128 Royalty-Free Audio Tracks for "Painting"

I filled bowl with shaving cream and pop-rocks. :)the file includes the sound of me pouring the pop-rocks on the bowl of foam and stirring a few times with a paint brush.

This is a sound that i compiled for a production at my school, using various other freesound files. -three recorded farts-vegetables being squished-paint being squeezed from a tubegloriously overdone and. . . Disgusting. Enjoy!.

Me spraying a bug. No bugs were harmed! applied pitch bend, tempo and noise reduction. Recorded on conexant smart audio and at2020 usb mic, processed with audacity.

Mono, close-mic recording of a roll of gaff tape slowly being peeled back. Microphone settings: akg 414, hypercardioid pattern, no high-pass filter to maximize proximity effect.

Sound made from a random sample of https://freesound. Org/people/gis_sweden/sounds/413306/ i just applied paulstretch to it. Proves that my painting a yellyfish patch is useful. . .

An second mp3 recording of painted lady butterflies fluttering their wings in an enclosure (less background noise than "butterfly wings fluttering 1"). Audio captured from a video taken with a nikon coolpix camera. Enjoy!.

This is a little rock beat pieced together with a paint scrapper, five gallon bucket, and a no. 10 can. Loops. Recorded at 150 bpm. I got really cool results(edm, industrial,. . . ) with various vocoders, delays, distortion.

Sonified with goldwave in 24-bit big endian raw from this image. Rainbow lace.

This is old and my memory not what it used to be. However, i do recall hitting a steel ruler against an empty paint tin and making some sort of popping sound with my voice. Then exposing it to terrible amounts of electronic torture until it melted with sonic extacy!.

Sonified with goldwave in 24-bit big endian raw from this image rainbow.

Som de pincel médio sendo levemente friccionado contra superfície lisa. Microfone shotgun boom. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Deodorant bottle spray sound. This is one of 2 similar sounds in the same sound pack. Cc0, so no need to give credit. If you want, let me know what you used the sounds for as i really like hearing about other people's projects :).

Aerosol spray can squirting. This particular can was full of compressed air. I could almost sense their disappointment as the excited air molecules escape and disperse into what is in reality a rather drab room with a middle-aged man standing in the middle. Olympus ls-5, built-in mic capsules, no filtering.

Thunder storm: this is a very accurate and realistic thunder storm. The great clashes of thunder can be heard accompanied buy the rumbling of the storm. Wind blowing and swooshing paints a beautiful picture. The sharp lightning strikes are very prominent. Recorded with the zoom h6, rode ntg. This is a great ambience to create the basis of an amazing soundscape.

7 hits on a paddle fan. Still figuring out how to record this. Recorded on samson q2u - the mic was behind the drum surface, and it was struck by my finger lightly on the other side, while being held at a wooden handle. There's some light paint on the drum surface, which may be made of synthetic (plastic?) material, and the rim is wire. It was a gift - unsure of its origins or nature, but it sounds cool.

Great single-speed diesel engine sound, loopable for any length background you need. This one happens to be at about 1200 rpm for a four-cylinder ford tractor engine. That said, i am living dangerously today because it's a field recording and i'm not saying where it was. Not because i can't, but because i frequently use the wrong door when entering or leaving the supermarket and i usually completely ignore the painted traffic directives in the parking lot. I'm proud of that.

Money pengar. Used ms paint in windows 7 to create a. Png picture with the words money pengar written, it looks like this: http://cwg83cwg83. Deviantart. Com/art/money-pengar-412988974. Then i used audacity to import raw data in form of the picture. The resulting sound is obvious if you click the play button on my sample. Did this as an experiement, making a sound out of a visual file. I made several files from different images and noted that they had different sounds. Cheers.

Modest Mussorgsky's Pictures at an Exhibition: "Promenade", chords/chord progression gm: i-VII6-i-VII-v-VII-III-i-IV-IV6-VII Created by Hyacinth (talk) 14:23, 3 November 2011 using Sibelius and Paint. Source: Nattiez (1990). Music and Discourse: Toward a Semiology of Music (Musicologie générale et sémiologue, 1987). Translated by Carolyn Abbate (1990). ISBN 0691027145.(from enwikipedia)

This is a recording of me taking a can of spray adhesive and shaking it so that the metal ball inside makes the iconic clink-a-tink-a-clink that most gangsta rappers are more than familiar with. I also included some bytes of me spraying it. For this, i took an old piece of cardboard and sprayed the spray adhesive on the cardboard. Simple as that. You can use this for whatever project you feel like, and you don't have to give me credit if you don't want to. Thanks and please enjoy the sounds!.

Recorded from a sidewalk on state street in pendleton, indiana, this light rain storm is perfectly delightful. Listen as cars hiss past or wait for them to pass and just let the rain fall. Long enough to allow for editing and recorded in beautiful 48k stereo on a zoom h4n, this sound is quality and ready to help you paint your aural picture.

This was hella tough to make! and i used this program that turns picture into sound. It has paint tools, and you start with a black canvas, you draw up a pattern on it, and depending on the color, position, size, quality, format and translucency of the marks and lines you placed, you get sounds. But it is really hard to get a hang of! this took me 3 days to get it right! please comment and rate, i worked really hard on this! by the way, i'll be making more of these, so if you like it, then i have three more.

I recorded this to use as a sound effect in a play called "pentecost". The sounds i recorded were made by a college class in a theatre. I used a crown sass to make this recording. Here it is mixed with a sound clip from syna-max called war with other sounds as well to create the finished effect for the part of the play where the painting explodes. I also have just the crowd noise on here. After that the police jumed through the wall and started shooting people and i played a sound by matt_g called m240.

The tv weather guy said watch out, saturday october 17 2020 is going to be very breezy, with sustained winds out of the southwest at 20 mph, with many gusts at 30mph. A perfect day in a midwest small-town neighborhood for painting a picture of peace, and thoughtful reminiscing in mid october. From time to time you will hear the distant sound of creaking swings and laughter from a kids playground. Enjoy, and may the breezes rushing by in this recording, bring your pleasant, childhood memories passing by to you as well. Equipment. Sony d100 with internal microphones.

Noise created by individual oscillators, using audio paint, with different height images, to demonstrate what happens with too few oscillators vs. Plenty. In the end, the result is not random enough to be noise. The first 2-second burst is pure white noise for comparison. Then we have multiple 1-second bursts from audio-paint in a sequence of different image sizes: 50,100,150,200,250,350, 500, 700, 1000, 1350, 1750, 2200, 2700, 3250, 3850, 4500, and 9999 (this corresponds to the number of oscillators). The last burst is longer, and there is 1/2 second gap of silence after the first (reference) burst and before that last (9999) burst. The images other dimension was 20. The spacing of frequencies was exponential, between 40 hz and 18 khz. This is not intended to be useful, just an illustration during a discussion in a forum (http://www. Freesound. Org/forum/sample-requests/35199/?page=2#post75605). As mentioned there, i realized only afterward that exponential spacing would be giving me an approximation to pink noise instead of white noise, so the reference burst at the start is not really a fair comparison. Ideally, i would go back and re-do all this using linear spacing, but that's a lot of trouble. :-) i did, however, change to linear to get a white approximation, but that's a different sound i'll upload separately (c. F. Http://www. Freesound. Org/people/zimbot/sounds/242053/). I don't believe you can get true white noise without at least something being random in your synthesis method.

This one was also made in sylenth1, its a pretty dirty gritty sounding patch i made. Has a bit of the 'decimate' bitcrusher (sylenths', and i also added a bass amp in logic to fatten the sound up, its played in g. I always name my loops with the first letter on its key hence the name ghost chord=) , and is a loop made at 128bpm. Feel free to use it in any of your works + more importantly let me know why you like it?i take quite some time into adding details in my sounds. I find making a loop can be very good for tuning your ears & production techniques, because like an artist if your painting something small u add a lot more detail. No need to credit me but its always nice(the more u do this the more u get i say=)enjoy. Dw.

This is a recording i made on sunday november 4th 2012 of the gentle, droning sounds of insects that were singing in a marshy area near the shore of a small lake. This is a very typical ambiance of autumn in the southern portion of illinois. If you listen carefully, you'll hear another very typical fall sound, the cry of blue jays in the heavy woods which surround this lake. One of my favorite sound-scapes. I made this with my rugged and dependable handy zoom h4n recorder, using its built-in microphones. I literaly had it sitting on a small log only about 15 feet from the water's edge. Because the insects were not very loud, i did have to crank up my record volume to 86 on the scale of 100; this means you will hear a little bit of slight wind rumble, but all-in-all i think the recording paints a good picture of the early autumn landscape and everything slows down and winds down for the bitter winter ahead. Enjoy.

The office chair is a usual one with wheels and black, but been fixed and soldered and painted a lot for over 2 years (don't khow how long this chair was being used by the previous owner. To get the sound i just sit on it, put my phone on a tripod using the apk easy voice recorder pro by digipom, and then started moving with my feet trying for 30 minutes to get interesting sounds out of it, sometimes falling to get one continuous sound, but i never did that so my experience and technique is lacking also i dind't edit in audacity i just recorded send to email and uploaded here. The thing is that i got as a gift from a family friend and me and my dad soldered that thing probably 6 times to fix the sounds,pieces falling off, me geting in the ground after the entire base broked!( i wished i could show the picture in the center down of it) so before i went ahead to fix it again, i decided after talking to friends if i should record and upload, so here it is!. I hope is useful somehow to someone, now i can feel more at ease in repairing this chair again.

Johann Sebastian Bach (1685-1750) Cantata BWV 125: Mit Fried und Freud ich fahr dahin (2 February 1725) 1. Mit Fried und Freud ich fahr dahin (Chorus) 2. Ich will auch mit gebrochnen Augen (Aria: A) 05:27 3. O Wunder, daß ein Herz (Recitative: B) 13:19 4. Ein unbegreiflich Licht erfüllt den ganzen Kreis der Erden (Duet: T, B) 15:36 5. O unerschöpfter Schatz der Güte (Recitative: A) 20:55 6. Er ist das Heil und selig Licht (Chorale) 21:37 Soloists: Alto: Ingeborg Danz Tenor: Mark Padmore Bass: Peter Kooy Performed by Collegium Vocale Gent under the direction of Philippe Herreweghe. Recorded by Harmonia Mundi France in 1998. "Bach composed the cantata 'Mit Fried und Freud' for the feast of the Purification on 2 February 1725. Here, the opening chorus is in 12/8 time, which is almost always associated with a peaceful, pastoral mood. Here it is the expressive key of E minor, which, raised to monumental heights, will re-appear in the opening chorus of the St. Matthew Passion. The chorale is sung in long note values by the soprano accompanied by the lower voices of the chorus in densely textured imitation, and which takes up the serenely elegiac movement of the instrumental ritornello theme. Only twice does Bach interrupt the pattern: at the words 'sanft und stille' all the voices drop into a sudden 'piano' and even the lively rhythm of the vocal part gives way to a more tranquil measure. The contrast of the 'forte' on the next words, 'wie Gott mir verheißen hat' is all the more convincing in relation to the preceding words. Once again Bach leads the vocal part into a quiet, even tenor for the final line of the chorale, 'der Tod ist mein Schlaf worden.' " - Thomas Seedorf Painting: Still Life with Three Medlars, Adriaen Coorte