2,748 Royalty-Free Audio Tracks for "Pitch"

Sound of two knife edges scraping together. I slowed it down in adobe audition and used pitch shift to make it deeper sounding, like a sword being drawn. Enjoy! it's free!!.

La Monte Young's magic chord. Tuned from E = 1/1.Gann, Kyle (1997). "La Monte Young's The Well-Tuned Piano", La Monte Young Web Page.

Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.

The mitosis pack contains several loops with melodies. I removed the modulation and let the bass run without changing a pitch for this loop. See also loops 005 and 6.

A recording that sounds like two people laughing with a rather creepy vibe. One of the voices is high-pitched (like that of a child), the other middle-pitched. It's actually a recording of me laughing, doubled, changed pitch and alternated start.

Sound of rw's mechanical heart?. Made with mixpad and wavepad. Took a few heartbeat sounds, overplayed with "warp core", ratchet, a car turning off, pump action shotgun and warning sounds. Plus a few others i cannot remember. Played with speed and pitch.

Speech recorded and processed by me for casual game "chile vs aliens"game: http://sumersion. Com/studio/games/mundial-chile-vs-aliens/recorded with tascam dr-40 and rolled nt1, fx: uhe g.

This sound was made to use as foley for a character walking sneakily. I created this by rubbing a smooth bottle and editing the pitch and position of the rubs. Recording using tascam dr-40.

If you use my samples please be sure to credit me as well as give a link to either the sample used or my freesound. Org profile, thank you in advance!. Want to commission me?www. Fiverr. Com/amecommissions.

Me pretending to be a bug exterminated. Mixed with my sray. Wav file using pitch bend, tempo and noise reduction. Recorded on conexant smart audio with at2020 usb mic and processed with audacity.

A background sound design element used to create suspense in a horror scene. Very subtle, flowing modulation. Sounds similar to wind. Recorded with a roland groovebox self-sample utility straight to wav, though results in reduced high frequencies.

A series of three octave tones dropping in pitch, with the highest one fading in to create a dropping effect ending at a higher frequency. Just my attempt to recreate the dropping bells effect. Start the sound over from the beginning after finishing.

A typical "lasergun" sound effect. Basically a sharp envelope applied to the pitch modulation. It was made in native intruments massive. If you like this sound, you could also check out my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy.

This is the sounds of a door that needs to be oiled at my house, it is a combo of the door opening slowly, clicking, closed and the actual erie tone.

3 gal. Bucket with a sony voice recorder placed on the inside. Edited with sony sound forge, eq to get rid of the crappy voice recorder sounds and added time compress 85% of original, bend pitch and reverse on end. Also added stereo pan.

A more grim, horror-focused version of spooky snap 1 - pitch automation is applied. The base is the same - a strong, resonating clink of glass by using a flat metallic surface to generate the sound.

Made some sounds for a film i worked on. Thought i should share since i use so many of the sounds from this website. =).

A bassy, wobbly sound effect that can be used for sci-fi weapons and such, created by overlapping pitch-shifted bass synthesizers and adding distortion and drums.

A natural poot (fart) with a more or less linear shift from higher to lower pitch. Processed with audacity for a more consistent tone and volume.

Recorded the pitchy sound the top of a pot made when being submerged and taken out of water. Recorded on my zoom h1 with no processing.

I created this witch laughter in adobe audition using pitch correction and reverb. I hope you find it useful.

I made this file and used paulstretching and pitch change. I liked it. It's pretty much indescribable so see what you think. I hesitated to put "angels" on it but it does sound at some point like a host of voices.

Exploding bomb/detonation soundpowerful explosion with hallmade from a lazer shot soundusing pitch change and paulstretch functions of audacity. This sound is part of the public domain. You can use it without any credit.

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

Algorithmic modular music program (man2_2019). The computer is my analog modular synth. 01 to 08 are clock sequencer steps. 00 rem -------------- man2_2019 --------------00 rem vco_1 sin through wave folder00 rem vco_2 tri00 rem vco_3 sqr through vcf00 rem (vco_1, vco_2, vco_3) tuned to 130 hz00 rem rnd pitch cv from attenuated tri lfo00 rem rnd cv from tri lfo00 rem main clock (lfo_1) start frq 10 hz00 rem reset is tricky, trg -> short env -> reset00 rem (noise) is noise through a lfo sweeped vcf00 rem ---------------------------------------01 rnd -> vca cv in (vco_1)02 if (lfo_2 = high) then goto 01 [= reset]03 rnd frq lfo_1 (run speed)04 rnd fm mod (vco_1) with audio from (vco_2)05 rnd -> vca cv in (vco_1, vco_2, vco_3): invert cv -> vca cv in (noise)06 trg long env (vco_2): rnd pitch @ eoc (vco_2)07 trg long env (vco_3): rnd pitch @ eoc (vco_3)08 rnd -> wave folder (vco_1): rnd -> vcf (vco_3)10 goto 01.

*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.

How does earth should sound? uh. . . I don't know, but i started to my make some noise with this old dead plant. I duplicated 6 times the track with different treatement on each ; pitch, overdrive, lo-pass, delay etc. . It's now sound more like earth quake than anything else. . .

I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.

Recording of me "growling" that has been highly altered to sound like a demon snarling. Same as "demon_ghost growling 1" but amplified to sound more sinister. Recorded and edited using audacity.

A very short excerpt from a piece of music i started to make but abandoned. The clip is percussion and female vocal with effects. I used both abelton live 9 and reaper for the original piece.

This is a sci-fi door or piece of equipment sound - short bleeps - it was created using mixcraft 6 and a shure usb mic. . I whistled and manipulated the sound using effects and pitch control.

6 separate tracks of my voice/breathing with pitch bend, delay, reversed, inverted, phased, and eating potato chips for extra effect! noise reduction used. Recorded at home on conexant smart audio and at2020 usb mic, processed with audacity.

This was made as more of a sifi air rifle rather than a "laser" pistol. However it can still work both ways. The track has three sound effects. They all have a "similar" sound but some very in pitch or tempo.

Recording of glass cups being played by rubbing a finger along their tops. The sound is a high, resonant drone. Several different glasses are used, so more than one pitch is heard. The recording is of middling quality, and background noise is audible throughout.

Ghostly female wail. Might be ghosts, or might be deadly sirens calling across misty waters to lure hapless sailors to their doom. Voice synthesis achieved by mixing formant filtered oscillators. Pitch bending is added to the note track to produce a descending, spooky wail.

My voice, three "moans" slowed down/pitch changed with reverb added to sound like a humpback whale. Might need to use noise reduction for the popping/clicking when you use it. I made this because icouldn't find a good clear whale song.

I just squeezed a rubber bath toy mermaid and lowered the speed. The last voop the duplicated whoosh sound after the first voop but amplified and higher pitch. So yeah. It kind of sounds like a laser being shot or something.

Electric wood sander sanding a sheet of ply wood. Hard, loud and abrasive sound, high volume low pitch. Recorded inside a workshop with a zoom h6 recorder. Audio was post-processed to boost the audio. Wood sander was a bosch 230v.

The sound made by my voicei adjust that pitch, and also add a reverb. You can just use it or deformation it freely. But if there's a work made using this sound,i'd appreciate it if you could let me know. (like youtube link).

At the normal pitch of the 17 inch drum, i play several single notes. Feel free to use some sampling or anything!. Recorded with a sm58 in a sound-treated room.

Hey everyone,. Thanks for everything now and throughout the past couple years. I appreciate you all!. Support me : https://bit. Ly/rkb07. Made & edited in fl studio 20 & pro tools 12.

(higher pitch and relatively different in terms of character than the original) based upon my "single gunshot. Wav" sfx, this experiments a bit with the effects of stereo audio. I made the sound quite punchy also. Created with audacity. Use however you see fit.

Create dinosaur sound, use markgia's sound "wah-dealio. Wav" (but have stereo). Audacityfor left channel:- cut section from 0. 709s to 0. 844s. - file new- tracks→add new→mono track (left channel). - paste section cut from source sound at 0. 000s. - effect→change speedspeed multiplier: 0. 150. - effect→change pitch. . . Percent change: 300. - effect normalize✓ remove dc offset✓ normailze maximum amplitude to: 3. 0 db. For right channel:- tracks→add new→mono track (right channel). - paste section cut from source sound at 0. 000s. - effect→change speedspeed multiplier: 0. 150. - effect→change pitch. . . Percent change: 250. - effect normalize✓ remove dc offset✓ normailze maximum amplitude to: 3. 0 db.

I'm currently working on some musical ideas for a good friend's cartoon series and thought i'd upload this little experiment with an old vinyl of some mozart. I recorded the output of my deck and messed with the speed and pitch, as well reversing the audio and adding some distortion and other effects once it was in my daw. Sounds pretty creepy! if this proves popular i will upload some more of my "musical" experiments! enjoy!. My soundcloud: https://soundcloud. Com/mattcmusic.

Another "shoegazey" clip using guitar though many pedals (boss xtortion > danelectro eq > boss me-30 (no effects on, but working as a slight boost) > eh small stone > korg ax3g (on a pitch/harmonizer setting) > boss dd-20 > behringer ultra vibrato > alesis nanoverb > mixer > soundcard. ) it's kind of similar to the beginning of "souvlaki space station", but it is in no way an approximate recreation (or even the same notes, i'm sure) of it. I messed around with levels and soundcard settings and was able to get a much cleaner, less distorted recording (compared to the guitar drone sample uploaded previously. ).

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

This is a singing glass. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

Monster noises made using heavy granular synthesis, formant and pitch-shifting on a female voice.