1,002 Royalty-Free Audio Tracks for "Line"

This is a break i made to layer over my breaks at 102bpm. It was created in free tracker jeskola buzz using vst instrument, alchemy, multiloop2-move knob 1. This is not a looped sample from the instrument, i created it using the tracker, then applied an ohm boys delay effect. Sounds great over the breaks at 102. Enjoy :).

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This is a collection of samples recorded from the sing-a-ma-jigs toy line released sometime around 2010. This includes all sounds made by the three sing-a-ma-jigs shown. All samples recorded at 48k, 24bit wav files with a rode m3 microphone and motu 828 mk3 preamp. Everything leveled to -16 lufs integrated. 122 samples total.

This track is a stem (individual track) from Mesostic's "Happy Happy HardPopCoreTastic". The whole track is available on Wikimedia commons and this stem is provided to assist with remixing, extending, and so on. You can hear the complete song over to the right. Happy Happy HardPopCoreTastic This is stem 5, the bass line, created in Arturia's Jupiter 8 softsynth.

Recorded in june 2016 on a new york city subway train stopping at times square station on the queens-bound 7 local train line. Recorded with a zoom h2n in 4-channel mode - this is the xy recording only (msg me if you want the raw ms recording!), without a windshield. File has not been modified.

Same day as "birds in the forest two" but another place little difference in theambience character similar bird sounds as birds in the forest but today the wind is blowing even here. I recorded it with myrecorder zoom h4n promicrophone sennheiser shotgun mke 600triton audio fethead(no phantom thru)rycote classic-softie windscreenwavelab.

Announcement of next downtown 6 train from union square subway, new york city. Recorded on zoom h1. Note: all of my sounds can be used for whatever purpose you want. No copyright, no royalties. It if makes you a millionaire, that's great!. I would love to know how you used them, so if you can, feel free to drop my a line :).

I used audacity and text-to-speech to recreate a voice line spoken by the cybermen from the 1967 doctor who episode "the moonbase". The video clip is available in the public domain. Transcript:. Cyberman 1: they have blown up the accessways to the moon base. Cyberman 2: the machine from earth must first be destroyed. There are 14 minutes left.

A recording of an entire journey on the london underground (jubilee line) but could pass as any subway/metro if you remove the train announcements. The recording begins at the top of escalators, travels to the platform, boards the train, then covers the whole journey, getting out of the train, and ascending the escalators at the other end.

A small bassline created with my new rocktile ebass. I used the (free) safe plugins compressor and equalizer by semanticaudio for the effect part. I used audacity to merge the parts. Recorded with wavosaur. There are small pops at the transition from no fx to fx and at the end of the fx part, just cut them away with some audio software. I didn't listen to it before uploading. My fault, i was sloppy cutting. Plugins: http://www. Semanticaudio. Co. Uk/.

Arrivo del treno alla stazione università (napoli). Annuncio (ita/eng) "treno direzione piscinola. Attenzione: è vietato attraversare la linea gialla". Train arriving at università station (naples). Service announcement (ita/eng) "train to piscinola. Attention please: don't cross the yellow line".

This is reminiscent of the sound playing in friday the 13th pt. 2 when jenny puts on pamela vorhees old sweater and pretends to be her in an attempt to trick jason. One of the lines she repeats during the scene is "jason, mother is talking to you", hence the file name. This was made in fl studio using morphine. Its got a very eerie sound to it thats for sure. Use it in you horror score or for whatever you like.

This is a gurgling sound i created by accident. It's a short clip from the "new dimensions in sound (1957)" public domain clip from the prelinger collection at archive. Org. Specifically, i used this line: "as the record plays, the needle wiggles. " cut out the first part, made a loop of "the needle wiggles. . . The needle wiggles," and lowered the pitch with reapitch by two octaves. This was the result.

Standing in line at the checkout, neighborhood supermarket, chicago, 7/17/16 at 6:25pm. Occasional voices, clatter of shopping carts and baskets being stacked, sounds of groceries being loaded onto the conveyor, beeping of registers. Recorded with two countryman emw lavaliers in a head-mounted binaural arrangement, into a tascam dr-40 recorder. Processed to remove excessive bass rumble and compensate for eq curve of lavaliers.

Sound synthesis made from chuck programming language. The model is a connection from an impulse generator to 40 digital filters to 40 delay linesand set feedback between each delay lines. Each delay lines's delay time and cutoff frequency is random. But there was an error in the calculation and the output value overflows. And this create a chaotic behavior in this sample. - - -. This one is a smooth rising soundwith alternating digital aliasing resonances at the end.

I made this instrumental music in two versions, with and without drums. This is with drums. I did it in garageband for a thing called victors crypt. I made a bass-line on a doublebass that i played around with. Like the fact that it's groovy and a bit dark. Added a drumbeat i made that i think suited the bass-line. Strings are always cool so added that and more. Could be perfect for an intro, outro, something spooky and cool, mysterious or whatever you feel like. . . . Let the imagination run wild. Feel free to use it as you like as long as you subscribe to and watch my channel! if you wanna use it in your music and gonna release it, ask me first. Don't wanna see my music copyrighted by someone else of course. Be cool watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Sound of a million-dollar horse. A close-up shot of a dominican paso fino doing its tell-tale step, natural to the breed. The rhythm is near-perfect, we can clearly hear hoofs on dirt as well as the animals heavy breathing. Various segments are perfectly loopable. Recorded on an h-1 zoom on a pole astride the animal. As a side-note, the horse itself is from a price-winning blood-line and worth in the excess of $1. 5 million us. I know, right?.

Field recording of the ocean surf at the outer banks, nc. Recorded approximately ten yards from the surf line on a zoom hand held recorder mounted under a beach umbrella. Record mode was 4 mic, using front and rear stereo mic pairs summed to stereo mix. Front (90 degree) mics facing ocean, (east). Rear (120 degree) mics facing the dunes, (west). Was a somewhat large surf day with shoulder to overhead sets. Enjoy ;)!.

The underground railway stop aspudden in stockholm/sweden. The recorder is situated near the end of the platform, facing along the line to the entrance. A fair crowd of passengers is waiting on the platform. The pa is announcing the next train, which promptly arrives and opens it's doors. Recorded with a zoom h2n. These are the rear channels of a 4ch surround recording. Mics set to 120° dispersion.

This file is one audio stem of five from producer mesostic's "Friendly Evil Gangsta Synth Hip Hop" instrumental which he released for rapping over, remixing and any other use in the Commons. Friendly Evil Gangsta Synth Hip Hop Stem 5 is a dark bass line, created using a bespoke sub bass instrument created in Ableton's Sampler.

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

Murmuration in ireland, on the electricity lines behind my house. Must have been at least one thousand starlings. In this you'll hear them tweeting etc and a whole bunch of them flying. Recorded in stereo on zoom h4n. Some low cut filtering used but nothing else. I have 13 continuous minutes of this so if you need more, just ask lol.

Error beep from the colorino talking color identifier and light probe, a pocket sized 2-in-1 unit, which is a color identifier/light detector for the blind and colorblind. This happens when the detector is not flush with the object you're trying to read the color from, so it lets in too much external light. Recorded from line-in on my desktop.

Algorithmic modular music program ver. 2 (man2v2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. Admit, the spring reverb makes a nice job!. 00 rem -------------- man2_2019 --------------00 rem ------------------ v2 -----------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)00 rem line 08 in ver. 103 rnd frq lfo_1 (run speed)00 rem [less secitive for cv change]04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)00 rem [added some offset with attenuverter]06 trg short env (vco_2): rnd pitch @ eoc (vco_2)00 rem [long env in ver. 1 - with long env i seldom reach eoc]07 if (lfo_2 = high) then goto 01 [= reset]00 rem line 02 in ver. 108 [07] trg short env (vco_3): rnd pitch @ eoc (vco_3)00 rem line 07 in ver. 100 rem [long env in ver. 1 - with long env i seldom reach eoc]10 goto 01.

Very first field recording and upload. Morning san francisco commute: walk from nopa apartment past lone mountain to bus line 33 at arguello and balboa, bus ride to the mission district, walk through the mission to office building. City sounds, cars passing, birds chirping, bus stop, electric bus, ticket, electronic voice announcements. Iphone 6 using the voice memos app.

Recorded in june 2016 on a new york city subway train approaching the last stop (34th street–hudson yards) on the 7 train line. Mta thank you announcement at the station and for all passengers to alight. Recorded with a zoom h2n in 4-channel mode - this is the xy recording only (msg me if you want the raw ms recording!), without a windshield. File has not been modified.

Recorded from line-in from a 13-year-old boombox tuned to the bottom of the am dial and moved around near the computer and printer. You can hear the base computer noise, then at 00:17 you start to hear the radio get closer to the printer which is off but plugged in.

This was hella tough to make! and i used this program that turns picture into sound. It has paint tools, and you start with a black canvas, you draw up a pattern on it, and depending on the color, position, size, quality, format and translucency of the marks and lines you placed, you get sounds. But it is really hard to get a hang of! this took me 3 days to get it right! please comment and rate, i worked really hard on this! by the way, i'll be making more of these, so if you like it, then i have three more.

Scary ambient sounds. . . Almost musical, perfect for a horror scene in a movie or a game. Try morphing it further by reversing and/or time-stretching it!. Fully made with a 7-string electric guitar, a line 6 pod x3, and delicious amounts of post-processing, sampling and vst effects :d.

An old guitar recording that served as a sample to my music track dreaming of places that don't exist ( https://soundcloud. Com/headshock-1/dreaming-of-places-that-dont-exist). Direct recording of my jackson sl-3 soloist electric guitar through a line 6 pod x3, using its internal reverb effects. (large hall reverb with decay at 99%, or maybe even 100% for that endless washed out effect).

A pair of sounds depicting a group of musicians bitching after the actor flubs a sung line. No compression, no chorusing, just raw and cleaned. Recorded by a blue snowball mic and cleaned using audacity. If you'd like custom voice sounds, let me know, and i'll come by once a month and record them for you free of charge. You do not have to credit me and there is no charge to use my sounds. Warner bros director, i know the struggle. . .

Recorded with my epi sg through the walrus slo pedal on dream setting into the focusrite 2i2 interface and into reaper. The bass was recorded with a squier mini-bass through a behringer bxl1800 amp and into reaper. Did a pitch change on the guitar and no quantizing as i like the 'push/pull' feel of the human tempo. May add some percussion down the line. A shout out to kenny gioia for the reaper tutorials. He's the man. Please comment on what you may use it for. Thank. :-).

Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to c9 with a short sustain. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. Minimal post processing on these. Just enough to get them roughly even in terms of overall volume.

This is a recording of purchasing items at a checkout in a supermarket, including ambient sounds. There is one line of the slovak language spoken by the cashier, but there is plenty of space to remove it or add your own voices to the clip. This was recorded in-person with a tascam dr-40 stereo recorder. Public domain: i have released this audio file into the public domain. It is free for anyone to download, modify, or use without my consent and without attribution - like all freesound audio files should be. Enjoy!.