A father sends messages from home to his son in the u. S. Navy during the vietnam war, including fatherly advice about cars and shopping overseas and anxiously awaiting his sons return. He provides sample fodder at 14:19 about musical gear lust and otherwise provides an insight to the times. As no parties in this recording are explicitly identified, and while i did not record this, i am the de facto owner of the recording at this point and think it best to preserve it by posting it here as cc0. 180hz notchfilter(60x3)otherwise untouched.

Representational approaches to field recording are bullshit. On another day i will explain why i feel this to be the case. But it centers around a critique of the distinction between representation/reality, along with a critique of the concept of mediation. Mechanical openings, heartfelt wanderings was recorded with a tascam dr100mkii and a rode shotgun mic. One sound taken from the 'microblocks, vol. 1' percussive found sound sample-pack. The sample-pack features 135 unique field recordings culled from the ordinary soundscapes of santa cruz, ca. Find and download (for free) the rest of the sample pack here: https://fieldrecordingworkinggroup. Bandcamp. Com/releases. The sample pack comes with an accompanying essay describing the method, politics and historical context of the sample-pack.

We where located in the news media viewing area called nasa causeway. This as close as anyone can get to the launch. This was the maiden voyage of the orion spacecraft, and one of the very few delta iv heavy launches. In the beginning of recording you hear nasa announcer giving countdown into loud speakers, when you reach around the 1min 50 sec mark the true booster engine sound overtakes the pa system. We are very grateful for the opportunity to share this, most powerful man made machine with 2. 1million pounds of thrust to get millions of pounds into space.

This is an alternate recording i took on 04/26/2014, on microcassette, of an art installation in madison, wi titled "asylum," created by marina kelly and megan katz. This was taken at the same time as the cassette recording i uploaded previously; if asked by kelly or katz i will respectfully take both down. "asylum" was a temporary art installation located in the tenney park passageway under east johnson street. From what i saw when i was there, it was just a speaker or two playing some ambient sounds. These sounds could have been generated based on environmental input, but due to lack of evidence i can't conclusively say that was indeed the case. I was in a bad mood on this recording so apologies for the negativity/language.

A recording i took on 04/26/2014, presumably on cassette tape, of an art installation in madison, wi titled "asylum," created by marina kelly and megan katz. To my knowledge, this is the only audio recording that exists of the soundscape, though if asked by kelly or katz i will respectfully take it down. "asylum" was a temporary art installation located in the tenney park passageway under east johnson street. From what i saw when i was there, it was just a speaker or two playing some ambient sounds. These sounds could have been generated based on environmental input, but due to lack of evidence i can't conclusively say that was indeed the case. I was in a bad mood on this recording so apologies for the negativity/language.

This is my impression of a flatulent arachnid, or "spider fart" which if referenced by a woman in an old-timey southern mansion, might be pronounced as "spidah-faht". This seemingly odd spelling and like-wise pronunciation, perhaps worthy of explanation, would be on account of their ". . . Well known and often satirized dropping of "r's" in times when they precede another consonant or pause, which has the effect of elongating the pronounciation of the vowel before it. " as ray kooyenga explains it. Delving deeper, according to j. Fought who seems to agree, this was a originally a "southern english dialect associated with priveledge and prestigem" and in certain geographies of the southern and south eastern united states migrants "clung to such speech through its association with the influential proprietors of the southern plantation agricultural system. ". The use in "faht" has also another common southern linguistic trait of what the preceding gentleman might term a "confederate a". And so this, is the "spidah-faht" or "spider fart" if you prefer, as performed by ray anthony mimicking the fairly common species "arachnid flatulence gigantous".

library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.