509 Royalty-Free Audio Tracks for "Historical"

Traditional Turkish music played by Ahmed Djewdet. Polydor record n° V 43163. Matrix n° 243 Bn. [1]

Ambience from the old city museum in baku. The dialog in the local language azeri describing the ancient past giving the silk road caravans safe passage over the caspian sea. The museum is original restored buildings in the city walls with amazing natural reverberation captured on the olympus ls10.

A mix of whispering voices recorded as part of the flow project commissioned by lancaster arts. The source text was devised by participants in workshops. The project was based on revealing the history of the buried mill race water course in the city, here as a river of voices. Project supported by historic england.

Traditional Canadian folk music, interpreted by Isidore Soucy. Columbia record n° 34103-F. Matrix n° E 2685. [1]

Traditional Lebanese oud played by Chahadé Saadé. Odeon record n° X35285, matrix n°: xES 381 [1].

Traditional song from Morocc performed by Chikha Aicha El Hertitia. Recorded by Harold Fleming in Casablanca. Gramophone record n° K-4631. [1]

Traditional Vietnamese cải lương performed by the Phước Cương troupe. Bekarecord n° B 20107. Matrix n° 92380. [1]

Opening comments to sermon delivered by george r. Brunk ii, mennonite preacher from virginia, in kitchener, ontario, canada, on october 22, 1962. Quarter-track 7" tape found in kensington market, toronto. Transferred from a körting mt156 at 3. 75ips.

Traditional Egyptian song performed by Munira al-Mahdiyya. Baidaphon record n° 23045. Matrix n° 2345 [1].

Traditional song from Burma performed by Ma E Mi. Columbia record n° V.E. 2107. Matrix n° CEI. 7910 [1].

The nightly visit of something unidentified object, got a new and historic aftermath. Jay prusse at nasa happened to have his radio scanner on and captured a strong but short signal that was repeated for one minute. Specialists found that the signal actually formed this word 'mirabut'. No one has a clue what this word means.

A flötenuhr (also orgeluhr) is a precious mechanical clock, with a small organ is combined. Given time to hear music from a pen-driven roller. Flötenuhrbaues the heyday was the late 18th out century. Flute clocks were built for affluent, culturally sophisticated circles, educated people with appropriate art and music understanding. The finest pieces built in vienna and berlin. Easier flute watches were up to about 1850 in large quantities in the black produced. They played for entertainment in guest houses. Several well-known composers wrote works specially for this instrument, as george frideric handel, carl philipp emanuel bach, haydn, antonio salieri, wolfgang amadeus mozart or ludwig van beethoven. Flute watches with great restrictions than their recorded music era to consider it forced the composer to be exact instructions in execution ornamentation and tempo. The coupling of wind plant and roll can be traced back to minimum tempos and makes historical flute clocks so interesting for issues of historical performance practice. Recorded at "deutsches musikautomaten museum bruchsal"recording: tascam hd-p2 and beyerdynamic mce82;soundsystem: pro tools le.

A friendly barbecue becomes an historic occasion. Thanks eneasz for the sound of wet meat:. Http://freesound. Org/people/eneasz/sounds/194456/. And celticvalkyria for the sound of boots walking!:. Http://freesound. Org/people/celticvalkyria/sounds/233440/.

The sound of the historic tram between port-de-sóller and sóller in mallorca. Recorded from the platform between the cars, mechanical sounds of the rails, wagons and cables, other passengers and passing cars and scooters. 24 bit / 48 khz, sony pcm-d100.

Traditional flamenco performed by Pilar Calvo y Luis Maravilla. La Voz de su Amo record n° GY 762. Matrix n° OKA 1279 [1].

Traditional Arabic poem sung by Sheikh Sayed El-Safti. Parlophonerecord n° Bx 5708-I. Matrix n° 1344. [1]

Traditional Basque music played by Txistularis Hermanos Landaluce y Sr. Elola. Recorded by H.E. Davidson in Barcelona. HMVrecord. Coupling Number: AE 2467. Face Number: 2-260706. Matrix Number: BJ1692. [1]

A freight train passes and a long distance express follows it. The express has been carrying travelers for more than 40 years, but people are switching to faster shinkansen, so the historical express disappears on march 13. This is a memorial recording. Mkh20 and mkh30, korg mr-1.

One steam train engine cycle extracted and cleaned up. A single steam train chuff without the background steam hiss. Credit to keith peter for the original field recording: https://freesound. Org/people/keithpeter/sounds/125211/.

Soundtrack made of three tracks from the us public domain for the in-game menu screen with clock sound. Compositions used:club royal orchestra - rosy posyorkiestra polska - kochaniepietro - you'll find old dixieland in france. Album: antique phonograph music program.

5. 1 surround field recording of the derb aznati, a small street in the historic center of marrakesh/morocco on a quiet summer morning. Vendors in the small stalls lining the side of the street are going about their business as customers and the occasional scooter pass by. Recorded with a zoom h2n and matrixed to 5. 1 surround.

Reverie' song for piano and voice words by Albert G. Dawes; music by Alexander Rea Marked 'Entered at Stationers Hall' (historic Australian censor & patent office)

Traditional music from Ghana performed by Salifu Titah’s Band. HMV record n° TM.1084. Matrix n° OAB-3699-1. [1]

Traditional music from Syria performed by Mohamed Effendi El-Achek. Gramophone Concert Record n° G.C. 5-12433. Matrix n° 8106o/8107o [1].

Regular thursday night session at 20:00 in our neighbourhood in worcester of applause and general din-making in support of our heroic carers in the british national health service together with all the other essential support workers - in supermarkets, delivery drivers and many others.

Traditional song of Tahiti performed by Tefanake, Reia, and Moratai. Mareva record n° 115. Matrix n° 13485-1PD. [1] Ute – tradycyjna piosenka z Tahiti w wykonaniu grupy Tefanake, Reia i Moratai z 1950 roku.

From a distance - sounds of a civil war reenactment. Ca. 1991 near portland or. Gunfire some canons and (rebel) yelling. This part gets cut off - sorry, this was back in the days of dat. Then more individual canon and gunfire with lots of natural reverb. Actually some of this is good for convolution if that's your thing. . . .

Nostalgic piece where a choir sings on a station platform whilst a steam train is waiting to move off. The choir is singing in kings college cambridge style in the key of c - actually rené sequencing mimeophone karplus-strong over 2 octaves :).