383 Royalty-Free Audio Tracks for "Positive"

Recording breaking frozen/mostly frozen ice puddles with my foot in january 2014 at horizon's park in north carolina. Recorded with a zoom h4n in the afternoon at 96/24 sample/bit rate. Mics set to gain 50 and mic position set to 90 degrees.

A metallic bowl which when rubbed circuitously with a pestle style cylinder creates a beautiful note that gradually builds into a full ringing tone. I'm unsure if this is technically a tibetan signing bowl or not. . . Feel free to correct me. Recorded on a tascam dr-40 internal mics, set to xy position , in a converted farmhouse.

From the ui sounds collection by gabfitzgerald. This sound is a high pitched approval ui sound for notifications, success indicators, winning or other auditory feedback for users. Created from using a wavetable synthesiser and high midi input.

I've only had one take of breaking glass mirror shot for feature film - so i used 3 different microphones at different input levels & position to avoid clipping. This one is from oktava mk-012 short condenser microphone with omni capsule to sound devices 788t. .

This is homemade willow charcoal used in fireworks making being shoveled and dropped on itself in a metal basket. I liked the "twinkling" sound and thought it would be a good first audio sample to upload here. Recorded on my zoom h2n x/y position in northern california. Standard wav.

A sound design class recording of a vehicle traveling approximately 40 mph from north to south, while honking, to create an ambient sweep, pan. Recorded utilizing a zoom h4n field recorder from a westerly position, approximately 20 feet from road.

Various clicks from an aluminum can i crushed that turned out way too awesome not to record. I tried it in various positions around the microphone to give options, but they mostly sound the same. Clicks and double-clicks or a solid on/off switch. Recorded on an iphone and cleaned up in audacity. Shoutouts welcome: production-now. Com.

This is a field recording of the sound of market traders in central athens markets. It's the call of the fish traders but also the butchers whose markets circle the central fish markets. A place where the intensity of the rituals becomes a positive feedback loop reinforcing the intensity.

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Recording of a noisy study room in a student residence. Guys speaking and laughing, noises of the surrounding ambient like people walking, opening/closing doors, going upstairs/downstairs on a iron staircase. Recorded with a zoom h4n recorder positioned some metres from the main sound source (guys who are studying). The recording was done with the authorization of present people.

Just a super raw recording of the rhythmic patterns of my windscreen wipers. All made with a mobile phone from inside the car. Some parts are loopable. The "positioning" of the phone was changed every now and then, so there are different angles and "nuances". Kinda. My phone records in mp3, didn't even know.

A metal gate opening and closing. The handle rattles and the gate creaks as it swings open and then shut. It clangs shut and the handle is returned to its position. Recorded at wallington (national trust property), near rothbury, northumberland, uk, on iphone as video. Audio stripped from video using audio hijack pro, encoded as wav.

This is a sound from a small personal game project that i made. I'm pretty sure i made the sound, but i'm not positive. If anyone knows a prior source, let me know and i'll take it down. If you're interested in the game, you can play it here: https://www. Greenfoot. Org/scenarios/30248.

Glissando on a harp from low to high for 6 seconds. To be used in a quiz if, for example, a correct answer has been given to a question. But the sound can also be used for other parts: as a result of a wizard, witch or fairy. Good luck with it.

A. Timmons pickup in the bridge position with mid-long reverb using some pinch harmonics on some tones. The dark airy, possibly almost cavernous, desolation you asked for. . . Be more specific regarding pitches/keys, any tweaks. . . I'll find you.

Ambisonic test recording made with a sennheiser ambeo mic into a sound devices mixpre 6 ii. Recorded in 32bit float. Mic position was 'endfire'. Not too much action but it gives a good idea of how a quiet ambience sounds in ambisonic. You will need the sennheiser ambeo plugin in order to convert this recording into b-format.

You can use this sound in any project you want for free, but please also consider supporting me via patreon (1$) : https://bit. Ly/patreon22.

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in root position and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is root-second-root-first/root-second-root-first-root)

A nice & sunny recording session at the airport! positioned right at the flight path of departing planes, this served as a test recording for the tascam dr-40x. At some point during the session i decided to point the recorder straight up, instead of towards the planes themselves, creating a nice stereo "pass-by" effect.

Ambisonic test recording made with a sennheiser ambeo mic into a sound devices mixpre 6 ii. Recorded in 32bit float. Mic position was 'endfire'. Not too much action but it gives a good idea of how a quiet ambiences sound in ambisonic. You will need the sennheiser ambeo plugin in order to convert this recording into b-format.

Six strikes of the bell in the tower clock of the church of sainte marie in moureze, southern france, with high pass filtering. Recorded on a windy day. See photo of church tower and two of it's bells here. Recording position was on edge of a small square some meters towards the church. Https://flic. Kr/p/vpw5ar.

Boat returning to the marina. Microphone positioned on an embankment in hamford water nature reserve, essex, uk. Recorded with a zoom h6 msh-6 stereo mic in winter (january).

April 2018 at 9 in the morning, it's cloudy and a few small drops of rain are hitting the ground. Location : south of france (drôme provençale) woods with a variety of birds. . Technical infos :. 24bit / 48khzrecorded with a tascam dr-40 with internal microphone in x/y position + a rode ntg-1. Denoised and mixed down.

It was quite windy and the rain hit the windows really hard. The wind tinkled the lamp. I recorded this sound by positioning a rode nt1 a few decimeters away from the lamp. You can hear some talking in the background. Recommended audio edit: low cut at 30 hz and soft high cut (6db/oct)starting at 1. 5khz.

A sound made for when one party heals another. Healpop. Wav was made using the following sounds from freesound. Org:. Bell0007. Wav by zecraum (https://freesound. Org/people/zecraum/sounds/397347/)pop sound by deraj (https://freesound. Org/people/deraj/sounds/202230/)sleigh bells hit by selector (https://freesound. Org/people/selector/sounds/369506/). Feel free to use healpop. Wav as you see fit.

A heavenly background mix loop about a hat that can fly lol. Imagine you're walking outside and your hat / cap / whatever's on your head starts to fly away 😂. This sound can for example be used in games - you name it!.

I play three notes on tenor trombone: Bb3, Bb2 and Bb1. They are all in first position. The first two notes are in the standard range of the trombone, while the last note is a pedal tone. This occurs when the instrument resonates at the fundamental, rather than the 2nd harmonic. Pedal Bb is relatively easy on trombone, but much harder on trumpet (I'm unable to do it, despite being proficient at trumpet and at a beginner's level on the trombone).

A truck delivers a large dumpster used to haul off construction waste. Truck idles, moves into position, drops off the dumpster, and drives off. Gear: zoom h6, xyh-6 x/y capsule (120 degree stereo image), rycote windjammer. Please feel free to leave feedback and ratings. I would love to hear how you put the sound to work.

Recorded with a tascam dr-05x with gain at 75% and positioned by an open window. 10:00 am sunday, clear sky, cold with some ground frost. Background distant traffic noise and helicopter appears about halfway through the recording then some people's voices near the end. I've amplified this recording by around 8db, no other processing applied.

This is my second "stonerscape" that i've uploaded, the first being "creep jam". This atmosphere gives off a dark and brooding feel, my interpretation of what one may experience in a deep, suspended animation state. Get yourself properly prepared (if legal in your area), use good quality headphones, and relax in a comfortable, laid back position in a darkened room.

A boat accelerating out of the marina with following waves hitting the embankment. Microphone positioned on an embankment in hamford water nature reserve, essex, uk. Recorded with a zoom h6 msh-6 stereo mic in winter (january).

After rain comes sunshine !!!. If you enjoyed the sound, please rate, comment, spread! it really helps!. Note: make sure to check out the other matrixxx-sounds! the sound quality is always better when you download the sound(s)! ⛄ made this with saucillator! ⭐. Enjoy!/matrixxx.

I was recording wind that blows in my window, but the zoom h2 placed on a (cheap) mic stand after some time started to bend itself downwards. It hit the curtain/drape in my window and rubbed itself against it until reached the lowest position - the mic stands arm stopped gently as it started. This produced a very interesting sound that i totally didn't expect to find on the recording. Edited with audacity.

This is a clip which contains the background audio which i need enhanced. I can't quite make out all the words, but i do know that the words "rapin him" are said, and the name "carter", and "positive thing". When i recorded this clip, i put the conversation on a loop, trying to make it easier to edit it while i listened, but i still can't make it all out. Good luck.

After working for the last several years on holiday spots that required the need of sleigh bells, i finally decided to get my own set of sleigh bells. All the ones online i could find didn't pass quality control. Here is a loop i created at 90 bpm. Hopefully this comes in handy for someone who was in my position the last few years. Enjoy!.

Thousands of cicadas occur in endless cycles for roughly one minute, at least where i was in my backyard in san antonio, texas. At the beginning of the cycle, they truly sound like a jet with engines idling on a runway, growing louder as it maneuvers into a take-off position. After several more seconds, the soft whirring grows louder and louder for about ten seconds or so, and at the closing of the cycle crescendos into a a sustained cacophony like crickets on crack.

Electric sparkle sound made in harmor in flstudio. Sound is made of harmor generating dark, unison, subbas oscilation with three partials with fundamental frequency of 50hz. Partials got decaying amplitude along frequencies. Bass is put into wave shaper with smooth, negative peak distortion at 50% of positive range. Then falls into parametric equalizer boosting 3khz, forming wide parabolic shape. Bass frequencies are cut off. 44. 1khz, 16bit.

A clean raw stereo recording of about a thousand people chatting with each other. No distinct dialogue. Recorded in stereo on an h4n. The microphone was positioned about 20 feet above and to the side of the crowd. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

Sony dvp-s530d cd/dvd player. A couple of takes of the disc tray being gently pushed closed. The first take includes the sound of the player spinning up a disc. The left channel is a sennheiser mkh-416 and the right channel is an akg c414 b-uls, both into a john hardy m-1 preamp into pro tools. Each mic has a slightly different recording position and overall sound.

Recordings from one of my workshops at uni. Gareth stuart is playing while we test mic techniques for: interaural intensity difference, interaural time difference and which techniques and positions reduced the instruments natural hiss, but we also discovered that a lot of people like the clarinet's tuneful hiss. We used an ab split stereo pair , xy pair and then an ortf pair. Used rode's nt5 pair, veeery nice.

A clean raw stereo recording of about a thousand people chatting with each other. Includes distinct dialogue in american english, iberian spanish, french and other languages. Recorded in stereo on an h4n. The microphone was positioned inside the crowd. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

A clean raw stereo recording of a about a thousand people chatting with each other. Almost no distinct dialogue. Recorded in stereo on an h4n. The microphone was positioned on the side of the crowd, close but not in the crowd. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

Sea waves on a windy beach rolling around from left to right and right to left, with sounds of spume and sand moved by the water. Recorded september 2012 at the northern beach of fehmarn island, germany, near niobe memorial. Recorded using a pair of rode nt5 mics in x/y positioning with nikolai windshields. Eqed with eq10q: low cut at 41hz, +4. 5db q0. 43 at 142hz, -3. 7db q0. 70 at 1980hz. Normalized in audacity.

Deep and dark sci-fi background noise that could fit a movie space ship, e. G. In the warp drive chamber. The actual sound source is a gas stove that has been recorded using a fostex fr2 recorder and a pair of røde nt5 mics in x/y positioning. The original 24/88. 2 recording has been slowed down 99% using audacity. Some echo added.

A clean raw stereo recording of a about a thousand people chatting with each other. Almost no distinct dialogue, but a discerning ear would hear american english and iberian spanish. Recorded in stereo on an h4n. The microphone was positioned on the side of the crowd, but pretty close. Recorded in a big space with huge ceilings--would be suitable for a theatre, auditorium, rally, sports game, etc. , but an experienced editor might be able to make this into an outdoor scene as well. There might be minimal handling noise.

Captured in a small she-oak forest on the edge of pink lakes, a salt lake in murray sunset national park , victoria australia. The wind sings beautifully through these trees. Recorded with a ms set up using a sennheiser 416 paired with sennheiser mkh-70 into a zoom h4n. I then synced this up with another recording from a different position using a zoom 4n.

Foley recording of a goose-neck reading lamp lamp (you can bend it into any position and it will stay that way) mounted to a bed in a hotel room. Features a lot of groaning, clicking, bending, stretching, etc. Could be used for rope torsion sfx, pitched down for metal stress / strain / fatigue, clicking elements could be used for creature sounds.

My first ever field sound recording, made with diy mic and sony mz-n707 md, sp mode, mic gain set to "low". Tommorow will make some more :). Gilera runner sp50, 50 ccm 2-stroke scooter, with removed factory speed-limiters (some of them are in the exhaust). Mic was positioned maybe and inch above exhaust. At the begining automatic choke is engaged, hence the high idle revs. .

This audio contains a guitar performance of lily was here song. It was recorded using a fender player telecaster guitar and yamaha audio gram 6 audio interface as recording set up. Tempo: 108. The setup to record this performance and the other ones in the same dataset (five guitar dataset) is explained here: the setup used a yamaha audio gram 6 audio interface and reaper 10 to record guitar from direct input (di), a huawei p30 lite model mar-lx1a to record guitar from a mobile and a dell inspiron 13 5000 to record guitar from a computer. To record acoustic guitar in di, i used a fishman neo d single coin on larrivée and seymour duncan seth love on the eastman connected to a nap-5 stageman floor acoustic preamp going then to the audio interface. The computer and mobile were positioned approximately 3. 8 cm from the player position (measured from the twelve fret of the guitars). The electric guitars were plugged into a dv mark little jazz guitar amp which has a di output, that was connected to the audio interface. The amp was located at a distance of 114. 5 cm from the mobile and the computer.

Opening and closing an old metal hatch in our basement. The hatch is locked by two handles. The first two creaks are the handles being turned, the last creak is the hatch itself. At around 0:10, the hatch is closed again and the two handles are turned to closed position. Recorded using a no-name directional microphone. Feel free to use however you please, credits appreciated but not required. If you'd like to tell me what you used it for, go ahead, i'd love to hear it.