17 Royalty-Free Audio Tracks for "History Of Music"

00:00
04:30
door mijzelf met de computer gemaakte versie van een gregoriaanse compositie
Author: DVANKAMPEN at Dutch Wikipedia (Original text: d.van kampen)
00:00
00:33
日本語: 名古屋市歌(1910年制定)のインストゥルメンタル。 Nagoya Munipical Song (enacted in 1910, insturmental).
Author: Composed by Okano, Teiichi (1878-1941). This song was published in 1910.
00:00
01:10
Adapted from the hymn tune "Cranbrook" by Thomas Clark, first published 1805.
Author: Kildwyke
00:00
00:56
日本語: 旧(2代目)静岡市歌(1937年発表、2003年廃止) Former Shizuoka City Anthem (1937-2003)
Author: 作曲:信時潔(1887-1965)
00:00
01:08
This tune is entitled "Matsurika" or "a jasmine blossom". It came from China into Japan in early 1800s.This is an older version of Chinese folk song "Mo Li Hua".I made this MIDI file viewing an old music book entitled "Gekkin Gakufu" (view the photo at "Mo Li Hua" of Wikipedia) which was published in 1877 in Japan.
Author: KATO,Toru
00:00
05:46
Revolutionary war battle re-enactment, including musket and cannon fire as well as general background of yelling, and occasional bursts of drum and fife music. Recording was made across a large field, so natural reverb and echo are very prominent.
Author: Alienistcog
00:00
02:15
Wax cylinder recording of music for the "lela" celebration in Bali, Cameroon. Four flutes and singing. The lela celebration is closely linked to the kingdom and members of the royal family direct the course of the celebrations. The flutes in this recording were played by high dignitaries of the Bali kingdom. Recorded by Bernhard Ankermann in Bali, Cameroon, saved in the Berlin Phonogramm-Archiv.
Author: Traditional song
00:00
00:59
Stopped in a tiny museum in kansas and the curator turned on the 1900s edison photograph for me and let me record the classic sound of music with all the hums and associated scratches. The music sounds like an old turn of the century carnival to me. Recorded on my cellphone and cleaned up in audacity. Production-now. Com - shout-outs welcome.
Author: Productionnow
00:00
01:24
Did this all my self and got some of the sounds off freesound and free to use the sounds off free sounds some of my own. Hope u like and u can have it and done on ableton live on pc and it did not take long and ive got aspergers as well have a nice day :d and i'm making a game as well its about fate about history and this time i use cryengine game software and its safe download and free u can make ps4 pc and xboxone game and play on xboxone ps4 and pc look on google its free trust me got it on pc now lots of people use it :d https://www. Cryengine. Com/.
Author: Klavo
00:00
03:54
It's a Long Way to Tipperary is a British music hall and marching song written by Jack Judge and Harry Williams (Henry James Williams), a song that, allegedly, was written for a 5 shilling bet in Stalybridge, on the 30 January 1912 and performed the next night at the local music hall. Jack's parents were Irish, and his grandparents came from Tipperary.[
Author: Jack Judge and Harry Williams
00:00
01:39
Recording of a day of the dead celebration at the museum of native american history in washington, d. C. (2014) features drumming, flute playing, chanting, yelling / whooping, whip crack sounds. Drenched in natural reverb (recorded from top floor of a circular performance space with a stone ceiling), with lots of low-frequency rumble. Possible use: could be processed for horror ambience.
Author: Jaegrover
00:00
05:05
Stereo recording of the lp "dance hall of shame"a silent record released by virgin records protesting censorship in music. From the sleeve:"if there is one lesson to be learned through our history, it's that freedom of speech has inevitable risks. But the alternative is slavery of mind, in a society empty of thought. If we value the progress of music and expression, we must accept that there will be music we dislike and lyrics that offend. Our responsibility lies in promoting legitimate argument and persuasion. If we do more than this, overstep our bounds with labeling and censorship, then our unwillingness to accept the risk of freedom leaves only one future to our children: no thinking. No talking. No music. ".
Author: Yfjesse
00:00
00:06
Recording of my duduk. It's in the key of a, so i played a b3 and pitched it up to c3 with melodyne so it's usable in a sampler or to import as a wavetable in serum or whatever. Because of it's harmonic content, it actually works great as a clean yet relatively translatable sub bass for electronic music. I used it to make a wavetable in serum which works perfectly. The instrument is a double reed woodwind folk instrument from armenia, the reeds are made of a flattened piece of bamboo, and the body is made of the wood from an apricot tree. And it's history dates back to approximately 1200bc. Enjoy!.
Author: Blood Of A Pomegranate
00:00
00:41
Stopped in a tiny museum in kansas and the curator turned on the 1900s edison photograph for me and let me record the classic humming, scratchy sound of a turntable turning. The steady rhythm had a very "bioshock infinite" feel to me, and i loved it. Nice to put under music to make it sound old. Recorded on my cellphone and cleaned up in audacity. Production-now. Com - shout-outs welcome.
Author: Productionnow
00:00
04:12
On March 11, 2018, the Marine Band presented a Living History program titled Marine Corps Women’s Reserve Band Tribute. The program told the story of the talented and adventurous women who served our country in a most unique and unprecedented manner. Author of the book Bands of Sisters: U.S. Women’s Military Bands During World War II, Dr. Jill Sullivan served as a guide through the personal accounts of those very women who blazed a trail for many to follow. The Marine Corps Women’s Reserve Band of Camp Lejeune was established under the watch of 'The President’s Own' to support bond drives and was active during World War II from 1943–45. In 1944, the ensemble even sat in for one of the Marine Band’s popular 'Dream Hour' broadcasts, a program that will be reenacted in its entirety as part of this concert. The performance took place in Schlesinger Concert Hall at Northern Virginia Community College in Alexandria, Va. Conducted by Capt. Michelle A. Rakers.
Author: Composition: Frank W. Meacham; Performance/Recording: United States Marine Band
00:00
00:45
library of congress recording, and before 1911 -- public domain traditional Omaha Indian song. From here Notes This song was collected by Alice Cunningham Fletcher and Francis La Flesche. It is included on Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection (AFC L71). From the liner notes of the Omaha Indian Music album: Composers of love songs used melody and vocables to convey emotion (1893, pp. 53-54, 146-150; 1911, pp. 319-321). The true love-song, called by the Omaha Bethae waan, an old designation and not a descriptive name, is sung generally in the early morning, when the lover is keeping his tryst and watching for the maiden to emerge from the tent and go to the spring. They belong to the secret courtship and are sometimes called Me-the-g'thun wa-an - courting songs. . . . They were sung without drum, bell or rattle, to accent the rhythm, in which these songs is subordinated to tonality and is felt only in the musical phrases. . . . Vibrations for the purpose of giving greater expression were not only affected by the tremolo of the voice, but they were enhanced by waving the hand, or a spray of artemesia before the lips, while the body often swayed gently to the rhythm of the song (Fletcher, 1894, p. 156). George Miller's probable year of birth is 1852.
Author: Performed by Miller, George (Inke'tonga) (Big Shoulder), Recorded by Alice Cunningham Fletcher and Francis La Flesche.
00:00
11:48
If there is one man, white western historyhas neglected, it must be james baldwin (1924 - 1987)known to many as writer, novellist, essayistplaywright, poet. . . Surely unknown to all asactivist, as frontfighter, as luchador of theanti-xenophobic anti-discrimination discoursin general & more specific of the north-american'negro'. His father was a slave & as a childat the tender age of 10, he was teased and abusedby 2 new york police officers, an instance of the racistharassment by the nypd that he would experience againas a teenager and document in his essays. Why isn't his history & discours teached at school ?. Anno 2020, i learn to know him & his eloquent rhetoricalcapabilities through the also fenomenal moving & breath-takingperformance of tawiah + myrrh for the refraction festival, takingplace online of course, due to the ever infamous covid-19. . . An audiovisual délice, in which visual artist myrrh, places tawiahin subtle superposition with james baldwin & his 1965 debate with mr. Buckley ! in the cambridge union ! !! ! ! ! while performinglive one of the most delicate concerts i have seen during corona. . . A must see+hear _ _ _ https://www. Youtube. Com/watch?v=h5l2lssdzro. Being totally absorbed by this performance, i discover as an artist myselfone of the reasons i bind so much with this piece of music is that i myselflike to use the same harmonies, apparently, which i did indeed in 2015https://soundcloud. Com/torturado/eternal-void-the-fall-back& in the mid nineties, that is 1990's. . . A long forgotten piece of me, performed that time during my ritcs studies, as my band torturado, no recordings from then helas online, but gracias a la discovery of tawiah+myrrh & james baldwin picked up again what i remembered from that time & made a 2020 version of it. . . A small visual document of this: https://vimeo. Com/450004585. As from the moment, i discovered james baldwin, i integrated also his powerful 1965 debate in my performances during covid times. . . To spread his word ! to inspire others, to confront others. . . I told myself covid or corona is not going to stop me playing & performing music, which comes natural to me, so i looked for ways to perform outside, in plain nature, with batteries. . . Guitars, 9v fx, fx without 9v compartment, battery based amplifiers, battery based kassette walkmans. . . & it is on kassette that i put an edited full version of the james baldwin vs buckley debate of 1965. . . For this exercice of the sound design formation, we had to upload a sound that intrigues, well, james baldwin eloquent voice, litteral & metaphorically inspired & triggered me. . . Also the sound of electro-magnetic technology called tape is something i have always been fond of. . . So i made an edit of an edit of the james baldwin debate of +- 10 minutes !. Spread the word !a+. Actually this could also serve the exercice of recording a sound that comes from a certain place, or is part of a bigger thing , or personificates a certain place. . .
Author: Antwerpsounddesign
1 - 17 of 17
/ 1