139 Royalty-Free Audio Tracks for "Oscillation"

I have turned up the bass of this recording of an oscillating fan to give it a "warmer" feel to it. Recorded with sony hdr pj260v then edited using audacity.

A self modulated a-110. A self modulated bermuda through filter with some res. Barton analog drum, spring reverb and analog delay stompbox. Sxxxe (you know what) sound is imperfect wave forms, or. . . ?.

I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .

Friday. Random. Why this madness? answer: i have patched s/h (sample and hold) random to doepfer a-160 clock divider and that affects the a-161. For the sake of it i patched one of the gates to the ladik r-110 rnd t/g (random trigger and gate). Result much more randomness than i can use. I can tell you that there is a lot of blinking diodes :-) sounds from doepfer a-110 and 2hp osc and sampler soundmachines ul1uloop.

Testing/documening my bartonmusicalcircuits (bmc21) full wave dual rectifier. "this is an all analog synthesizer module used to alter the timbre and create new harmonic content. ". Sound:1. Sine wave not going throught rectifier2. Sine wave though rectifier3. Triangle though rectifier4. Square through rectifier5. Saw through rectifier. An lfo is modulating the bias.

A series of drone sounds created using a roland system 100 modular synth. Lots of deep roaring bass.

Sampling the afm (advanced fm) operators of yamaha sy99 synthesizer. My purpose was to recreate the waveform shapes mathematically in serum formula parser.

Alien drone ship, oscillating bass frequencies, deep. Recorded with the tascam dr-40 built-in microphones, processed in pro tools 10, bounced to a 48khz 24bit wav file.

Sample of the doepfer a-110-1 rectangle output. Pulse width is set to around 50%, so it should roughly be a square wave. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

played live - getting some cool trippy sounds out of a little circuit i built. Jammin on the 60hz hum! i think my body was an acting as an antenna for that ubiquitous drone as i laid my hands on the device. Reminds me of certain early progpsy tunes, c. 1999. Really creates some interesting moods with a little echo. Enjoy!.

Sample of the doepfer a-110-1 sine output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

Sample of the doepfer a-110-1 sawtooth output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

Synthesized sound of a flying helicopter. The patter is as follows:. Sound 1 || sound 2 || sound 3 || sound 4 || sounds 1+2 || sounds 2+3 || sounds 3+4 || sounds 1+3 || sounds 2+4 || sounds 1+2+3 || sounds 1+3+4 || sounds 2+3+4 || sounds 1+2+4 || sounds 1+2+3+4 || sounds 1+2 again || sounds 1+2 with phaser effect (pitch up and down). Each sound above is exactly 2 seconds long except the second-to-last sound (4 seconds long) and the last sound (8 seconds long). All sounds synthesized in propellerheads reason's thor polyphonic synthesizer. Here's how i did it: used two oscillators (one noise oscillator and another multiple-wave oscillator), and then passed them through two different filters. In each filter, i lfo'd the frequency knob at 2. 0hz (120bpm), and the pattern you see above is each oscillator-filter combination muted in different ways. For the last sound, i applied a phaser effect and automated the frequency knob or some other knob to give that pitch-up pitch-down effect.

Sample of the doepfer a-110-1 triangle output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

Quick flourishes of synth keys going up and down the pentatonic scale. Synth used was the korg ms 20 mini, analogue and monophonic. Subtle filtering and echo was placed on the recordings, as well as some reversing.

Phrum ye olde norse spinna, from proto-germanic *spinnaną. Not to be confused with a spinnina or spinning banana, especially not a bosonic bananaqua.

While attempting to create a sick ass dubstep wob noise in rob papen's albino synth plugin, i managed to stumble across a telephone-like sound while pitching the filter cutoff on a weird shaped wave oscillator. I then put down the dubstep tune, and exported the noise with a gradual huge reverb at the end just for fun. I hope you enjoy it and i'd love to hear if someone uses it and in what context!. If you're interested in hearing my music (shameless plug) you can do here:. Https://soundcloud. Com/damnd_music. If you'd like the preset this sound was made using, i have saved it here:. Https://dl. Dropboxusercontent. Com/u/7506813/telephone%20bleeps. Aupreset.

A hq supersaw lead, sampled from the roland jd-xi. Ideal for playing with a sampler like an virtual instrument. Have fun.

The orange side of plaits randomised from rnd step driven by wogglebug and instruo neoni, into harmonaig, cv to plaits. Aux channel passed through rings, one output through tau phaser the other through mimeophon and finally though qmmg moved by maths and sent through erbe-verb. Phew! enjoy! oh yes, markers are in place for morphagene.

Its a sine wave folded 4 times by a cgs inspired wavefolder module (kinda like the metalizer from the minibrute). The whole thing is then modulated with an external function generator that controls amount and frequency of modulation. This is what came out and it's pure junky drone noises, so goddamn nasty. Absolutely love them. Feel completely free to sample this and use it for your own purposes. This is a diy synthesizer i'm building and unfortunately it is still a prototype, but i'm gonna finish it soon and hope to sell it. Cool indeed, isn't it?.

Rotating a swivel chair. Mic: neumann tlm-103. Recorded on an api legacy console.

The sound of a propeller blade spinning or whirling.

Electric guitar filtered sample.

A jazz sample at 130 bpm composed on fl studio. The left channel preceding phase shift was implement by the removal of a sinelike oscillation. I deleted a left channel sinelike oscillation after the attack (and actually i omitted one more oscillation, because i didn't want to remove the very energetic ones).

Various instruments being triggered quickly enough to produce audible tones.

Big room type kick drum created by processing a recording of filter self-oscillation from roland sh-101.

Big room type kick drum created by processing a recording of filter self-oscillation from roland sh-101.

This is two soliton combs (sech pulses) with a beat frequency for half-bar oscillation at 130 bpm. Use it in techno. It was generated directly from python code.

This is a collection of sound bowl sounds from a mystic journey store. There is no tempo and it is random. Enjoy the peace.

I took 104588_meral_celtic-meral. Wav, ran a loop through sharm studio to pan it bilaterally (left-right channel oscillation) at 359 times a minute (359 cpm), which seems to align with the bpm of the loop.

Powering down oscillation. I make other sfx and short musical compositions for games/apps, i release all sounds here under creative commons no restrictions to do as you wish with, so check out my other sounds.

I let both the vco (intellijel μvcf) and the uoki-toki polivoks vcf play a little melody, the same. The vcf is in self-oscillation and cv1 at 100%. It does not track perfectly, but could be useful.

Some sweepish sounds. Synthesized with "vacuum pro" vsti from air, the patch was a unmodified "500msvph"added effects with a "tassman 4" vst filterbank, multiple low pass filter with some oscillation. Echo was enable in a part of this whole creation.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 100%. Hmmm interesting. . . .

Don’t know if my english is correct. . . Butt i guess you get it, dear reader. Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. I let the lfo sweep the frequency. Cv1 pot at ca 70%. What happens. . .

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Test of how uoki-toki polivoks vcf handles sin-wave (ca 270hz) when the filter is self-oscillating. I bring the uoki-toki polivoks vcf to self-oscillation and tune the vcf to ca 270hz too. The vco is also tuned to 270hz. In this test i connect the same lfo to cv1 on the vcf and 1v/oct on the module i use as vco (intellijel μvcf). I let the lfo run. Cv1 on vcf pot at 100%. They are playing together. The vco is connected to the in on the vcf. Confused explanation. . . But at least not in swedish.

Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.