Part of sample pack "hip+hop_vinyl" some years ago i sampled some of my vinyl records using my mpc2000. . . Sampled drum kit consists hip hop, electronic and rock records. . . . Enjoy!.
The sound of me attaching and deattaching two of my lenses to my pentax k-x which are the 18-55mm kit lens first and then my 80-200mm sears lens next. It was i believe five times for each lens. Recorded with the audio technica atr 6550.
Various plastic tubes, boxes and containers recorded with tascam dr-05 and mastered with audacity. No added effects except compression and minimal reverberation.
This is the dirty tony's kick drum. He recorded it at johnny's studio, the only studio with a hole in the wall!. It has been recorded with four mics, and this is the mix of all!.
These samples come from a gakken sx-150, a small analogue synthesizer kit that was released in japan 2008 as part of the gakken hobby magazine series. The synth became very popular also outside of japan, mainly because it's a low-cost analogue synth with a great sound that offers lots of possibilities for circuit benders.
This is a collection of public domain sounds for easy transfer onto pocket operator po-33 sampler. (the po-33 splits one sound file into a kit of 16 sounds. Hence why a sample pack like this is appreciated). All sounds found here on freesound. Org under the cc0 / public domain licensing. Https://freesound. Org/people/bxyorna/sounds/410335/ round splashhttps://freesound. Org/people/14fpanska_nemec_petr/sounds/420227/ stone splashhttps://freesound. Org/people/hard3eat/sounds/387347/ 80s hathttps://freesound. Org/people/mafon2/sounds/371878/ water drip/drophttps://freesound. Org/people/mafon2/sounds/371270/ water drip/drophttps://freesound. Org/people/mafon2/sounds/371266/ water drip/drophttps://freesound. Org/people/tripjazz/sounds/506989/ tomshttps://freesound. Org/people/shpira/sounds/323606/ low tomhttps://freesound. Org/people/ainigmat/sounds/404841/ shaker. A bit of processing was done to normalize the sounds and adjust levels, i recommend downloading the original sounds if you're going to use them for none sampler projects. Hope you enjoy :).
A reverse 20" mapex ride cymbal. Captured with a sure sm57. Noticeable lack of high end, however, it can still be used for song intros etc. (no reverb or any other effects were added to this sound).
This series is done through layering and processing many samples of drum sounds i synthesised using various plugins namely xoxo's vst's and zynaddsubfx mixed with some old hardware samples i made a long time ago. There are 4 packs of the same series : perc snare kick and hats all using the same process.
I performed and recorded all of these samples in my studio. Mostly rock and metal grooves. So slice & dice, hack & slash, scoop & loop, smash & bash. Make some noise!.
These are tiny sounds that sound like drums i made in audiopaint by converting images to sound. The sounds in this pack are all public domain (creative commons 0 license) so you don’t need to credit me.
This is a low quality recording from a panasonic dvx camcorder microphone. This is a recording of random drum beats. Because of the low quality recording, i have not separated any of the beats, and have faded one into the other. The drum shells are spaun, and the cymbals are a mixture of zildjian and paiste.
Created with my custom drumkit in hydrogen and korg microsampler so edit with audacity and vst effect. Precision bpm cut and ready to use. . . . And happy 15th birthday freesound!.
Took a drum loop and pitched out 3 different layers of itself, one at half speed an octave down, one at quarter speed 2 octaves down, and one on top that starts out chopped up into separated transients and returns to full speed at the end. I originally made this to be 3 different levels of progression for a backing drum-loop, with the first section being the buildup, the second as the transition/windup, and the third as the breakdown.
This is a failed attempt at sampling a rock drumkit on 6 tracks. The channels are as follows:. 0: oh l1: oh r2: kick3: snare4: room l5: room r. I've captured this into ardour 5. 12 using 3 different audio interfaces:. Behringer umc202hd - overheads (dynamic mics)line 6 pod studio ux2 - kick and snare (condenser + dynamic)zoom h2 - room ambience (built-in xy condenser mics). This file is a 6-channel 24-bit flac file encoded using ffmpeg from the raw wav files exported from the original ardour session. There are several issues with this recording however:. 1. The tracks seem to drift, because the individual audio interface clocks were not in sync. The proper way to record multitrack audio is using a single multichannel audio interface - but i didn't have one. 2. There's either x-runs or some usb transfer issues creating small glitches and dropouts in various tracks her and there. Don't know why did this happen, as we've been tracking the real drummer's performance without these issues. Now - fixing these issues manually would be an insane amount of work, but i hope maybe someone has means to either solve them with programming a special tool, or know a tool that could fix these, and make this recorded session ready to be sliced as a drumkit for say - drumgizmo. There's some really good stuff in here - an i was able to cut and mix some really nice drum samples, that i've been using for years, but it's not ready to be fully sliced for maximum flixibility. The instrument was played by myself - it's a drumset by pearl (don't remember the details), owned by the drummer of a band i recorded this with. The band was called small hint - hence the drumkit name. We were recording an ep, and i used some free time left to capture this as well. The ep was never finished and we disbanded soon after. Regarding fixing the issues - here's what i think needs to be done:. 1. I think each hit would have to be automatically phase-aligned on all 6 channels, to correct for the drift. 2. I think it should be possible to automatically detect clicks by simply watching for a sudden change in amplitude between adjacent samples - marking bad areas and then using something like audacity's repair effect to interpolate the waveforms. I think the glitches have much steeper changes in amplitude than even the drum transients, so it should be possible to differentiate between those automatically. If you found a way to fix at least some of these problems - please let me know!. If you've made some "remixes" on freesound - i'd also love to know that. Apart from that - sample what you can out of this and make some sick drum tracks!.
Audacity_temp cleanup detritus. Tiny clips from random sources, some of the mp3's are incorrectly tagged as being from the gorillaz album "demon days", but that is completely unrelated, so they're safe, mods.
This is the dirty tony's tom 16''. He recorded it at johnny's studio, the only studio with a hole in the wall! it has been recorded with four mics, and this is the mix of all!.
A very simple beat useful for many styles. . . Heavily processed recorded with various microphonesprocessing involves eq, reverb, and 3 compressors working in parallel(hi tom is panned 30 right, low tom is panned 30 left).
Amen break by the winstons [specifically g. C. Coleman] (at 1:26): (https://www. Youtube. Com/watch?v=gxzuq57_bym). I used audio source separator isse,(http://isse. Sourceforge. Net/), to separate the individual snare hits from the ride hits as well as the kicks,. I recorded the amen break samples to be separated with this amen break vst because it has good room reverb on it:. (https://www. Kvraudio. Com/product/db-force-the-amen-by-mastrcode-music). You can put this audio file in a splicer to make custom drum beats.
I downloaded the original break from here: http://www. Freesound. Org/people/patchen/sounds/20176/# and split the break into individual hits then reworked it in sony acid with additional free sub kick booms rendered at 102 bpm. Enjoy :).
These are samples from the new korg electribe emx2 music production station not the best recording quality but some nice sounds anyway the weird naming is due to the autoslice function in renoise wich i used to separate the samples from a one shot recording.
Twitter https://twitter. Com/samples_simple@samples_simple. Demonstration of how the drum kit can be usedhttps://youtu. Be/ua5ibkhftte. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.
All original royalty-free sound fx, virtual instruments, loops and music by nova sound technology. We need your support to continue this operation! you can support by:. Subscribe to our youtube channel https://www. Youtube. Com/user/novasoundwav. And leave a comment below!. Join our mailing list at https://www. Novasoundwav. Com/pages/fr. . . For more free downloads and updates. Subscribe to our soundcloud at https://soundcloud. Com/novasoundwav. Follow us on ig: https://www. Instagram. Com/novasoundwav/. Follow us on twitter: https://twitter. Com/novasoundwav. More all original sound fx, available at novasoundwav. Com.
This recording is for people who hate the highlighted high frequencies. An old sabian aax small recorded with a røde m5 mic. I the created two copies of the original recording:1. On the first file i applied low pass at 2 khz and hard compression at -24 db without makeup gain. 2. On the second file i applied high pass at 2 khz and hard compression at -24 db without makeup gain. Then i lowered -2 db all the spectrum except for the band from 3. 5 khz to 9. 1 khz and i applied hard compression at -24 db without makeup gain. I merged the two files. The envelope was very flat due to the compression and thus i reshaped it on wavelab (process > level envelope. . . Or press the "v" keyboard button; draw a natural fade out in steps [non-linear]). The result is a warm crash for people who don't want them loud.
A sound effect of a very short meow from one of the cats where i work. I hope you can use it. I think he was annoyed about something. Thanks for listening, and be sure to let me know what you think!. P. S. I request that all my sound effects only be used for clean, appropriate media and projects. Thanks!.
