85 Royalty-Free Audio Tracks for "Parameter"

Fun with automating every parameter on this that i could. Fun, but another discard.

Csound, pluck, icps parameter is 250.

Midi sequence playing through a moog voyager with a couple parameter tweaks throughout clip. Might sound good in a full arrangement.

Bells, drone and soft pad played on a usb midi keyboard triggering through a daw non sample based soft synths with non default parameter settings.

Part of a series. Used reaper's parameter modulation magic on aalto and recorded some of the fun. Could easily be chopped up for all sorts of sfx.

Took some foley i had and stretched a few times using ableton's texture setting, with flux parameter turned to zero. Could be good for an experimental song, or a horror film. This sound is in open domain, use it freely without need for retribution or credit.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. The knob changes the chaotic pattern. At some settings the signals will spend more time in one strange attractor than the other. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency at 12 o'clock. . . The output sound from filter goes to reverb.

Some sort of additive synthesis with controlled parameters.

Short dreamy improvisation with sequence and played notes. . . Changing some parameters.

Simple frequency modulation with one carrier, changing basic feedback parameters.

Weierstrass function with parameters a=0. 7 and b=15.

A cymbal sample processed with live playing the sample and some parameters randomized by puredata.

Filtering cutoff and messing with reverb parameters on an airy massive patch.

I just tested the recently released plugin moscillator (by meldaproduction) and fiddled around with the parameters. It's always the same fundamental. But i automated the parameters for the harmonic's post-processor (sharpen, clean, harmonize, noise, compress). In the end i just put a reverb (eareverb [preset: "under the city"], 100% wet) after the oscillator.

Sonified with audio paint from this image rainbow with different parameters from rainbow1. Wav.

Using a home built fm synth with sequencer. Two triangle waveforms, two voices. Changing some parameters during the sampling.

Made with reason 9. 5eds06s - the sound. Matrix - processing. Gate triggering, volume and pitch coarse parameters processed through matrix patterns.

A sort of film , or tv series soundtrack, as a interleave piece between scenes. Created with garageband, using loops, assembling, editing parts , adjusted few parameters.

Sounds made on a mopho by tweaking various parameters. . . High quality wav 16bit 44. 1 khz. Edit in an audio editor to use as smaller samples. . .

I wrote a short piece for piano and then while messing in fl studio dx10 i increased attack decay and release parameters and it came out like this.

Analysis of sound speech-female. Wav with short-time fourier transform:- parameters used in the analysis are: - window type = hamming, window size(m) = 601, fft size (n) = 1024, hop size (h) = 151.

This is a recorded sound of keys scratching a fence. The different modification steps :. - phaser effect with the following parameters :phases : 15original/modified : 195lfo frequency : 1,5hzstartup phase : 0 degdepth : 100return : 30%.

Very weird and extraneous synth sound, basically a square wave with distortion and a high pass filter, have some lfos that modify different parameters such as amplitude, cutoff and resonance.

Automation underwent 17 parameters in the modulation matrixsynthesizer toxicbiohazard (image-line).

Before the break: some deliberate permutations of parameters while lfos scan sample phases. After the break: randomized value changes.

Some tweaked kicks made on the virus ti. . . . Various parameters tweaked on a basic synthesized kick, to create many effects that can be used as either percussion or other effect like sounds. . . . .

Part of a sample pack from my analogue boss dr-110 drum machine, which i modified to give me control over various parameters for individual sounds. Enjoy, and let me know if you find them useful :).

This is a recorded sound of nails tapping a fence. The different modification steps :. - fade-out effect- wahwah effect with the following parameters :lfo frequency : 1,5hzstart-up phase : 0 degdepth : 100%resonance : 1. 0wha frequency lag : 10%.

A small, complex, dynamic drone created by automating the parameters of a free synthesizer for trance music (alpha plas t-forse)is one of three samples.

A small, complex, dynamic drone created by automating the parameters of a free synthesizer for trance music (alpha plas t-forse)is one of three samples.

A small, complex, dynamic drone created by automating the parameters of a free synthesizer for trance music (alpha plas t-forse)is one of three samples.

Accidentally made this while producing a song, i changed a bunch of parameters, so don't just use the file as it is, but cut out parts that fit the scene. Don't need to credit me, but check me out if you'd likehttps://soundcloud. Com/distant-cry.

This sound is a synthesized sound where the loudness and the timbre (weights) of the harmonics are derived from a short excerpt of carnatic music. The original sound from where these parameters are derived will be soon linked here in the description.

Analysis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with short-time fourier transform model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in the analysis are: - window type = hamming, window size(m) = 1051, fft size (n) = 2048, hop size (h) = 263.

Brief field recording of birds in a local park. I believe the bird heard in this clip is a blue jay but i am not certain. Recorded using a tascam dr-40x and noise removal done using audition's default parameters.

--- warning: loud and disruptive! ---. A dirty squelchy modular sequence / loop at 100bpm, with abruptly changing pitches and parameters. Recorded in mono. Some crazy heavy bass, along with general destruction.

Here are some highlights from a collection of loops which i made using a home-built reaktor ensemble. They're all based on a little fm synth instrument, whose parameters are modulated by a bank of 16 sequencers. They sound like john chowning humping a cheap calculator. Hope you like them.

The different creation steps. - creation of a square sound of 3s, with a frequency of 261,6hz- phaser effect with the following parameters :phases - 3original/modified - 130lfo frequency - 0,5hzstartup phase - 0 degdepth - 100return - 30%- fade-in effect between 0 and 0,40s- fade-out between 2,40 and 3,00s- modification of the sound's envelope to have a resonant effect.

Made sometime during 2017. Excerpts from my experiments with sinusoidal waves, homemade distortion effects, digital reverb, room reverb, and speaker->mic->pc feedback. Several effect parameters are controlled via an ekg setup called the "infernal gadget" which i constructed between 2010-2011 and used for several improvised music sessions.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Stochastic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Harmonic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Some loops i made in reaktor. They're made using a little wavetable-based synth which i built from scratch; the wavetable contains 32 home-grown waveforms, and the synth's parameters and effects are controlled by a bank of 16 sequencers. Good for glitch/minimal techno, and there are some nice individual bleeps/percussive sounds in there too. Enjoy!.

Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:-ifrequency scaling factors= [0,1,1,0. 6],ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

Output sound obtained after frequency scaling and stretching of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1. 5,1,1,2,1. 5],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].

Creation date: 13 - 06 - 2017. Details of this sound:. Subject of recording:- object : small waterfall- material : water. Place of capture:- type : in forest- resonance : very low- distance from source : 2 m / 2 yard. Recorder:- recorder : tascam dr-40 v2- type of microphone used : condenser microphone- wind shield : rycote dr-40mwj. Recording parameters:- capture type : stereo- resolution : 16bit 44khz- input level: 60. Software used:none.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. This is a combination of the harmonic component and the stochastic component. It was extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Reconstructed sound get from http://freesound. Org/people/cbeeching/sounds/116913/. Author cbeeching. The parameters used in the analysis are: window-type = hamming; window-size = 1024; fft-size = 2048; magnitude-threshold = -90; minimum-duration-of-harmonic-tracks = 0. 01; maximum-number-of-harmonics = 100; minimum-fundamental-frequency = 50; maximum-fundamental-frequency = 250; maximum-error-in-f0-detection-algorithm = 7; max-frequency-deviation-in-harmonic-tracks = 0. 01; stochastic approximation-factor = 0. 2.

Stochastic part sound get from http://freesound. Org/people/cbeeching/sounds/116913/. Author cbeeching. The parameters used in the analysis are: window-type = hamming; window-size = 1024; fft-size = 2048; magnitude-threshold = -90; minimum-duration-of-harmonic-tracks = 0. 01; maximum-number-of-harmonics = 100; minimum-fundamental-frequency = 50; maximum-fundamental-frequency = 250; maximum-error-in-f0-detection-algorithm = 7; max-frequency-deviation-in-harmonic-tracks = 0. 01; stochastic approximation-factor = 0. 2.