3,626 Royalty-Free Audio Tracks for "Major"

Sound of a body falling on the carpet. Foley recording. Mono recording, 48khz/24. Mic: neumann km 185 supercardioid, zoom f8 recorder. Edited slightly in pro tools, nothing major, just a bit of compression and eq.

Shuttle atlantis final docking to the international space station. Most of an hour edited to just under 4 minutes. The voices of those guiding the flight and a few neat sounds. This is an educational moment in history that aired on 5 major signal radio stations reaching much of florida.

A few samples of a saxophone from logic pro x i made into one loop. Good for jazz or lo-fi. Let me know if you use it.

*Hundred-sixty-fifth harmonic on C = E↑. Just: 165:128 = 439.59 cents. Limit: 11-limit. MIDI pitch bend: 85,76

*Pythagorean minor tone on C = D- (Ben Johnston's notation). 10:9 = 182.40 cents. Limit: 5-limit. MIDI pitch bend: 47,58

*Two-hundred-twenty-first harmonic on C = A. Just: 221/128 = 945.48 cents. Limit: 17-limit. MIDI pitch bend: 70,78

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 1st Movement: Allegro (2nd Record) Genre(s): Concerti grossi, Concerti grossi by Johann Sebastian Bach Author(s)/(Composer(s): Johann Sebastian Bach (1685 – 1750) Music arranger(s): - Lyricist(s): - Performer(s): Philadelphia Orchestra (Orchestra,1900 - ) Conductor: Leopold Stokowski (1882 - 1977) Place of recording: 1st release date: - 1st recording date: 1 September 1928

A soundscape recording of a common area at a major university during class switches. You'll hear distant, muted conversations, wind, some birds oblivious to the rigors of academic life, and distant laughter and steps. Recorded in april 8th, 2013 using my zoom h4n recorder and utilizing its built-in stereo microphones.

Soft, yet simultaneously powerful synth pad/synth string chords. Lightly processed- only minor eqing and reverb touches. Chord progression based in f# major. Free to use as desired.

The opening fanfare to strauss' first horn concerto in e-flat. Recorded with a zoom h4n placed about a metre behind the bell.

Silent subway station located in alameda da universidade, lisbon. This was recorded on march 9th of 2020 after a lot of people were sent home because of covid-19. This metro station is very loud on the large majority of days, however on this particular day the silence was all you could hear while waiting for the train.

Garryowen, a late-18th century Irish air performed by the U.S. Army Band Strings, under the leadership of Colonel Thomas Rotondi, Jr. and Command Sergeant Major Debra L. McGarity.

1st release date: between 1928 1st recording date: 13 July 1928 Place of recording: C Studio, Small Queen’s Hall, London (United Kingdom) Author(s)/Composer(s): Joseph Haydn (1732-1809) Lyricist(s): none Conductor: John Barbirolli (1899-1970) Performer(s): Guilhermina Suggia, Cellist (1885-1950) Vocal range: instrumental Title/Work: Cello concerto in D major Content: 3rd Movement (2nd Record) Allegro (Part 6) Genre(s): Cello concerto

*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 28,70

*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69

Skip to My Lou performed by the Singing Sergeants of the United States Air Force Band. Track 3 from The Singing Sergeants 50th Anniversary (1945-1995) (1995). Major Mark R. Peterson, commading officer.[1]

Core 'ngrato performed by the Singing Sergeants of the United States Air Force Band. Track 5 from The Singing Sergeants 50th Anniversary (1945-1995) (1995). Major Mark R. Peterson.[1][2]

*Hundred-sixty-first harmonic on C = E+. Just: 161:128 = 397.10 cents. Limit: 23-limit. MIDI pitch bend: 9,95 on m3

Do major scale in three system. Firstly one by one, then pythagoras + just intonation (5 limit), pythagoras + 12tet, just intonation + 12tet, and at the end pythagoras + just intonation + 12tet alltogether. Reference notes are la4 and their frequencies are 440hz each. Sinus waveform. Prepared using csound.

Recorded using only an android phone and 'recording machine' app. The recording was made on the metal jetty at london greenwich a minute or so after the ferry had departed. The sound is of the metal plates of the walkway rubbing together as the jetty gently rises and falls on the swell. Eerie and atmospheric. Strangely quiet considering it was recorded in a major city.

Etiuda Ges-dur, op. 25 nr 9, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu.

Diagram of tin whistle fingering for a diatonic scale: I, II, III, IV, V, VI, ♭VII, ♮VII, I'. In D: D, E, F♯, G, A, B, C♮, C♯, and D'.

*Hundred-fifth harmonic on C = A+. Just: 105:64 = 857.10 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 7-limit. MIDI pitch bend: 34,82 on m6

America the Beautiful performed by the Singing Sergeants of the United States Air Force Band. Track 24 from The Singing Sergeants 50th Anniversary (1945-1995) (1995). Major Mark R. Peterson, commanding officer.[1][2][3][4]

I was on my way to make a song, but the composition is not what i'm looking for. . . But maybe it's what you're looking for! this one is just the loop. Check the other two files 'fluffy song intro' and 'fluffy song drop' to get the full 'song'!c major / 120 bpm.

Nederlands: Midifile van het rondo in Es-dur, H.288, van C.P.E. Bach. MIDI version of Rondo in E-flat major, H.288, by C.P.E. Bach. MIDI Aufnahme, Rondo in Es-dur, H.288, von C.P.E. Bach.

*Hundred-nineteenth harmonic on C = B. Just: 119/64 = 1073.78 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 17-limit. MIDI pitch bend: 78,87

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, "Air on the G String" performed by the Air Force Strings of the United States Air Force Band. Track 13 from Collage (2000).

*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.

*Thirty-first harmonic on C = B. Just: 31:16 = 1145.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 31-limit. MIDI pitch bend: 53,78

*Fifty-fifth harmonic on C = A↑. Just: 55/32 = 937.63 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 11-limit. MIDI pitch bend: 5,76

Title/Work: Symphony No. 35 in D major, K. 385 (Haffner Symphony) Content: Part 1/5: 1st Movement: Allegro con spirito Genre(s): Symphony Author(s)/(Composer(s): Wolfgang Amadeus Mozart (1756-1791) Music arranger(s): none Lyricist(s): none Performer(s): NBC Symphony Orchestra Conductor: Arturo Toscanini (1867–1957) Place of recording: New York City, New York (United States) 1st release date: 1947 1st recording date: 1 November 1946

Title/Work: Symphony No. 35 in D major, K. 385 (Haffner Symphony) Content: Part 4/5: 3rd Movement: Minuetto Genre(s): Symphony Author(s)/(Composer(s): Wolfgang Amadeus Mozart (1756-1791) Music arranger(s): none Lyricist(s): none Performer(s): NBC Symphony Orchestra Conductor: Arturo Toscanini (1867–1957) Place of recording: New York City, New York (United States) 1st release date: 1947 1st recording date: 1 November 1946

Hohner blues harp in c, played cross-harp (g major) for multiple “train whistle” sounds. First played high (d and f), then lower (b and d) , then a little faster. Recorded about 10 inches away with tascam dr-05. Multiple takes were trimmed and assembled in audacity.

Uendelighedsrækken (Dutch for "infinity series"), discovered and used by the Danish composer Per Nørgård, in G major. (This example is not composed by or taken from a work of Per Nørgård.) Uendelighedsrækken (Unendlichkeitsreihe), die der dänische Komponist Per Nørgård entdeckt hat und verwendet, in G-Dur. (Dieses Beispiel ist keine Komposition und kein Ausschnitt eines Werkes Per Nørgårds.)

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.4: 2nd Movement (Conclusion) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Danse Profane, L 103, pt. 2, performed by the United States Marine Chamber Orchestra with Major Jason K. Fettig, conducting, MSgt Karen Grimsey, harp soloist on Aug. 14, 2010, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Virginia. Claude Debussy. Danse Profane, L 103, pt. 2, interprétée par l'Orchestre de chambre des Marines des États-Unis avec le Major Jason K. Fettig, chef d'orchestre, MSgt Karen Grimsey, harpiste soliste, le 14 août 2010, au Rachel M. Schlesinger Concert Hall and Arts Center du Northern Virginia Community College à Alexandria, Virginie.

1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic

1st release date: 1935 1st recording date: 7 September 1934 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Serge Koussevitzky (1874-1951) Performer(s): London Philharmonic Orchestra Vocal range: instrumental Title/Work: Symphony No. 3 in E-flat major, Op. 55 Content: 2nd Movement (Part 2): Marcia funebre (Adagio assai) Genre(s): Symphonic

Made to represent glass or crystal harmonic sounds. Also uploaded a separate version with an additional low-pitched hum. Reminiscent of chest or other point-of-interest proximity sounds in major video games. Remix of https://freesound. Org/people/sam_x/sounds/27701/recombined numerous times to give it a more homogenous sound, and edited for seamless looping.

A Joyous Anthem performed by the Concert Band of the United States Air Force Heartland of America Band. Track 1 from Heartland Journeys (1997). Major Mark R. Peterson, commander/conductor.[1]

*Major limma (135th harmonic) on C = C♯+ (Ben Johnston's notation). Just: 135:128 = 92.18 cents. Limit: 5-limit. MIDI pitch bend: 64,61

The Coventry Carol, a sixteenth-century English carol

This Endris Night, a fifteenth-century English carol performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. CSM Debra L. McGarity

Latsabidze plays Chopin's Polonaise Op.53 Čeština: Chopinova polonéza As dur, Op. 53 v podání Giorgiho Latsabidzeho Latsabidze spielt die Polonaise op.53 von Frédéric Chopin Македонски: Шопеновата „Полонеза Оп.53“ во изведба на Ѓорги Лацабиѕе

Core 'ngrato performed by the Singing Sergeants of the United States Air Force Band. Track 5 from The Singing Sergeants 50th Anniversary (1945-1995) (1995). Major Mark R. Peterson.[1][2]

Taps performed by the Concert Band of the United States Air Force Heritage of America Band. Track 15 from Early Light (2001). Recorded in 2000 or 2001 at Langley Air Force Base in Virginia. Major Larry H. Lang, conducting.