2,748 Royalty-Free Audio Tracks for "Pitch"

Monster noises made using heavy granular synthesis, formant and pitch-shifting on a female voice.

Low e string on acoustic guitar scrape slide with pick. Increased pitch, wah-wah effect at 31. 2%, light tremolo,fade and noise reduction used. Recorded with conexant smart audio using at2020 mic, processed on audacity.

A#2 glockenspiel note in mono, recorded using an akg c3000b and straight into my 'puter. Part of a set. The glockenspiel is a 3 octave educational type, not abig orchestral one, so the octave numbers supplied are actually about 4octaves lower than true!.

A low-pitched ringing sound made via a high-pitched asian bell with a clear ringing tone, struck with a wooden dowel, the audio then subjected to a sequence of pitch-changes downward, each combined with a flanger-type effect at various settings for rate, depth and regeneration.

A raw audio mp3 recording of a small piece of glass being dropped on cement and tinkling as it hits the ground. Includes some background noise of wind and a distant chainsaw (sorry if that's annoying!). Recorded with a black sony ic voice recorder.

Variable speed on main trigger. 4-step shift register made with sample and hold modules. Looping envelopes with varying speed. The sample and hold shift register does not preserve pitch frequency very well.

A digital sound effect intended for video game/menu use. Bright, digital windchimes. Will upload the full pack soon.

A laser noise created for my science fiction sitcom. The base was just a note from a vst synth (i can't remember which) and then a variety of pitch shifts, time stretches and layers of reverb until it sounded right.

A long, squeaky, almost metallic-sounding toot that ends in an upsweep to a high pitch. Completely real, processed with audacity for a more consistent tone and volume.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

A recording that sounds like two people laughing with a rather creepy vibe. One of the voices is high-pitched (like that of a child), the other very low-pitched. It's actually a recording of me laughing, doubled, changed pitch and alternated start.

Used a mini mod filter and tuned it up slowly so you can cut out the wanted pitch, switch daw to 120bpm to cut it preciselyenjoy.

Rubber bands stretched evenly between drawer handles being twanged, producing a high pitched melodious tone. From an old cassette, recorded 1985. Another upload of the same recording to remove a click from the first few seconds, using the audacity removal tool.

Created a loop in audacity by hitting an old coca cola collectors glass with a spoon in several locations, altering the pitch of these sounds, and applying them in a rhythmic fashion. Ended up with a kinda creepy march-like sound.

I have recorded a sound made by crumpling a paper. Then i have recorded the noise made by scratching a streaked lid with a spoon. Then i have generated a pluck ( pitch 100), repeated it till the end, and added a “wahwha effect”. I used audacity.

One of the many stores near times square (nyc) which are perpetually going out of business installed this public address system recently and was "going to town" trying to bring in customers. It didn't really appear to be impressing anyone.

Recorded with zoom h1. Friend of mine had stereos that made this sound when they were switched on. Edit: i changed the license to public domain. Enjoy.

Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Bottom line.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Difference tones.

This sound is created with a drumbrute impact. There is a sweet spot with the drumbrute-impact fm_drum that can create a dual tone drum sound, this is how it can sound, but it is not easy to get it into the right pitch.

It's hard to find a good doppler scream and harder to make the effect in sound editing systems. Here's a few falling scream varieties. Just toy with the pitch and you make a variety of plummeting people. Recorded at home on a phone recorder.

Generated from harmless, using protoverb and w1 limiter and eqing. Reminds me of silent hill.

Sound you would probably hear in a jurassic park or king kong movie i made this using text to speech and then slowed the speed and pitch simultaneouslyp. Slol its actually microsoft david saying go f* yourself. . . . Aint that just scary😂.

Sci-fi warning sound effect that was created using the free and open-source software zynaddsubfx, you can use the sound however you like, change the pitch of the sound effect to suite your needs, good for video games.

Messing around in logic with some surround impulse responses and delay designs. Ended up with something that sounded a bit like a submarine sonar blip. . So i added the sound of a fridge, time stretched using the flex tool and pitch adjusted and now it sounds almost real :).

*Perfect octave on C = C'. Just: 2:1 = 1200 cents. Equal-tempered: 212/12:1 = 1200 cents. Limit: 3-limit. MIDI pitch bend: none MIDI.

A short section of electronic music created in logic with sculpture soft synth, mastered yet fully dynamic and ready to go. Enjoy! 16bit. Wav 44100.

I created a witch voice saying, "hells bells, i think i've lost my broom again"! i used adobe audition and tinkered with the pitch and added slight echo. If you like it, please leave a comment. If you don't, let me know why.

Basically i recorded a fidget spinner spinning into my windshield of my condenser microphone, it made a cool low end sound. I made some post processing at the end just to make it sound more cohesive. The sound is tuned to g but the pitch slightly bends.

Banjo sampled from an older record, morphed into complete new sound, after adding audio effects, changing pitch, warping, changing eq and cut offs. It has 3 plucks around 96 bpm.

Ambient music shaped by two sloth lfosmuch reverb! very much. . . . Oh yes, some "ambient noise" toolets call this patch "instant generative ambient patch"one sloth generates triggers. One controls pitch cv. Noise through filter controlled by 2lfosh. And loads of reverb.

A super heavily compressed and saturated snare with a decently long noise tail. Fun to pitch up or chop and throw into a break. Used in my upcoming hybrid-v ep release.

Done by sound forge fm synthesizer. Basically four added sine waves, each has some percentage of self-modulation(feedback). The sound effects chain applied over the initial sound is: reverb, chorus, upward compression(sound forge wave hammer), pitch shift(down) and finally vibrato, to simulate a varying speed tape machine.

A big-cat-sounding growl; on the exhale and inhale. This sound was created using my voice, a pc mic, and a pitch-shifter. Not sure what it's suitable for, but friends keep asking me for it (i use it as my empty-the-recycle-bin noise).

A skinny balloon being pumped up using a small pump (similar to a bicycle pump). The sound is wheezy, squeaky, and there are some mechanical clicking components due to the mechanism of the pump. Recorder: olympus digital voice recorder. Microphone: sony ecm-ms907.

This is an old toy made of metal. It has a handle on top which turns to produce the sound. It is supposed to play a simple melody but it is broken and only plays one pitch. It has been pitched down from the original and reverb has been added.

This is an old toy made of metal. It has a handle on top which turns to produce the sound. It is supposed to play a simple melody but it is broken and only plays one pitch. It has been pitched down from the original and reverb has been added.

I have no idea if this is sounds real but i hope it does a little. I created this with virtual guitar program. I played with the pitch and volume. Its all free enjoy.

Tritone on C = F♯/G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: 0,64 Midi created in Sibelius.

Phaeton, was a son of the sun god, helios and the oceanid, clymene in greek mythology. He asked his father helios for permission to drive the solar chariot, but his team killed him.

This is a singing glass with a cat meowing in the background. 1. Hold the empty wine glass on a tabletop at the base of the stem with one hand. 2. Wet the index or middle finger of your other hand with some water. 3. Lightly rub your wet finger along the rim of the glass. 4. As you rub the glass, you will hear the "singing" sound of the glass. You may have to re-wet your finger periodically and/or adjust the pressure of your finger on the rim of the glass to keep producing the sound. 5. You can change the pitch of the sound by adding water to the glass. Minidisc.

Create dĩa bay dừng lại sound from sieuamthanh’s «dia bay" sound. Audacity:. - cut from 0. 000s to 0. 500s. - copy. - create→add new→stereo track. - paste in new track. - effect→sliding time scale/pitch shift (repeat 4 times)initial temp change (%): 0final temp change (%): -90.

Sound sample of a djembe at medium pitch, illustrating the three basic sounds (bass, tone, slap). The sample starts with a binary call, plays three cycles of the accompaniment pattern, and ends with a call. The accompaniment is "passport with a bass": s..ss.tts.bss.tt"

This is several swings of a huge rusty dumpster door - it varies in pitch and volume, and there is a little bit of background noise. Good for sound effects work. It's particularly good if you happen to be looking for the sound of a particularly deranged tuba!.

I said a sentence into the mic and made its tempo and pitch very slow and low. You could probably use the part of it that sounds like a screech(which was literally me pronouncing "ssuck")for some kind of video game monster like scp 096 (hence the scp tag).

This is a variation on a guttural growl i made to depict some giant bears in power armour. I recorded myself with a zoom h1 and then fiddled with pitch shifts etc to get to this big cat noise (well, that was what i was aiming for).

Made with audacity using pitch shift to lower the percussion sounds i took from fl studio and added three times with the "small room (dark)" plugin in the "reverb" effect. Feel free to use, but please use my name in your description for credit!.