28 Royalty-Free Audio Tracks for "Low Freq"

Low frequency.

A5sus2 arpeggio stab glassy synth clicky low freq atmosphere bass-01. Wav.

Syth winds made of arturia matrixbrute.

A low freq sine wave drop.

Low freq bass.

A low freq square wave bent down.

Feed back tone of bass - maybe 808.

Low and hi frequency larsen effectsrecorded with rode ntg2 connected to motu ultralite mk4.

Close, pretty clean, low-pass filtered recording of my heartbeat. Rode nt1a.

Matrix inspired low freq bass bubble. Take the blue pill to go through the looking glass.

Hypnotic mystery tone ambience - low drone with hi freq ring. . Cast off from the johnnie to movie - mad detective.

Custom synthesized heavy dance kick 1 with little high end. License: cc 0. .

Heavy kick with a low frequency slide. Classic dance music phrasing fx for chorus to build/break transitions. [format: wav][license: cc 0].

Two octaves of a thick heavy bass stab with reverb. [format: wav][license: cc 0].

Powering down your futuristic vehicle. . . Or robot? i dunno. This one has less low freq. Than the others.

I synthesized this by making white noise, then applying a bandpass filter, and finally applying a wah-wah filter thing at a very low freq. In audacity. .

A second attempt at a modern kettle boiling this time with the addition of a contact mike to give low frequency rumble to the sound track.

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

I worked out these 3 variations of the same bass sample, all very deep low frequency. Should be suitable for minimal techno or ambient, and it is useless for small amps, because sound is of very low freq. (format wav, 148khz 16bit stereo).

Created with audacity from white noice and various filters. Sounds like low-pressure compressed air being released through a nozzle.

Filtered through a low-cut freq. 1200 hz and denoised with izotope rx spectral denoise, default settings.

Recorded on a tascam msr16 4 claps two per track. There might be some low freq noise, since other instruments bleeded from other tracks of the machine, but thats why they are called "dirty drum samples" :) can be layerd to get a gang-clap. Free to use them whereever you want.

Recording of a door being opened and closed, and then opened and closed again. Very slight footsteps (on carpet) can be heard. The microphone (sennheiser mkh-50) was intentionally placed about 5 feet away from the door so as to capture some of the natural room sound/reverb (which is very subtle). I have another recording available of the exact same door and mic setup, but aimed slightly off-axis to capture just a bit more room sound. Recorded into a tascam 208i audio interface and into adobe audition. Very minor processing (low-cut at 80hz to remove low-freq rumble).

Recording of a door being opened and closed, and then opened and closed again. Very slight footsteps (on carpet) can be heard. The microphone (sennheiser mkh-50) was intentionally placed about 5 feet away from the door and aimed slightly off-axis so as to capture more of the natural room sound/reverb. I have another recording available of the exact same door and mic setup, but aimed on-axis for a more direct recording (it still has a slight bit of room sound - that was what i wanted for these two recordings). Recorded into a tascam 208i audio interface and into adobe audition. Very minor processing (low-cut at 80hz to remove low-freq rumble).

The recordings found in this foley pack are all original recordings made by myself and they are intended for free public use to help content creators with their commercial or non-commercial projects. They are not intended for redistribution and misappropriation with monetary gain in mind. Microphones used:- rode m5 stereo pair. Processing applied:- minimal low-freq. Filtering- denoising where necessary. These recordings were made with the best of intentions and with the limited resources so do not expect professional studio recorded foley. Thank you and enjoy!.

This is a percussion beats made at tempo 124. It spans 8 bars and is ready to be looped in your daw. This is a sound i've found in my old foxdot projects, it has a really cool "ocean" or "wave" noise-like sound that repeats at the right then left of stereo, in the end of each 4-bar segement. It layers multiple kicks and snares, with one of the sounds being stretched, that produce this "wave" sound. It can be evaluated in foxdot with the following code to replicate this result. D1 >> play(p[" [--]o h: -"]. Layer("mirror"),dur=pdur(5,8), rate=expvar([0. 09,2],8),sample=2, pan=sinvar([-1,1],16),amplify=0. 5).

An up-close recording of a single cricket chirping. I recorded this with a shure beta 57a microphone, at my house, with the mic a few inches away from one of my housemate's crickets (don't ask). I used cubase and izotope denoise to remove noise artifacts, as well as a low-cut to remove unwanted low freqs. Recorded in mono but exported in stereo, so both the left and right audio channels are the same.