80 Royalty-Free Audio Tracks for "Loose"

A sound of light electronics being briefly shaken. A little plasticy, with loose components, for some sort of small doodad. Recorded on blue snowball for the super legit podcast.

Ambient noise created with the melda noise genertor vst plugin, the melda auto pitch vst plugin and the illformed glitch vst plugin. Loopable and suitable for background treatments.

Picking up a small leather bag with a loose collection of coins and glass beads. Designed to sound like picking up a rich purse of coins in a video game.

This is a brief recording of hiking boots on small to medium loose rocks on a mountain fire road. May be good for a podcast as a background sound effect.

A series of 5 high-pitched "ding" sounds of varying intensity, created by striking the loose casing of a bicycle bell suspended from a string with a screw.

Just tapping things around my desk with a screwdriver and jingling the loose change inside a glass jar. I had the mind to use all of the sounds in this file for a kick/snare/hi hat drum rack in ableton live - hence the ranges of frequency from low (jar thumps) to textured highs (loose change) and high (taps. ) i hope these come in handy, please enjoy! - vanszi. Bandcamp - https://www. Vnzi. Bandcamp. Comspotify - https://open. Spotify. Com/artist/0mzsotvcahcvlcqwo9qndgsoundcloud - https://www. Soundcloud. Com/vanszi.

Metal essential percussion snare drum with remo heads, 40 springs snare strap. One finger hits the drum. Top loose, tight bottom. Living room acoustics. Recorded in 96khz and 24bit in zoom h1 recorder on built in directional, condenser microphones.

Sound of a loose metal spring being plucked with heavy reverb, could be a good sting for a horror sequence. If you find this handy, feel free to use for your project!.

Out in the woods, kicking on some loose rocks. A few of them are rolling down a small cliff face. Some distant low traffic noise. Recorder: zoom f6microphone: audio-technica bp4025.

Kind of a weezer type jam i came up with while messing around with a capo on the 2nd fret. I want to say its in 4/4 but its pretty loose, if you do anything with it i'd really like to hear!.

Another test loop from my work-in-progress loop editor for unity. This one is very relaxed and loose, almost no beat. Feel free to use this for any project, credit is not required. I'd love to hear / see anything you make with it though!.

The sound of a small compact car rolling on a bumpy cobblestone road. You can hear some things vibrating and some loose screws. This audio was recorded with a zoom h5 inside a susuki alto in managua, nicaragua. Where did you use it?.

From under a concrete bridge, the sound of cars driving at a fairly high speed over the decking. Unlike some similar bridges, this one does not produce any loose metal clanking at the joints and there is very little flange to the sound as the cars pass.

66bpm drum beat: hip-hop/electro improvisation on electronic drumpadsclavia nord drum 3p "modelling percussion synthesizer" padsmetronome used but not quantisedrecorded with ableton live + motu ultralite mk3 hybridkick pedal: roland kt-10.

Small light splash & trickle sounds, recorded by interacting with water in various ways, light hit with closed fist, loose fist, flat palm, swishing about, assorted timings. Water in a large bowl, small, bowl, and a plate on a towel in my bathroom, recorded on a zoom h4n. Clean unedited raw audio.

3rd in chromatic order. I recorded 16 notes from a music box. I waited for the motor to loose juice then i wound it forward manually so i could record each separate note chromatically. There are two octaves plus one note. Begins with d and climbs up the scale ending with e.

This recording was created using the iphone 7 voicememos app. The small dark brown cricket was loose in our home and making a lot of chirping noise at night. It sounds like a miniature car alarm. No attribution necessary. Free for personal or commercial use. The 1 minute file is 546kb enjoy.

Tying shoelaces: a close-up listen to a very subtle sound when two pieces of string is being tied around each other. You can hear the fumbling of hands swooshing the string around each other and a harder sound of when the knot is being pulled so that it doesn't come loose. Can be used for dramatics and overexaggerating. Recorded with the zoom h6, rode ntg.

This is a field recording from inside the "experience gallery" of the musical instrument museum (phoenix, arizona). The experience gallery is full of gongs, bells, drums, gamelan instruments, stringed instruments, marimbas, xylophones, and even a theremin. A schoolgroup of children were let loose at the time of this recording. Recorded in stereo with a sony pcm-d50 (onboard mics, wide pattern) while in motion.

Recorded inside of an abandoned building next to a boarded-up, old wooden exit door. Has a nice, subtle low hum, which is actually from a plane flying overhead. Also contains knocking sounds, which is most likely the door being a bit loose. Would be awesome for horror atmospheres. Feel free to use this sound for what ever you wish to. Credit is appreciated but not needed. Let me know what you use this sound for!.

Recorded while on a walk in myneighborhood. Washed up on the street was amixture of sand, rocks, and loose gravel. In the background a bug can be heard that i wasunfortunately unable to edit out, but i hope its ok. (re-uploaded because i forgot to trim unwanted audio sections). -----. This sound, like everything i upload here,is completely free for anyone to use. I hope it is useful. 🎶.

Here are the sounds i recorded:- the "loose parts" sounds were a slightly unscrewed valve on a trumpet. - the hydraulic leg-lifting noise was a hatch door opening on a van. - the metal foot hitting the ground was me banging on a metal garage door. - the humming engine noise (it's quiet) was a roll of duct tape spun on a wooden board. - the various other clanks and pops were the same trumpet noises, just edited a bunch. One day while playing the mobile game crossy road, i my sound being used for one of the characters. If you end up using my sound, let me know! i'd love to know what kind of things it's being used in. This is called "three-legged robot walker with loose parts" because it was a foley assignment for my sound design course years ago. This was one of the obscure things the professor gave the class that we had to interoperate and create using only our own recorded/edited foley effects. The class voted on the best one, and mine turned out to be the winner.

(edit of other recording, with eq, reverb etc. ) recorded inside of an abandoned building next to a boarded-up, old wooden exit door. Has a nice, subtle low hum, which is actually from a plane flying overhead. Also contains knocking sounds, which is most likely the door being a bit loose. Would be awesome for horror atmospheres. Feel free to use this sound for what ever you wish to. Credit is appreciated but not needed. Let me know what you use this sound for!.

One-shot from versilian studios chamber orchestra 2: community edition sampling project. Co 2: ce is a 3,000-sample public-domain orchestral sample library designed to give composers and producers the tools they need to create realistic and compelling orchestral mockups. To learn more or make a commercial contribution to help keep the project alive, please visit http://vis. Versilstudios. Net/vsco-community. Html. Original filename: crash_hit_ff_loose. Wavinstrument family: percussion - metalsinstrument: cymbalsarticulation: crash-hitlocation: durham, ctroom type: band rehearsal spacemicrophone: 2x sm-57 spaced pairperformer: sam gossner.

While recording narration on my blue yeti microphone, the cable came loose in just such a way that it started glitching and converted everything i said into weird techno music. In the radio drama big data, it was used to represent the end of the internet. You are free to use it in any way you like, but it would be super funny if you credit it to "broke yeti" as though that is a real band and help me confuse people.

Worth mentioning that the groan track is separate from the conversation, for those who want to use just one or the other. I hesitate to say i'm in training, but in a way i am. I don't really know what sorts of things i can get away with, so i have become acquainted with a brit who, i thought, knows everything there is to know. Instead, she may be a bit of an experimenter, and she practices a bit fast and loose. I surely can tell she loves it. . . During this bit of conversation i saw her reach and turn the clamping screws tighter. Extrusion. Interesting. One might wonder why he puts up with it, and i can tell you, he doesn't. A session like this one and he doesn't speak to me for a week. It goes on, i can tell you, at least until he finds where i keep the handcuffs. I do know where to find another pair.

Nature, and man-made machines, wake up on a saturday in a small town in southern illinois. Even though getting "away from it all" and experiencing nature in the deep woods, or a quiet field is very enjoyable, let's not forget that nature often lives and thrives side-by-side with us. I recorded this in my back yard on saturday april 27th, 2013 at 6:45 am and you'll hear the low, but everpresent low rumble of a distant train throughout. But, over and above you hear the incredible variety of calls and sounds made by a family of starlings who seem oblivious to the iron horse and the occasional car. We had rain the night before, so every now and then you hear a loud "plop" as a breeze cuts loose fat rain-drop and it hits the foam wind-screen on my h4n. Starting at around 3:47 and running to 4:08 a cardinal makes a strong appearance. I made this recording using my zoom h4n recorder, using it's internal built-in stereo microphones, with the recording gain on 81, out of 100. Enjoy!.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie up and to the left to the border on the top which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. This time the mic is sitting in the cubby so i get a much clearer and louder sound. When i stretch the string across the top it has a fairly long sustain, so i can play 4 notes on a single pluck.

In front of my desk in my room is a wood paneled wall with a cubbie. It's about a foot wide, 10 inches from top to bottom and maybe 7 inches deep. I'm just guessing. Around this cubbie is a border of wood. In the bottom right corner under the border i have jammed one end of an elastic string that used to have glitter on it. It's from a christmas box of chocolates my uncle sent me last year. I stand in front of this cubbie whose bottom is at chin height, (i'm only 5ft1in) so my arms are above my head as i pull this string across the cubbie to the border on the left which acts as my only fret. The string is a few inches longer than the cubbie is wide, but when i pull it it gets longer so my hand is 3/4 along it's length as i pull back and forth across the border to tighten and loosen the string. No matter how hard i pull it never pops loose from it's mooring. The recording starts with me standing up from my chair. In the first part until 01:54 i am playing the string at maybe 30° from horizontal. It has a buzzy quality that reminds me of an african folk instrument i can't remember the name of. From 01:33 to 01:54 i'm trying to imitate a korean folk vibrato kind of thing. In the second part until 02:29 i am playing 45 to 60° from horizontal and it sounds like a full-bodied string bass with no buzz. In the last part beginning at 02:34 i am playing about 75° from horizontal across the top border of the cubbie on the left so it sounds buzzy and african again, and i'm just going crazy goofing around with a crazy bluesy rock sort of rhythm. There didn't seem to be any homemade 1-stringed wall-cubbie basses on this site so here is mine, have fun. I don't play it if mom is home because the living room is on the other side of the wall and she can't hear tv. Also my neighbor can probably hear it in the next apartment lol. Recorded with microsoft lifecam 3000.

Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.