13 Royalty-Free Audio Tracks for "Imaginary"

For free use.

A weird organic, crystal sounding drone made from ringing rocks samples and peppered with some reaktor magic. 48/24.

Atmosphere This piece originally found on glbtm* - boringXtreme

A digital imaginary bubble.

Station with special tone - probably for imaginary easier but not very narrow band pile-up work.

Short intro bumper music for an imaginary 1930s black and white film of a rainy day in new york.

Imaginary soundtrack for an underwater skirmish using mimeophon morphagene and erbe-verb from makenoise. Lots of torpedo, sonar, and dripping water and waiting. . . For the bang. . .

Imaginary futuristic car driving through desert. Danger in the air. Scifi tension. Instruments used for sounddesign: pro 53 (sound of car and wind) and the freeware synthesizer da hornet (artificial horror sound). Slow lfos, filter and pwm modulation,3 voice unisono, internal chorus fx (pro 53), no additional effects, faded out. Da hornet - fast pitchmodulation.

A hostage, a lightbulb, a camera. A hard conversation and a lot of uncomforable silences. This sound is part of the weird roomtones and silences soundpack - a compilation of synthetic ambiences and silences meant to enhance a neutral atmosphere in the desired direction. The filenames usually describe an imaginary situation that i imagine would need the particular roomtone, often influenced by movies i've watched. >>>> you can use the soundpack as you wish, but i'd be happy to hear your feedback. In particular - how did you use the sound (for example, what kind of scene) and what can be improved. <<<<thank you in advance!.

An imaginary steam-powered machine runs up to speed and slows to a halt. Created in flstudio 11 with a commuted synthesis model for emulating engines and other cyclic mechanical sounds, also known as virtualmachine, by rurik leffanta. See http://www. Xoxos. Net/about. Html. Flstudio 3x osc noise was used as a hissing sound similar to venting of high pressure steam. The hiss is granulated to simulate a slight sputtering effect. As the machine tempo increases, lf rumble is introduced to evoke the notion of a rolling load. The rumble dies away as the machine slows down. 100% synthesised sound. No audio sample is present in this recording.

Imagine you just landing on an unfamiliar planet, where the local on the planet is just some unpopulated area with a open wide field or jungle. You don't see any one, or anything, but either dust,trees, grass, or a vacant road. While your wondering through this place you also notice that that nightfall is approaching, and you can see the moon and the starts of this planet. This synth patch is just the sound for that, a drone bass synth patch used to create some imaginary audience feel that would lead you or someone to be driven to madness. This patch was made in massive.

What if we could hear sounds from another planet ?. In this imaginary place, people can visit zoos under water. Here is the sound of a yhtem, recorded by a visitor from inside his personal submarine. The recording device was found by a member of the zoo staff, as it was floating over the water. It gave no more informations about what happened to the visitor, except that according to several monster's specialists, the yhtem « sounded hungry ». In the real world, this sound was created using the sound of a very brief scream. At the background was a noisy street, and some cars were passing by. I used two different screams and mixed them, before decreasing speed and tempo in audacity. -. Xson « cannelé ». Le son « d'arrière plan » est étouffé, plutôt doux, mais il y a des « accents » rugueux, acides, lors du grognement. L'attaque est graduelle. On distingue quelques notes, différentes hauteurs. Variation scalaire.