18 Royalty-Free Audio Tracks for "Picked Bass"

A picked bass riff with some phaser applied.

A bass guitar picked in 4ths from e to f.

Vigorous picked bass sound. Preset #4 from bassesland vsti software. Notes starting from c5 produce harmonics. Http://syntheway. Com/bassesland. Htm. Bassesland is a virtual bass software that covers a wide range of sounds, from an electric bass guitar or an acoustic double bass, to the vintage bass synthesizers. Features. - rotary switch selector to change between the following basses:. 01 electro acoustic bass02 fretless electric bass03 jazz electric bass04 fingered bass and harmonics05 picked bass and harmonics06 muted bass and harmonics07 slapped electric bass08 bass slides (glissandos)09 fuzz bass overdrive10 minimoog sub-bass11 moog prodigy bass12 moog system 55 modular synth13 moog taurus pedal preset14 moog taurus bass pedal preset15 roland jx-3p juicy funk16 roland jx-8p synth bass17 roland juno-106 fat bass18 clavia nord lead acid bass19 oberheim ob-xa buzz bass20 arp 2600 bass (arp instruments, inc)21 oscar bass (oxford synthesiser company)22 kawai k3 resonance bass23 upright bass (acoustic double bass)24 upright bass pizzicato.

A mellow 130-bpm loop with some picked guitar backed by some simple bass and drums. Created with fl studio.

This is dropping a water bottle with water in it next to the mic. I love how much bass is picked up. I've used this sound for quite a bit.

Free loop for any use :-) have funthis is my bass loop at bpm 120. Listen to my bass in some of my songs and get inspiredhttps://youtu. Be/iqddwaji3s0?t=15.

Picked_bassnote_ahttps://www. Grdmusic. Com.

Recording of the 'do' string of my cello, picked. Some noise. Recorded with a sennheiser evolution e845s.

Free loop for any use :-) have funthis is my bass loop at bpm 120. Listen to my bass in some of my songs and get inspiredhttps://youtu. Be/iqddwaji3s0?t=15.

Free loop for any use :-) have funthis is my bass loop at bpm 120. Listen to my bass in some of my songs and get inspiredhttps://youtu. Be/iqddwaji3s0?t=15.

Free loop for any use :-) have funthis is my bass loop at bpm 120. Listen to my bass in some of my songs and get inspiredhttps://youtu. Be/iqddwaji3s0?t=15.

Free loop for any use :-) have funthis is my bass loop at bpm 120. Listen to my bass in some of my songs and get inspiredhttps://youtu. Be/iqddwaji3s0?t=15.

Lowest string (f1, gauge 0. 74) playing again, but this time with heavy distortion and no reverb. There is some barely noticeable noise towards the end, picked up by the guitar pickups. Djenty, almost bass guitar stringish tone.

An approximately 2 minute in length beat for backgrounds. Listen with headphones or nice speakers otherwise ambiance and bass line do not pick up. Produced with cakewalk sonar. Contains samples of "harp" by pryght one, "rain" by marec, and "cinematic boom norm" by herbert boland.

I like to put special attention into not only the sounds and rhythms used in my work, but also the shape of the tracks itself when looked at in an audio editor. I enjoy working with dc-offsetted sounds, as i believe that, although there is not much of a difference when listened to, they must be picked up differently somehow by the brain.

A stereo wav recording from a zoom h1n during a thunderstorm today. One siren picks up followed by several more producing a convincing stereo image. I have done a basic bass roll-off, but have left it otherwise untouched. If you have a spectral editor you can probably clean out more of the noise, but i couldn't do so and keep the sirens sounding good.

Not gonna explain about this one much. Basicly i just made a simple patch on my virus c hardware synth which consists of 2 osc's (sine / saw), osc2 slightly detuned from the osc1. Fast pitch envelope on both osc's to get the "punch" part in the kick. Ran through virus's lowpass/bandpass filters, lowpass cutting from 100% to 0% with a speed of 1/4 beats to get a "filtering down" effect to the kick, bandpass rejecting slightly frequencies from a range of 400-600hz. Then i sampled it, many times and picked the best sample. Eq->distort->eq->distort million times and this is the result. Ofc i did some cutting and added some lowpass/bandpass filters with various mix levels @ some points and did some other shit also but basicly it's just eq & distort. Hf, its a decent kick but needs some fixing still since the punch is too separate from the bass.

Session 1, find more koto in this sound pack. The recorder wasn't optimally placed in the session 1 recording, so sometimes you might hear some low impact noises transitioning through the table to the recorder. Some eq (low cut) should be able to fix this. We went to my friend's father to record a koto, a traditional japanese zither-like (table harp) instrument, consisting of a large wooden base with long strings for plucking. The strings are tuned in the japanese pentatonic scale, allowing a mystic, mysterious, beautiful harmony. It was my first time ever playing this instrument, so don't expect wonders lol. But i tried to "feel" the instrument as well as i could, working from my limited keyboard and guitar playing skills. I improvised simple patterns, and also tried to work with call and response ideas, and bass notes, plucking the low strings with my fingers, and then plucking the high ones with a pick. Happy listening, chopping, and remixing!. In kashiwa, chiba, east of tokyo. Mid october 2016. Zoom h2n stereo ms recording in 96khz, 24bit.