255 Royalty-Free Audio Tracks for "Morphagene"

The lo-fi mode on the jellyfish by plankton elektronics processed by make noise erbe-verb, elektron analog heat and sputnik modular sprectral processor. 23 slices in total. Normalized.

Created by kimathi moore for use in the make noise morphagene. “the sounds i've tried sound very good for the morphagene i hope, and are very personal to me. That was bound to happen, they're now like new creatures to me, listening to them over and over again has made them very endearing to me. I also added my frame drums which i thought would be a good addition, sound tools, heater, julie gillum's woodstove, and a small minimalist piano composition. . In addition to the roster 2 of them are from liz lang, whom i wanted to include here as she was my sound/composition mentor. ”.

This reel is formatted specifically for use with the "time travel simulation" technique seen at https://youtu. Be/1nqemcvv2xo. Each (short) splice is recorded only on the left channel, so that it can be processed and then re-recorded into the right channel without interference. See the video for full details. Sound: transient sounds formatted for use in make noise morphagene. Recorded by mike johnson of the make noise crew, using zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.

Voting tally being read aloud for finnish president urho kekkonen.

Captured sounds from a bugbrand modular system for use in the make noise morphagene.

Hesitant staccato ceramic hit like sounds. Morphagene.

Morphagene reel with 6 splices. Tribal voice synth drone.

A reel of bowed cymbal sounds for the morphagene.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

Kinda weird sound for the morphagene. No splices set. Great live sound.

Bat calls captured from an anabat sd2 bat detector in austin, tx on 5/4/2019. Formatted to be readable by make noise's morphagene sampler.

A reel based on noise. Formatted for use with the make noise morphagene. Remember to rename the files "mg1. Wav", "mg2. Wav", etc. Before loading them onto the micro sd. Enjoy! :).

Created using my eurorack system and formatted for use with the make noise morphagene. Remember to rename the files "mg1. Wav", "mg2. Wav", etc. Before loading them onto the micro sd. Enjoy! :).

Creado con : telharmonic lxd , o_c piqued env , zdsp grain de folie , clouds oliverb and resonestor. Grabado directamente en el makenoise morphagene.

Several submitted soundtracks to a video of a can of devil's foot ginger beer being poured into a pint glass. Soundtracks by tweakerray, matthew shapiro, sleeper's tomb, sam turner, and his wired moves. Formatted for use in the make noise morphagene: https://makenoisemusic. Com/modules/morphagene. See video at:https://youtu. Be/deu7euml4l8.

Formatted for the make noise morphagene. This reel consists of a spliced breakbeat. The final splice is the whole loop without any splices. Trashy drum kit, recorded by me, re-sequenced with elektron octatrack and played through a crappy speaker.

Morphagene rendered at 48khz 32 bit fp in reaper. Vocals passed through microcosm from arbhar and percussion from plaits added, mixed and panned. Enjoy!.

Created and formatted for use in the make noise morphagene, 22th december 2014 i was at the top of the active craters to record the sound of etna.

This is a reel for the make noise morphagene. It was created using the chord preset from mutable instruments plaits. The chords gravitate around c. I twiddled the knobs while recording and the results were fed through valhalla shimmer before i cut a few sections up and rearranged the audio to make a reel. Have fun!.

Formatted for use in the make noise morphagene. This is another reel made in the modular using the new intellijel plonk, which is amazing for microsound but also really jagged edges. My interest in this module was as far from anyone else's haha. This is one of the most fun to play with, especially when sending modulation into every input!.

Samples taken from the soma ether from my home studio. This file is formatted for use in the make noise morphagene. Just rename the file to "mg(x). Wav" the same way you would with anything else.

The same as helichop1, just in 32 bit format (i hope).

Just droning on, using makenoise gear and random source´s haible tau phaser for variety. Let me know if you like it/ want more. Stay safe!.

Recorded by peter speer. Formatted for use in the make noise morphagene. Footsteps over ice and snow. Recorded in stereo on a zoom h6, december 17, 2018 in asheville, nc. This reel has been divided into 24, evenly spaced 4-second splices. I've found some great textures through playing the reel back at 1x speed, with gene-size, morph, slide and organize modulated by sequencers, random cv and cycling lfos. Time stretching the reel also leads to some fantastic new environments. Enjoy!.

sigil reel 2: percussion. Created by nathan moody, formatted for use in the make noise soundhack morphagene. This is one of two morphagene reels made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician nathan moody, an outgrowth of his 2018 album, "the right side of mystery. ". This reel is focused on percussive, inharmonic content from found objects and one-of-a-kind handmade instruments including metal table tops, perforated steel gongs, stretched springs, steel tubes, a drum made from packing tape, shakers made of tin cat food lids, and much more. They were struck with rubber mallets, carbon fiber rods, drumsticks, and woolen tympani mallets. They were recorded with a variety of microphones (sennheiser mkh50, dpa 4061, audio-technica at4050, shure sm57 and beta 52a), through awtac channel amplifier and neve 511 preamps. The hits are gritty, raw, and harmonically complex often with long decays, holding up well to varispeed manipulation, decay-tail looping, and filtering. For more information about nathan moody and the sounds and instruments used on this reel, visit nathanmoody. Bandcamp. Com and music. Noisejockey. Net.

The reel used in my second reel play recording, a series in which i try to find out whether or not i should keep my modules. These are four guitar recordings, pretty straightforward, but i just thought they sounded nice together.

Waves from the prophet vs synth, rendered as single-cycle waveforms and formatted for use in the make noise soundhack morphagene.

Created using my eurorack system and formatted for use with the make noise morphagene. Remember to rename the files "mg1. Wav", "mg2. Wav", etc. Before loading them onto the micro sd. Enjoy! :).

Electro-magnetic field readings from a number of devices around the make noise shop. Created and formatted for use in the make noise morphagene. Demonstration video: https://youtu. Be/yzwbox6hk4g. Https://makenoisemusic. Com/modules/morphagene.

A little tension to chill your spine. . . Based on a krell patch and with a few extras. Morphagene oven ready.

A reel made with the shared system and moog mother 32, recorded with the morphagene. It contains 4 sounds with splice markers. Enjoy!.

Formatted for the makenoise morphagene. Consists cut-up collages and nonlinear loops. Combines public domain sound snippets with electronics. Best dive into the micro-sound level.

Ambient reel for the makenoise morphagene. These sounds are recorded from a nord modular g2. The reel is dual mono, each channel has a different sound.

A recording of cameron, my cat, in the upstairs hallway letting us know she caught one of her toys. She howls like this most every night usually when we're downstairs watching tv. I'm guessing she feels we're not paying enough attention. Cut out all the silence between the yowls and added splice markers for use in a make noise morphagene.

A ceramic bowl is struck and a series of sounds of a typical subway commute follows, complete with a jovial subway singer and worrisome announcement on the platform pa. Edited in ableton live for use in the make noise morphagene module.

This is a solo acoustic slide guitar noodling round with a country-ish melody. I've added some splices here and there to make it easier to navigate. Quite good fun to modulate the position and gene size to create some eerie rhythmical effects. Have fun!.

I decided to bring my wind chimes inside and recorded them with an mxl 910 microphone into my computer using a focusrite scarlett 18i20 interface with the gain turned up a bit. I then chopped 15 samples i liked from the entire recording and formatted them into a make noise morphagene reel containing 15 splices. I am very pleased with the results, especially when patched into clouds or using an eventide space pedal for example. Enjoy!.

Sounds of the a train passing @ 34th street penn station.

Formatted for use in the make noise morphagene. Seven chords from my fender rhodes, each on its own splice, centered around a bb-minor root. The rhodes was running through an mxr zw-44 for mild overdrive, and the signal was boosted with a focusrite scarlett dynamic octopre. This reel was originally created for a guest post on the noise engineering blog: https://www. Noiseengineering. Us/blog/2017/9/18/modular-tips-and-tricks-guest-post-rheyne. Here's a video using this reel: https://youtu. Be/cyhpcbu71rc.

Mind the loudness and piercing frequencies. Feedback made using only a self-patched random*source serge triple+ waveshaper, or tws+. Recorded with and formatted with splices for use with the make noise morphagene, but can use for and with whatever of course. Warning that it's it's quite high pitched so you may need to pitch it down with the morphagene's pitch knob a good bit if you want it less harsh. I think i acidentally hit splice instead of record one time so there might be a random short splice somewhere, but maybe it adds some splice length dynamics. . .

Drum/percussion reel for morphagene makenoise.

The korg monotron delay recorded through some eventide ios effects (part b). Formatted for the makenoise morphagene. All sounds are spliced.

The korg monotron delay recorded through some eventide ios effects (part a). Formatted for the makenoise morphagene. All sounds are spliced.

Morphagene reel made with ni reaktor the void a drones & textures - rhythm stepper. The cue markers were made with a python script from https://gist. Github. Com/ferrihydrite/d7602f94c0aa940ba63f4fae809a2385.

A morphagene-formatted reel of typing and tapping sounds on a vintage apple iie desktop computer. These sounds were recorded using a zoom h6 and cut into splices using reaper. Download, retitle the file as mg1. Wav (or whatever number is next available on your morphagene's sd card) and start patching!. For more information on the morphagene, check out its manual on our website: http://makenoisemusic. Com/modules/morphagene. . . . As well as a playlist of morphagene videos on our youtube channel: https://www. Youtube. Com/playlist?list=pl0jgfc0fwqshzzpzdtucojgcrgy4h0jsr. Happy patching!.

A reel by scanner, aka robin rimbaud. Formatted for use in the make noise morphagene. "a mixture of abstract melodic ambient and strange processed radio stuff and ‘scanner’ style sounds which should be fun. Keeping in mind that i want people to be able to use them as easily as possible and inspired. ". Scanner (british artist robin rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums mass observation (1994), delivery (1997), and the garden is full of metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. To date he has scored 65 contemporary dance productions, including works for the london royal ballet and merce cunningham in nyc. In 2016 he installed his water drops sound work in rijeka airport in croatia, ghosts at cliveden national trust uk, and scored the world’s first ever virtual reality ballet, nightfall. He scored the hit musical comedy kirikou & karaba (2007) and narnia ballet (2015) based on the popular children’s book, philips wake-up light (2009), the re-opening of the stedelijk museum, amsterdam in 2012 and in 2018 released an app that measures the quality of soil in europe with live data with artist kasia molga. His work salles des departs is permanently installed in a working morgue in paris whilst vex house, the residential house he designed a permanent soundtrack with chance de silva architects, won the riba london award 2018. Committed to working with cutting edge practitioners he collaborated with bryan ferry, wayne macgregor, mike kelley, torres, michael nyman, steve mcqueen, laurie anderson, and hussein chalayan, amongst many others. Scannerdot. Com.

Mixing using rxmx and fxdf from makenoise quite an interesting background. Rendered in reaper @48khz 32 bit fp for morphagene fans. Enjoy!.

Created by dmak and formatted for use in the make noise morphagene. Based on multi-resampled stacked loops with enough space to play with. I hope people who are looking for structure, texture and glitchy sounds will find there a useful playground.

Formatted for use in the make noise morphagene. This reel was used in the morphagene: plane of composition video. It consists of several splices of equal length to be traversed through linearly or nonlinearly. Splices created in ableton live 9 from stock sounds.

Re-formatted to prevent distortion. "formatted for use in the make noise morphagene. A piano which belonged to my great grandmother. This is from 1873 and sounds unbelievably lovely. Recorded with a dynamic mic going into a doepfer a-119 and recorded by the morphagene. ".