113 Royalty-Free Audio Tracks for "Motif"

Cross motif. Created by Hyacinth (talk) using Sibelius 5.

Repeating piano and synth-style motif over chorus in wav.

Musical motif that could be used to evoke a suspenseful moment.

Musical motif that could be used to evoke a suspenseful moment.

An experiment to create wobble motif with reason4.

Tristan-motif

Bad guy/"Villian" motif/riff.

Repeating motif at speed. Keyboard over chorus. Transition or brief interlude or background.

Fate motif form Symphony No. 5 in C minor, Op. 67 by Ludwig van Beethoven. "Motyw losu" z V Symfonii c-moll op. 67 Ludwiga van Beethovena.

A short harp motif that can be used for notification sounds in your app. The harp sound was sampled from https://freesound. Org/people/quadraslayer/sounds/398907/.

Fifth Symphony, opening, known as the "fate" motif.

Simple repeating motif over major and minor chord switch. Interlude maybe.

Simple piano and vibraphone motif over a chorus. Ideal for interlude or transition. Wav through audacity.

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Bad guy/"Villian" motif/riff.

A french horn motif.

I found this sound somewhere in the net as a free sound for yamaha motif and converted it to wav,using three samples per octave.

An emotional piano piece with uplifting motif.

Charles Ives, 3-Page Sonata, first mvt., first fugal complex. The BACH motif from The Art of Fugue Contrapunctus XIXc is the "'1st Theme'/fugue subject" of Ives' combined sonata-allegro and fugal procedures.

Hero's theme from photoplays and melodrama.

Webern's String Quartet Op. 28 tone row, composed of three tetrachords: P I RI, with P = the BACH motif.

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The leitmotif associated with Salome herself in Richard Strauss's opera Salome.

The "bad guy" or "curse" motif familiar from all over the place.

Tchaikovsky's "Cross"-motive, associated with the crucifixion, himself, and Tristan, a variation of which first appears in mm.1-2 of his Pathétique Symphony. Tchaikovsky identified with and associated the cross-motif with "star-cross'd lovers" in general, such as in Romeo and Juliet.

Arbitrary example to quickly show variation in musical dynamics.

BACH motif followed by transposed version from Schumann's Sechs Fugen über den Namen B-A-C-H, Op. 60, No. 4, mm. 1-3.

Piano repeating motif over organ chorus through audacity.

Uplifting repeating piano motif over chorus through audacity.

Bass guitar and vibraphone repeating motif mixed through audacity.

Simple piano motif over a shifting chorus soundscape. Ideal for interlude or background sound.

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Simple beat with repeating keyboard motif. Mixed through audacity.

Repeating vibraphone motif with bass and other keyboard. Interlude or transition in wav.

Military-style drum music for a comedy marching routine. Played by me on a yamaha motif 7 music workstation.

Funky groove with added fills of simple motif. Through audacity.

Simple keyboard motif mix. Chorus and piano sound. Transition or interlude.

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