21 Royalty-Free Audio Tracks for "Overload"

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00:35
Teleport overload. Synthesized by massive.
Author: Nghthawk
00:00
00:03
Overload noise sound occurs when error pa and mic operation.
Author: Tsidilin
00:00
07:39
Running trail path cross metabolism hardship load overload r-type omegatron.
Author: Awaka
00:00
07:39
Running trail path cross metabolism hardship load overload r-type omegatron.
Author: Awaka
00:00
00:07
Made in helm.
Author: Neopolitansixth
00:00
00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
00:00
00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
00:00
00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
00:00
00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
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00:24
Tons and tons of random effects played over the length of transposing static noises, then more reverb, plus effects. More noise, resampled,. . Etc etc. If virus' for your computer could talk. . This is what it would sound like.
Author: Rentless
00:00
00:31
Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Author: Original file uploaded by user:OldakQuill
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00:06
I made. . . Something. If any of you are out there making harsh noise music. . This will be perfect for you.
Author: Peepee
00:00
05:01
While working on another audiobook, i decided to make this sound. It's 38 voices, each saying different things, panned around and mixed together, creating a "wall of sound" that speaks like 38 radio channels at once. Recorded with a zoom h2 via usb into ardour2. Mixed and exported to flac with ardour2. Ps: it's all polish (with some possible german shout-outs), but the amount of noise makes it almost completely incomprehensible. Only a few words that are being yelled in a different voice can be understood. No sound repeats here, no recycling - every voice and every second of this recording is unique. Yes, it required quite a lot of work to record so much talking in quality! it's almost an entire audiobook squeezed into 5 minutes. Strangely (or not) listening to this makes my mind rest, because the noise blocks all other sounds from the environment - making my mind free of stimulation, allowing for sleep-like rest state. The signal is so much modulated that it appears to be not modulated at all - like static you get from a fm radio of you tune it wrong. The brain receives less data when you listen to this, than when you sit in a room hearing even faint (but distinct) noises from outside, other rooms, other people or yourself. This is sound masking in action. A very interesting psychoacoustic property of human hearing. Also: this is an interesting material to study of my voice's spectral energy distribution while speaking (as opposed to singing). As you can see using the spectrogram view, most energy is present in the band below 600 hz.
Author: Unfa
00:00
01:01
Opening and closing creaky basement door, mics overload on closing (2010). Sony m10.
Author: Trp
00:00
10:57
Extended train interior, singers appear with bells, announcements, mics overload, voices, india (2010). Zoom h2.
Author: Trp
00:00
00:15
A scary noise made by adding an overload of reverb on white noise.
Author: Samsterbirdies
00:00
01:45
Firetrucks pass close, sirens overload mics, various horns, city street, more distant police sirens, calgary (2011). Sony m10.
Author: Trp
00:00
00:04
A scream by annalisa loeffler. Recorded with oktava 012 into m-audio preamp. A bit of overload on the mic capsule.
Author: Pushkin
00:00
00:11
Electrical sewing machine branded "victoria". You can hear the overload of the electrical motor driving themachine as the pedal is pushed before start. Recorded through the internal stereo mike of a sony ex1 camera.
Author: Serbanel
00:00
02:52
A stark recording of a bunch of northwest winds whipping through a small town. This was recorded in december 17th 2013 during the height of the frenzy of the holiday season. I think that it why i enjoy this recording so much -- the lonely yet comforting desolate wind in contrast to the frenetic sensory overload that the holidays can sometimes be. The wind chimes are a nice touch too. Recorded on my front porch using my zoom h4n recorder and it's internal stereo microphones with the record volume on 80.
Author: Kvgarlic
00:00
01:01
Stereo recording of rain at bogota city, around 5:00 p m on november 2015 at 67th street with 9th av. At the beginning the sound of thunder overload the audio signal because high level of decibels produced for high pressure levels. Recorded with zoom h4n recorder, with x, y mics at 120 degrees. Grabación en estéreo de lluvia en la ciudad de bogotá, alrededor de las cinco de la tarde, en noviembre de 2015 sobre la calle 67 con carrera 9. Al inicio suena un trueno cercano que satura un poco la señal de audio por los decibeles producidos por la presión sonora. Se realizó con una grabadora profesional portátil zoom h4n, con micrófonos en disposición x, y a 120 grados de apertura de la imagen estéreo.
Author: Artesmediales
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