45 Royalty-Free Audio Tracks for "Muddy"

Walking through wet mud in boots.

Steadily bubbling ground beef with lots of oil (fat) in a pan on a stove. Sounds somewhat sticky or like mud.

Recording of me pulling a keg out of a tub of water and putting it back in with a rode nt1-a condenser.

A c played on my guitar recorded with a sort of muffled sound.

Muddy gross synth noise c♭.

Digging into mud: using a shovel to dig into muddy ground, flattening the ground with the shovel. Recorded with a zoom h6 (rode ntg-2). Recorded in a room with good acoustic. It can be used for a scenario where someone is digging a hole, working in the garden.

Boots walking through short grass. Heavy rain the previous day had created a large amount of mud which can also be heard in this recording. Should be enough space in between each step to be effectively cut up for foley work. Recorded with a ntg2 mono shotgun microphone into a r05 recorder.

Step into a puddle of mud.

Recorded on a drizzly day. Sound of rain and walking in muddy sodden ground. Recorded using an ipod touch.

Stepping in some cold mud. You can probably hear some clothes rustling.

Footsteps with rubber boots in a muddy path with wet grass. Close upsome wind and some residual far away voice, one is calling "a table!"france, nov2022. Recorded with schoeps cmc6-mk41recorded on sounddevice mixpre648khz, 24 bits, wave mono.

Step on a slug (splat!) 1.

Step on a slug (splat!) 2.

I used a bandpass filter of 50 bandwidth at 475 hz on audacity to transform a goat "baw". The sound isn't too unusual, just a little more hollow than the original due to the very small spectrum i use. There are two goats.

Close up of rubber boots trampling in mud. Some "splurp" sounds sometimes. France, january 2023. Recorded wuth shoeps cmc6 mk41recorded on sounddevice mixpre624bits, 48khz, wave mono.

A second attempt at recording the deep mud i keep finding myself walking through each morning on walthamstow marshes. This recording was made using a sound devices mixpre6ii and a stereo pair of fel em172 mics (connected to a bent wire clothes hanger and positioned about 30cm above my feet). Processing: normalize -1. 0db, low cut filter 100hz, minor noise reduction to reduce background traffic/train noise. I do not require any credit or attribution. If any of these sounds have been of help, and you are feeling charitable, please do consider donating to freesound to help keep the site running (a link is also on the home page). Any donations are greatly appreciated!.

Walking on wet and muddy marshland at hamford water nature reserve, essex, uk. Recorded with a zoom h6 msh-6 stereo mic.

Sound of my boots walking on a slightly muddy stone path in rainy weather.

24/48 recording of the sound of work boots walking in wet mud. The recording starts off in slightly dryer mud but then gets very sticky sounding. There is some slight wind rumble and clothing rustle.

Some footsteps through a very muddy and wet forest floor. Recorded with mobile phone.

I recorded these footsteps with a zoomh1n handy recorder. It was recorded on a peat bog nature reserve after a lot of rain.

Tour de Force, Pt. I (Muddy Coffee Mix) by Capatti/Kater Duo

Tour de Force, Pt. I (Muddy Coffee Mix) 2 by Capatti/Kater Duo

Muffled muddy balim sound created with interplay of 2 o-ctrl (thanks walker!) through strega and o-coast. Echophon, mimeophon and morphagene heavily involved along with the haible tau phaser. X-pan plays the stereo. Rendered in reaper @48khz 32 bit fp with 14 markers for all you morphagene fans out there. Enjoy the mud!.

One of a series of heavily processed sounds of a squelchy stress reliever toy. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of interesting, muddy contours.

Recorded with tascam dr-100 mkiii.

A muddy splat.

Rocks that gets stroked by a man with a muddy hand.

A short recording of eating sausage. From a wireless gaming headset, it's a bit muddy.

Just me jumping into a puddle on a dirt trail. Kinda muddy, post rain, about 2 seconds long.

Recorded in a forest, uk. Traffic somewhat audible!.

A fire burning in an appartment with some muddy neighbours. Sound devices mixpre6, akg c 414 b-uls.

A short strange music sample feature drums, bass, piano, and synth noises. Created in fl studio.

I recorded this in 2015 for an audio drama. It's me walking on wet, muddy ground in different speeds.

My son in his wellies and a muddy puddle. Zoom h4n onboard mics at 24/96 converted to flac in audacity.

Foley recording for picture of a person walking through muddy terrain with raincoat put on.

Microphone - neumann u87 / preamp - d&r / ad - motu. Coconut shells on a muddy, hard surface. To be used as a part of a layer.

The sounds of walking through muddy/mucky patches after rain within a forest in howard county, maryland. This sound was recorded on a zoom h6 handy recorder with a sennheiser shotgun microphone.

At the waters edge, the muddy shoreline of an urban lagoon, the ripple of waves splashes in. Urban sounds mixed in as this is located near center of redwood shores, california at marlin park's beach area.

Walking through a muddy field - mic following with the feet to give a mono track that could be used instead of a foley recording. Recorded with a me66 onto tascam dr40 at 48kh. There is a little wind rumble and some distant birdsong (blackbird - uk).

Audio de lluvia grabado en un terreno lodoso junto con gotas cayendo sobre charcos de agua, he usado como grabadora un xiaomi redmi 6 con la aplicacion recforge ii. Rain audio recorded in a muddy terrain along with drops falling on water puddles, i used as a recorder a xiaomi redmi 6 with the recforge ii application.

This is a clip of various engine sounds recorded on my 2003 subaru impreza wrx with a 3" turbo-back exhaust system. The audio starts with the engine at idle and includes a few engine revs at different rpms. You can hear some turbo whistling and also some rattling of god-knows-what parts. It's a little muffled (kind of a muddy sound), but could be used as part of an action sequence or with a music track laid over. As always, i love knowing how people use my tracks! i'd appreciate a comment letting me know what kind of project you're doing and, if possible, a link to any finished work! thanks.

Pajarito it's the name of the song. What you hear are jacanas, the small traditional guitars used by jarocho's musicians, and one requinto guitar (and some kids laughing). Playing jaranas: elías meléndez, who i personally dubbed as "the muddy waters of son jarocho" -he passed away on 2017-; arturo barradas, leader of soneros del tesechoacan, a famous jarocho music band, and his son, young elías barradas. Playing the requinto guitar is adrián luna, who for many years was a member of the grammy awardees group los cojolites. Adrián luna's voice is on one song (el conejo) included in the soundtrack of the two oscars winner and internationally recognized movie frida (2002). Recorded with zoom, in 2013, in tuxtepec, oaxaca, during a jam session. Rip elías meléndez.

The title is pretty self explanatory. There's a little bit of wind noise. ---two primo em172 mic capsules > zoom h1. I made this recording with my newly acquired $10 primo em172 omni mic capsules, which i soldered to a cable diy loosely based on this tutorial:http://www. Wildmountainechoes. Com/equipment/diy-stereo-electret-mics-primo-em-172-capsules/this is a good example of what the capsules sound like when plugged directly into an inexpensive zoom h1 audio recorder. So far i've been pretty stunned by the performance of these capsules, which are significantly more sensitive than the built in microphones on the h1, and to my ears sound much less muddy. I'm particularly impressed by this because the capsules are running on the 2. 5v of plug-in power that the h1 delivers, which is below the minimum specs of the capsules. Even so there is remarkably little noise. I can only imagine how they would sound with a battery pack to deliver a full 5 volts!.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).