353 Royalty-Free Audio Tracks for "Phase"

Engine control unit ecu utv atv 16v trail path channel wideband broadband battery jitter atmospheric reluctor sox cox nox mcv dual carb optical iso synchronous fraser lens beam t2 t1xort2.

Engine control unit ecu utv atv 16v trail path channel wideband broadband battery jitter atmospheric reluctor sox cox nox mcv dual carb optical iso synchronous fraser lens beam t2 t1xort2.

Engine control unit ecu utv atv 16v trail path channel wideband broadband battery jitter mcv dual carb atmospheric controller sox cox nox optical fraser lens iso synchronous beam t2 t1xort2.

Engine control unit ecu utv atv 16v trail path channel wideband broadband battery jitter mcv dual carb atmospheric controller sox cox nox optical fraser lens iso synchronous beam t2 t1xort2.

Engine control unit ecu utv atv 16v trail path channel mcv dual carb atmospheric reluctor sox cox nox wideband broadband battery jitter optical fraser lens beam mirror field t2 t1xort2.

Engine control unit ecu utv atv 16v trail path channel mcv dual carb atmospheric reluctor sox cox nox wideband broadband battery jitter optical fraser lens beam mirror field t2 t1xort2.

Engine control unit ecu utv atv 16v trail path channel atmospheric controller sox cox nox mcv dual carb battery jitter optical fraser lens beam iso synchronous mirror field t2 t1xort2.

Engine control unit ecu utv atv 16v trail path channel atmospheric controller sox cox nox mcv dual carb battery jitter optical fraser lens beam iso synchronous mirror field t2 t1xort2.

Engine control unit ecu utv atv 16v trail path channel atmospheric mcv dual carb sox cox nox battery jitter optical fraser lens beam iso synchronous mirror field t2 t1xort2 module.

Engine control unit ecu utv atv 16v trail path channel atmospheric mcv dual carb sox cox nox battery jitter optical fraser lens beam iso synchronous mirror field t2 t1xort2 module.

Ecu utv atv 16v trail path channel wideband broadband battery jitter atmospheric reluctor sox cox nox mcv dual carb optical iso synchronous fraser lens beam t2 t1xort2 ecm pcm link.

Ecu utv atv 16v trail path channel wideband broadband battery jitter atmospheric reluctor sox cox nox mcv dual carb optical iso synchronous fraser lens beam t2 t1xort2 ecm pcm link.

Engine control unit ecu utv atv trail path channel control unit analogic calculator wideband broadband fraser lens beam solar wind wavelength dual carb chassis rack shelf iso synchronous optical field.

Engine control unit ecu utv atv trail path channel control unit analogic calculator wideband broadband fraser lens beam solar wind wavelength dual carb chassis rack shelf iso synchronous optical field.

The fat phase of a growing monster. Recorded using ngt-2 directly by laptop microphone in. Pitch shifted using audacity.

A short sound effect, a buzzing lightsaber scifi noise for creators.

I tried to offset fibonacci sequence to the left and right channel to create a scalar field.

A '70s style loop with cold war remembrance and a soundtrack style for tense moments and emotions.

This is a phase vocoded and time strectched clip of a field recording of an african drum.

A nice loop i made that has delay, phase distorion and tremolo to it.

A heavily automated and processed bass sound. Lots of phasing and movement.

This is a smoothly rising shepard tone that i created using adobe audition 3's tone generator. I generated the tone as sine waves in 7 different octaves and mixed the results together. The period of repetition is 10 seconds. (this is a second version in which i removed the phase variance, making the sound monophonic for all practical purposes).

Made using a bunch of synths and filters (phase plant, serum). Might be good for a film.

Created with samplisizer 1. 2 @szymalixhttps://youtu. Be/7iqdqhrdtj4.

Created with audio paint from this image rainbow lace with longer duration.

Electric guitar, heavy distortion, heavy effects, slow type of riff. Trippy, hypnotic, repeating but changing.

Big-ass "boooooooooooong" from a tubular bell in a big room with subtle flange and chorus.

Stereo recording. I put an effect wahwah ( frequency 1. 5; phase departure 0; depht 70; resonance 2. 5, frequency wah 30%. I change the tempo (-12) and repeat the sound five times.

A seperate raw recording of the bottom of "snare 1 (t_cd 55 + b_bd 200). Wav"make sure to flip the phase on this one.

Sorry, if this music weren't made by me. This is "sonic. Exe - green hill zone" i guess. . . But i made it low pitched because yes. So, please don't flag this song. It's just mr incredible becoming uncanny phase 15 full music. You can use it if you wanna to. You can credit me for low pitched sonic. Exe green hill zone song. You can enjoy this music i guess. So, should i make mr incredible becoming canny phase 16 and 17 music?tell me in the comments. I hope this music is not cringe or something like that. And i hope there is nothing wrong with this music.

Recorded at night-time in french countryside with usi_pro, lower frequencies partially cleaned up to phase out distant highway.

Ghost female sigh. Want more sounds? don't be afraid to ask. :).

Another loop i just made because i'm going through a jungle loop phase that will probably last a couple more days. 160 bpm.

Just a 200hz snare body with a clap, synthesized white noise with a phaser, and a particular stab sound, all compressed together, very light saturation on this.

Loud guitar screaming at you until it runs out of breath for a second, only to scream at you again in short breaths.

This is a mix i've done for the march contest. It uses a few short water recordings i made in my apartment which i convolved, mutated, phase vocoded, and time stretched in sound hack.

The different creation steps. - creation of a square sound of 3s, with a frequency of 261,6hz- phaser effect with the following parameters :phases - 3original/modified - 130lfo frequency - 0,5hzstartup phase - 0 degdepth - 100return - 30%- fade-in effect between 0 and 0,40s- fade-out between 2,40 and 3,00s- modification of the sound's envelope to have a resonant effect.

All sounds are created with the pluck-. Function of audacity. I modified the attack phase, changed some harmonics with notch-filter andlowpass. For the pluck noise i used a bandpass- filtered white noise.

Big breaker switch for one of three phases of power coming into an industrial metal shop. I'm pretty sure it was a 50 amp breaker. . You can hear a transformer buzzing in the background and a fan start once the switch is thrown. Fairly roomy (being a large concrete garage type environment) but usable. Recorded on a zoom h4. .

Ambient flavour of africa with synthetic vocals. Dpo into qmmg o-ctrl sequenced. Mixed with morphagene sample. Effects erbe-verb combined with mosaic of microcosm. Rendered at 48khz 32bit stereo with reaper. Enjoy!.

Support my musicdonate now. Https://www. Paypal. Com/paypalme/giovi82this and other. Ableton live. Free music slap house dance edm loop electro clap drums kick drum snare bassdance club psytrance drumroll trance trance sample compressed tight drum.

This is a recorded sound of nails tapping a fence. The different modification steps :. - fade-out effect- wahwah effect with the following parameters :lfo frequency : 1,5hzstart-up phase : 0 degdepth : 100%resonance : 1. 0wha frequency lag : 10%.

Sound of my binger wristwatch ticking. I used phase cancellation to get rid of the noise floor except for the ticks. At lower volumes it sounds very convincing. I draped the watch over my microphone - the blue yeti pro.

A chord progression loop i pulled from one of my remixes. Made with stacked synth pad and bass layers, and compiled in reaper.

My dw 13" collectors snare recorded with a shure pg56 on the top and a shure sm57 on the bottom with the phase reversed on the bottom mic. Both mics run through my mackie onyx 1620 mic preamps. The track is uncompressed.

Audacity:. • file→new. Left track• tracks→add new→mono track• change become left channel. • generate→chirp. . . - waveform: sine- startfrequency: 1000amplitude: 0. 5- endfrequency: 3000amplitude: 0. 5- interpolation: linear- duration 00h 00m 01. 000s. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 6. 0. Right track:• tracks→add new→mono track• change become right channel. • generate→chirp. . . - waveform: sine- startfrequency: 1500amplitude: 0. 5- endfrequency: 4500amplitude: 0. 5- interpolation: linear- duration 00h 00m 01. 000s. • effect→tremolo- wavefrom type: sine- starting phase (degrees): 0- wet level (percent): 100- frequency (hz): 6. 0. • make stereo track.

Ocean waves recorded from between two rocks. Recorded on a zoom h4 with the mics covered in zeppelin fur at 44100 hz 24-bit. There's some slight wind noise that can be filtered from 150hz downward. This is part of a series of recordings for an ambient music project i'm working on. There are some excellent ocean recordings on freesound if you're looking for a more traditional ocean sound, but my intent with these clips was to try to capture some natural phase-shifting by placing the h4 in cracks and crevices for a more hollow, "closed-in" sound.

This is my competition entry for earth. It is comprised of copies of a kick drum recording and a high hat recording i've done with some phase vocoder processing. This short sound is really about 7 tracks of layered audio.

This sound was created off my black'n'white unfamusic waveform logo. A big (5300x1200) png image was saved as 32-bit uncompressed bmp, and then imported into audacity as raw data in stereo mode, 24-bit unsigned @ 192khz.

A series of three octave tones dropping in pitch, with the highest one fading in to create a dropping effect ending at a higher frequency. Just my attempt to recreate the dropping bells effect. Start the sound over from the beginning after finishing.